Tag: Vincent Chase (Page 5 of 7)

Entourage 6.2 – Amongst Friends

July 19, 2009 /

Last week’s season premiere received a bigger negative response than I expected. In fact, I’m kind of surprised that more of these detractors didn’t come out of the woodwork last year, when there was actually something to complain about. At least then it looked like the show was taking a turn for the worse, because as far as I’m concerned, the first two episodes of the new season have been nothing but classic “Entourage.” If you’re not enjoying it now, then I find it hard to believe you ever did. Sure, it might seem a bit repetitive after six years of the same thing, but the chemistry is still great and the story arc for this season actually shows real promise.

As for boys still being boys, well, that’s very much in full swing at the beginning of the episode when Turtle launches into a rant about how Katherine Heigl’s character from “Knocked Up” would never bang the guy played by Seth Rogen. (Our own John Paulsen would likely agree.) Apparently, being funny doesn’t make up for being ugly. I don’t know what that means for Turtle and Jamie-Lynn (he claims that girls think he’s cute, even though he’s always had a hard time convincing them to have sex with him), but for the time being, they’re very much the happy couple – so much so that Jamie-Lynn finally makes their relationship official at Vince’s big movie premiere. The rest of the guys score dates as well. Vince brings some chick he hooked up with last weekend, Drama convinces a vivacious retail clerk to tag along, and Eric goes with Sloan… as friends.

Obviously, the ever-changing relationship between Eric and Sloan is going to play a big part this year, especially now that they’ve introduced the superhot Alexis Dziena as Eric’s new “friend,” Ashley. I mean, he didn’t even seem that interested in the girl at first (her appearance at the party definitely caused some awkwardness between him and Sloan), but after confessing his true feelings to Sloan and getting denied, he was more than happy to use Ashley as a last-minute back-up plan. Sloan’s text message apology (what, she was too busy to call?) seems to indicate she cares more than she’s letting on, and you can be sure that once Eric finally starts getting serious with Ashley, Sloan is only going to want him back.

Also, is it just me, or does it seem like Ari doesn’t even work for Vince anymore? With the exception of the odd run-in with his star client, he’s been spending most of his time these days with Andrew, who Ari discovers may or may not be having an affair with a junior agent. It’s the kind of news that Ari doesn’t want to hear, especially since he’s just gone out of his way to convince Mrs. Ari to become friends with Andrew’s wife, Marlo. He’s urged Andrew to put an end to the fling before his wife becomes any the wiser, but it doesn’t take a rocket scientist to know that this is going to end very badly. And poor Lloyd is going to be one that gets punished for it. Oh well, we knew Gary Cole wouldn’t be around for the long haul. It was just a matter of who would be the one to push him out the door.

Entourage, External TV, TV, TV Comedies

Entourage 6.1 – Drive

July 12, 2009 /

Fans of “Entourage” know that season premieres have never been one of the show’s strong suits (they tend to act more like a prologue than an actual part of the story), but while tonight’s episode wasn’t particularly memorable, it did set up quite a few interesting arcs for the coming season. The most obvious of the bunch is Vince’s return to the big time after the colossal failure of “Medellin” nearly ruined him for good. Granted, working with Scorsese will usually do that for you, but it’s just nice to see Vince back in his old digs worrying about things like getting his driver’s license instead of how he’s going to climb his way out of debt.

It’s a shame we didn’t actually get to see any of the footage from the film (maybe next time), but he did talk with Jay Leno on “The Tonight Show” about his new gig: a biopic about Enzo Ferrari, hence the reason why he needs to learn how to drive. The actual exam didn’t go over quite as well as Vince’s confidence would have implied (he practically ran over the entire course of traffic cones), but he was still able to earn a passing grade after bribing the instructor with premiere tickets for his new film. Not exactly a sign that Vince has matured, but with everyone else in his life doing just as good as he is, it’s probably about time he starts.

After all, with Drama constantly working and Turtle always hanging out with Jamie-Lynn, the one person Vince has always been able to rely on is Eric. That’s all about to change, however, now that Eric has agreed to sublet a house from one of Sloan’s friends. Why he’d want to live in that house for only a year is beyond me, but Eric clearly understands that if he ever hopes to get a second chance with Sloan, he’s going to have to be a little more independent. Vince doesn’t seem to have a problem with it at the time, but now that he sees just how lonely life could be without anyone there to keep him company, it might just force him to reassess his bachelor lifestyle.

Meanwhile, with Vince back in the industry’s good graces, Ari is having the time of his life alongside his new partner-in-crime, Andrew, who’s settled into the agency quite well with a string of new clients. (Of course, if the writers knew that “My Name Is Earl” would be cancelled mere months after the episode was filmed, they probably would have chosen a different client for him to sign.) Okay, so maybe business isn’t exactly booming, but that doesn’t stop Lloyd from demanding his long-awaited promotion. Ari finally gives in to Lloyd’s constant bickering and offers him a deal: do whatever he says for 100 days and he’ll make him an agent. I’m really hoping Ari doesn’t follow through, though, because while Lloyd certainly deserves the promotion, the show would be better off maintaining that dynamic. It’s worked this long, so why mess with a good thing?

Entourage, External TV, TV, TV Comedies

Entourage 5.12 – Return to Queens

November 23, 2008 /

Apart from the end of last season, I can’t think of a lower point in Vincent Chase’s career than where it stood at the beginning of tonight’s episode. After being fired from “Smoke Jumpers” only to discover that the entire film was being shut down due to the fact that it was “over budget and overcomplicated,” Vince went on “vacation” to New York and is now living at home with his mother. Though Vince isn’t taking the whole “out of work actor” thing as seriously as he probably should be, Ari and Eric are still busy trying to find him another job. When Vince’s mom tells him that Gus Van Sant is looking for a replacement for the new movie he’s shooting in town, Eric suggests he audition for the part. Ari, however, is quick to inform them that he’s already spoken with Gus, and though he likes Vince’s work, he doesn’t feel that he’s right for the role.

Never one to take rejection so easily, Eric heads to Gus’ office to meet with him about reconsidering. He’s even managed to convince Ari to have Dana Gordon send over some dailies from “Smoke Jumpers” for Gus to check out, but though the director seems sincere about the fact that he really does like Vince as an actor, he still doesn’t want him for the role. Clearly embarrassed and feeling like a failure in front of his friends, Vince blows up at Eric for not trusting Ari, and relieves him of his duties as manager. Personally, I don’t think Vince had any right blaming Eric for his problems, and he came off looking like an ass for doing so. Eric may have made some mistakes in his days, but they’ve been trivial when compared to the things he’s done (or at least tried to do) for Vince’s career. Heck, it was Eric who tried to warn Vince about “Medellin,” and look how that turned out.

Entourage 5.12

Eric has better things to do than sit around and take that kind of shit from Vince, so he heads back to LA to take care of his other clients – namely Charlie, who’s still shopping his pilot around town. I actually thought they already found a studio to produce the show, but maybe things fell through after Charlie sucker punched Seth Green in the waiting room. Whatever the case, it’ll be interesting to see where this subplot goes next season, as it certainly has the potential to take Eric’s career to the next level. Unfortunately, he’s not around for the big news that Ari brings with him to New York, and it’s in the form of a very important phone call that he just knows Vince is going to want to take. And no, it’s not Gus Van Sant on the other line, but – wait for it – Martin fucking Scorsese!

Now, there have been some pretty cool cameos on “Entourage” over the years, but no one even comes close to Scorsese’s appearance on tonight’s episode. And if that wasn’t enough, the Oscar-winning director is actually calling to offer Vince the lead role in his upcoming re-imagining of The Great Gatsby. Apparently, Gus Van Sant forwarded Marty those dailies of Vince from “Smoke Jumpers,” and he was so impressed that he decided to offer him the role. Huh, I guess Vince isn’t the terrible actor that Ari made him out to be. Vince is quick to thank the super agent for whatever voodoo magic he used to convince Scorsese to choose Vince over Leonardo DiCaprio, but Ari actually gives credit where it’s due: “Don’t thank me, thank E. For once in his life, the little McNugget came through.” And that’s all Vince needs to hear before he’s on a plane to LA to apologize to Eric and hire him back. It’s a good thing he did, too, because Vince’s entourage just wouldn’t be the same without his best friend at his side.

Vince isn’t the only one with a happy ending, either. Eric’s association with the project will no doubt earn The Murphy Group a little more recognition, while Ari is probably just glad to have his number one client back. Drama, meanwhile, now owns a local bar (appropriately named Johnny Drama’s), and Turtle’s big secret is finally out of the bag. The scene where Drama intercepted the call from Jamie-Lynn (“Hey Drama, it’s Jamie. We’re fucking.”) was classic, but the one where Turtle’s mom picked up while Jamie-Lynn and him were having phone sex was even better. Plus, did anyone notice the banner that was hanging at the family reunion the gang attended? It read: “Welcome Home International Movie Star Vincent Chase,” and then in small letters, “And TV Star Johnny Chase.” Good stuff.

All in all, those hoping for a more uplifting ending to an otherwise bleak season had their wish come true, but I can’t help but feel like Vince’s fall from grace should have been a little more difficult. That isn’t to say that I’m not happy with how things turned out – in fact, it was probably one of the best episodes of the year – but if the writers wanted to put Vince through the ringer before making his big comeback, why not just stick with the idea that he would earn back the respect of his careers with an award-worthy performance in “Smoke Jumpers”? The result is the same, and it wouldn’t feel so damn unrealistic. Nevertheless, it’s nice to know that Vince will be back to work when the show returns next summer, and it’ll be curious to see what kind of spoils (money, fame, awards?) brings him by working with the greatest director in American cinema.

Entourage, TV, TV Comedies

Entourage 5.11 – Play’n with Fire

November 16, 2008 /

Anyone who’s been watching “Entourage” for a while knows that the show portrays Hollywood as a sort of suspended reality, but there’s no way that any director in the movie business is even half the crybaby that Verner is. For the last two weeks, it’s been unknown whether Verner simply didn’t like Vince or actually had a viable argument about his ability as an actor, but after the two disagree over Vince’s performance during the filming of a pivotal scene this week, I’d lean more towards latter. In fact, Verner doesn’t even seem to hate Vince so much as the idea that the actor was forced upon him, but if he knew that Vince was attached to the project before he signed on, why did he even agree to do the movie?

I wish that Vince would have called him out on that, but instead, he just points out that Verner is acting more like a dictator than a director. Maybe it has something to do with the language barrier. Regardless, Verner takes the comment one step further by firing Vince from the film. Of course, he doesn’t really have the power to make such a decision, and before you can Super Jew, Ari is on the scene to settle the dispute. When asked what he could possibly do to help Vince’s situation, Ari coolly replies: “Because the Jew has arrived and he doesn’t like Germans.” Plus, Dana Gordon owes him big after he hooked her up with that sweet gig at Warner Brothers. I just wonder how long Ari will be able to milk that connect before Dana gets tired of returning all the favors.

Entourge 5.11

It’s her first big movie as head of production and she’s not about to let anyone ruin it for her, so she calls a meeting with Verner and allows Ari, Vince and Eric to tag along. What she doesn’t expect, however, is for Verner to turn into the world’s biggest crybaby right in the middle of the office. When Ari tries to trick Verner into thinking he’s just been replaced by Peter Berg, however, the German goes ape shit and starts running through the building looking for John Ellis to plead his case. The fact that this was all happening with Rammstein’s “Du Hast” playing in the background only made the scene even funnier. Verner would have been better off not opening his big mouth in the first place, though, because instead of getting his way, Ellis just shuts down the whole movie. The consolation is that it appears it wasn’t Vince’s fault at all – in fact, Ellis thought Vince was great in the few scenes he had filmed – but with no money and no prospect for another job, Vince decides to head back to Queens.

The rest of the guys jump on the plane with him, and poor Turtle is forced to say goodbye to Jamie-Lynn, who he’s just spent the weekend with after she called him up looking for a booty call. Turtle thinks he’s just being used at first, and he’s totally okay with it, but as the day goes by, he finds out that Jamie-Lynn is actually interested him. Go figure. Here’s hoping the “Sopranos” star sticks around for a little while longer, because she really brings out a side of his character that we rarely see. Plus, we finally learned why he goes by the name Turtle – because his real name (Sal) is more embarrassing. Unfortunately, that relationship might have hit a dead-end now that the gang is back in New York, but even though Vince can’t get a job, Eric and Drama still have careers waiting for them in LA. How long will they stick by Vince’s side while he tries to put his life back together, and now that Turtle’s finally been given some well-deserved character development, how long will we have to wait for more?

Entourage, External Entertainment, External TV, Movies, TV, TV Comedies

Entourage 5.8 – First Class Jerk

October 26, 2008 /

It’s been awhile since we’ve seen an episode of “Entourage” as good as the one tonight, but after weeks of pointless subplots, Doug Ellin and Co. finally delivered some of that old school flavor that has been sorely missing from the new season. But before I get into any of the specifics, first thing’s first. In last week’s blog, I made a comment about how it might be fun to see Vince represented by Adam Davies for a while, but what I meant to say was Josh Weinstein. I know that doesn’t make any difference in the grand scheme of things, but it’s still an important distinction – especially considering tonight’s episode revolved around exactly that.

Now, it didn’t pan out quite like I imagined it would, but it’s probably for the best. After seeing Weinstein sandbag the guys with a promise that Frank Darabont was interested in Vince for the lead role in an upcoming project, only to discover that it’s a TV show he’s executive producing, I’m more than certain that Weinstein (or Adam Davies, for that matter) wouldn’t be right for Vince’s career. They might get him the jobs he wants, but they’ll never care about him like Ari does. Which brings us to the biggest story of the night: Ari’s decision not to take the Warner Brothers job.

Entourage 5.8

At first, I was utterly perplexed by the decision. I mean, if most people were offered a promotion of that magnitude, they’d take it no questions asked. After all, isn’t the life of a Hollywood agent all about bigger and better opportunities? If it wasn’t, then no one would care who they were representing as long as they were good pals with their clients. One thing I didn’t considered, though, was that Ari didn’t like the consequences that might come with the new job – namely, less time with his family. When he finds out that Amanda Daniels is not only next in line for the job, but refuses to put Vince in “Smoke Jumpers” if Ari turns down the offer, however, Ari decides to take the job just to spite her. (On a side note, that shot of Amanda’s reaction as Ari left the office was great.)

In reality, Ari’s visit to John Ellis’ office wasn’t about him accepting the offer, but rather suggesting Dana Gordon for the job instead. It actually works out pretty well. Ari still gets to be Vince’s agent, Dana agrees to cast Vince in “Smoke Jumpers,” and perhaps most importantly, everything is back to the way it should be prior to the “Aquaman 2” fiasco that started this downward spiral in the first place. I still call bullshit on the fact that the real-life Ari would never turn down such an incredible opportunity, but kudos to the writers in making the best out of the situation.

The other major story of the night featured Turtle in his own subplot involving an unlikely meeting with Jamie-Lynn Sigler. Not only does he get her number after the guys return from their Hawaii getaway, but he also claims that she gave him a handjob on the flight back. Drama is more than skeptical (I loved how he kept referring to Jamie-Lynn as Meadow Soprano), and since Turtle refuses to prove that it really happened, Drama takes it upon himself to start asking around town. As it turns out, Turtle really was telling the truth, but when Jamie-Lynn discovers that Turtle was blabbing about it to his friends, he loses any chance he might have had of taking things farther. Still, you can’t feel too bad for the guy. Not even Vince has been so lucky as to get a first class jerk from Meadow Soprano.

Entourage, External TV, TV, TV Comedies

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