Tag: Zeljko Ivanek (Page 3 of 4)

Heroes 3.16 – I Hate People When They’re Not Polite

Really? They had to start the episode by reminding me about the plotline that loathe the most…?

Fair enough, let’s drive right into the Claire storyline. She’s continuing to get text messages from the mysterious rebel while lying to her mother and being shitty to her father, while HRG continues to offer up threats which are clearly pointless, since we all know that she’s going to ignore orders and do whatever she wants to do, anyway. Well, at least Zeljko is clearly pissed off about it. (We can only hope and pray that he actually acts on it.) By using another comic book store as a set piece, I couldn’t help but feel like the producers were saying, “Okay, let’s keep playing to the diehard geeks, ’cause if we lose them, we’re really screwed.” The sequences of Claire trying to save the life of Comic Book Guy were well-executed, but, again, it all came back to the issue of Claire being totally uncontrollable. If this had been a real government operation, she would’ve been imprisoned (at the very least) long ago, no matter who her father and stepfather were. And now she’s unnecessarily telling her mother what’s going on, knowing full well what effect that could have on her and, worse, leading to a touchy-feely scene at the end with Claire and HRG…? (The only redeeming moment of that sequence was having Comic Book Guy step out of the shadows.)

Dear “Heroes” producers: KILL THE CHEERLEADER, SAVE THE SHOW.

It felt a little too on-the-nose to have “Born to be Wild” playing on the stereo as Sylar set forth on his road trip with his new little buddy, Luke, but that was about my only complaint about their storyline this episode. The relationship between the two of them remains the most interesting thing about this new series, with Sylar doling out examples of his power and being flummoxed by Luke proving more fascinated than scared. The scene at the diner was also really well done, with Luke being irresponsible with his abilities and Sylar actually opening up to Luke about what he wants out of his encounter with his father. I thought sure we were going to see the end of Luke after he made the mistake of trying to be a nice guy by giving Sylar his dad’s address, but then Zeljko’s men invaded, and the end of the scene was…well, how did you feel about it? I’m sure Luke thought that Sylar had betrayed him by leaving him to be captured, but I felt like Sylar imagined that he’d given Luke a bit of a thank-you gift by not just killing him outright. In the end, of course, Sylar clearly felt like he really did owe it to Luke to save his ass, and the sequence in the paddywagon was awesome…almost as awesome as having the two of them drive off into the night to the strains of “Psycho Killer.”

Continue reading »

Heroes 3.15 – In Blood We Trust (All Others Pay Cash)

Tonight’s episode began not with the resolution to the cliffhanger but, rather, with Nathan making a phone call to…who? At first, I thought, “Oh, it’s Mama,” but, no, that would’ve been too obvious. And we knew it wasn’t Tracy, since she was on the plane. Then I had a crazy thought: maybe it’s Papa, already back from the dead. It wasn’t, of course: it actually was Mama. But, hey, a Robert Forster fan can dream, can’t he?

The post-crash sequence quickly showed that last week’s cliffhanger was a big waste of everyone’s time, as every single hero got out alive, but once the gang got on the run, it looked like things were going to get very interesting very quickly, especially when Matt went all white-eyed. But, suddenly, the jets flew over and bombed the shit out of the crashed plane, and I groaned. Really, “Heroes” writers? You think having a couple of big, loud jets flying by and dropping bombs is somehow going to draw attention away from the plane crash that happened a few minutes before…? And my groaning turned into moaning with the funny-for-all-the-wrong-reasons scene of tranced-up Matt busting into a trailer just to hunt down paper and a writing utensil. Fortunately, Ando was there to provide a couple of legitimate laughs, most notably at an airline operator’s lack of knowledge about the whereabouts of the state of Arkansas.

It was a shame to see Daphne get shot down, though I was disappointed that we didn’t get to see a great deal of Matt’s emotional reaction beyond his turning the soldiers against themselves. I’m sure, however, that we’ll see him start to grow darker with his power usage in upcoming weeks as he extracts his revenge.

Continue reading »

Heroes 3.14: It’s a strange new world we live in…

Welcome back, kids, to one of the most bashed series currently on television…and that’s by people who used to consider themselves fans of the show. Now, clearly, if you’ve been a regular reader of this blog, you know that, although I’ve been here from the very beginning of the “Heroes” saga and plan to hang on ’til the bitter end, I’ve had my problems with the show. Clearly, Tim Kring and the gang can’t please all of the people all of the time, but even I can admit that Season 3 started off looking like it was going to blow the disappointment of Season 2 out of the water and only ended up having its own share of problems. Worst of all, the first half of the third season, “Villains,” came to an end with the death of one of the series’ one interesting new characters: Papa Petrelli, played by the ever-awesome Robert Forster. (The only consolation is that, well, we thought the character of Papa was dead throughout the first two seasons, so there’s every reason to believe that they’ll find a way to bring him back to life yet again.)

Tonight, we were presented with the beginning of the second half of Season 3, which has been given the subtitle of “Fugitives.” How was it, you ask…?

Continue reading »

“Heroes” directors talk “Fugitives,” fans, and (Bryan) Fuller

The return of “Heroes” from its mid-season vacation is coming up fast…the show returns with its latest saga, “Fugitives,” on Monday, February 2…and the folks working behind the scenes are excited about it, even if some of the fans are less than thrilled with the way the show has been progressing in its third season.

“Part of the fun of being a fan is the grousing,” acknowledged Allan Arkush, who not only serves as one of the show’s directors but also as an executive producer. “That’s certainly one of the biggest functions of the internet: to be a place where you can get pissed off and show it. But I thought Tina Fey was pretty funny about it on the Golden Globes. I mean, I didn’t disagree with her point of view on it! It’s fine, but I’ve been reading a lot of reviews of the Season 2 DVDs, and people have been saying, ‘Well, when you look at them in a row, it’s a completely different experience, and now I see how the whole thing is threaded together!’”

Arkush doesn’t tend to read the negative press in that much detail, but he did take particular issue with Entertainment Weekly’s recent smackdown of the “Villains” episode.

“I thought it was way off mark,” he said. “They said something about how it was one of the worst episodes of the year of any show, and I thought, ‘That’s not true at all! This is actually a really good episode!’ It was the one where we went back and showed how Sylar met Elle and showed what Arthur Petrelli had done, and I thought it was fun to kind of go back and see how all of that happened and see parts of their lives that we hadn’t seen, but they said, ‘Oh, it’s a very contrived concept.’ I liked it. It was one of my favorite episodes of the year!”

It’s fair to say, however, that just about everyone – not just fans, but, indeed, Arkush as well – is excited about the return of Bryan Fuller to the “Heroes” family. (Granted, they’re probably not that thrilled that it took the cancellation of “Pushing Daisies” to get him back, but you take the good with the bad.)

Continue reading »

Old Show, New Season: “Damages”

If we were to organize those readers of Premium Hollywood who’ve watched the entire first season of “Damages” into two groups – the ones who watched it when it originally aired and the ones who watched it when it came out on DVD – and took a quick poll about why the latter group watched it on DVD, I’d guess a sizable number of people would say one of two things:

1. I missed the premiere, and when I tried to pick up the series a few episodes in, I felt like I’d already missed too much.
2. I missed an episode during the season, and I knew I’d never be able to figure out what happened, so I just decided to wait for the DVD.

Yeah, it’s true: “Damages” is that kind of show…and I should know, having been one of the people who missed the premiere. But when I got the Season 1 DVD set, I blew threw it as quickly as my schedule allowed. It was an enthralling thriller which managed to be that rare breed of legal drama which almost never set foot in a courtroom, with gripping performances from Glenn Close, Ted Danson, Rose Byrne, and Željko Ivanek and many a moment that left you breathless. In the end, Ellen Parsons (Byrne) went through hell and back, leading her to declare war on Patty Hewes (Close) by teaming with the FBI to bring her down from the inside, all the while maintaining a front and pretending to be her number-one employee.

Season 2 begins in approximately the same chronological manner as Season 1, starting in the present with a jarring opening scene, then jumping back in time to begin the process of explaining how things got to that point in the first place. How odd it feels, though, for the initial flashback scene to show Patty Hewes making an appearance on “Live with Regis and Kelly.” Not that we haven’t gotten the impression that Patty’s a major public figure in the world of law, but it feels rather jarring to see her in the comparatively day-glo lights of the “Live” stage. Still, you can also imagine it setting Patty up for a big fall when she waves Ellen onto the stage and declares to the studio audience and the millions of viewers watching at home that she’d be lost without her.

But will Patty fall this season? Well, if she doesn’t, it certainly won’t be for lack of Ellen trying to make it happen. “You just want to arrest Patti Hughes,” she says to her two FBI contacts. “I want to destroy her.”

Continue reading »

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑