Tag: TV reviews

Dallas: The Complete Tenth Season

Waking up from a season-long dream, Pam realizes that Bobby is still alive and well, and it’s quickly back to corrupt business as usual at Southfork and Ewing Oil. Season 10 appropriately sees a return to the less flashy template of Season 8, although there is one major holdover from the infamous dream. Steve Forrest was introduced as ranch hand Ben Stivers in Season 9, and he is reintroduced here as a new incarnation of the same character, only this time his name is Wes Parmalee. (Pam’s obvious psychic abilities go unmentioned.)

It doesn’t take long for the bomb to drop: Is Parmalee actually Ewing patriarch Jock, seemingly returned from the dead? While J.R., Bobby, and Clayton are certain he’s a fraud, Miss Ellie is more easily swayed. The Parmalee storyline dominates the first half of the season, and while it’s great drama, it lacks a truly satisfactory conclusion, and the season’s second half is arguably stronger. With the oil business facing tough times, J.R. hires fanatical mercenary B.D. Calhoun (Hunter Von Leer) to blow up an oil field in Saudi Arabia, thus driving up the price of Texas crude. Things don’t go as planned, the CIA starts sniffing around, and Calhoun returns to take bloody revenge on everyone’s favorite oil slick. The situation worsens when J.R.’s botched scheme is leaked to the public, and the government begins an investigation that may bring Ewing Oil down for good.

Season 10 is very traditional “Dallas,” although it clearly signifies a major shift in the series’ mythology. It is not only the final season for both Victoria Principal and Susan Howard, but also the first for Sheree J. Wilson’s April Stevens, who would last through the final season. Further, while the “Dallas” DVDs have never been gold standard, this set is unusually erratic in video quality, and the second episode has terrible audio. Here’s to hoping that Season 11, set for an April release, will at least be of the usual consistent mediocre standard.

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Dragon Ball Z: Tree of Might / Lord Slug

It’s a shame that the Dragon Ball Z movies aren’t as good as the series itself, but I guess that’s the price you pay when you’re only given 60 minutes to tell a story. You’d also think that with the sixth season hitting stores on the same day, we’d be a little further along in the DBZ timeline, but “Tree of Might” and “Lord Slug” take place pre-Namek – when Gohan was still an annoying little kid and Goku had yet to become a total badass. “Tree of Might” is definitely the worst of the two, and it might even be the worst of all the Dragon Ball Z movies. By now, we’ve already seen Goku go toe-to-toe against his brother Radditz, as well as his father Bardock (albeit in a strange dream sequence), so the idea of pitting Goku against another Saiyan that looks just like him is, well, kind of lame. Additionally, the battles are boring and the movie ends so abruptly that it isn’t even worth your time. It’s a good thing that “Lord Slug” is included in the set, because “Tree of Might” probably wouldn’t be worth owning on its own. Though it does have its share of similarities to the series, (the villain hearkens back to the days of Lord Piccolo, while his lackeys are reminiscent of the Ginyu Force), “Lord Slug” is still one of the better movies to be released thanks to some entertaining fight sequences. Not even Gohan and his stupid dinosaur friend can ruin that.

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Rob & Big: The Complete Third Season

In the farewell season of MTV’s reality series, “Rob & Big,” the guys make the most of their final months living together as Christopher “Big Black” Boykin prepares for fatherhood. Though it’s kind of sad to see them leave the air (the show is, after all, one of the better reality-themed guilty pleasures on TV), season three features some of the duo’s best moments to date. Rob and Big would be lying if they said the show wasn’t scripted, but despite its “Jackass”-like setup, there’s still some sincerity that shines through – like when the pair give away a truckload of clothing to the homeless, or the look on Rob’s face when he holds Big’s baby for the first time. The rest of the season is made up of the usual high jinks – from racing turtles to terrorizing Rob’s cousin, Drama – but there are some especially cool episodes as well, including one in which Rob breaks 21 Guinness World Records for skateboarding in one day, and another where he buys a net gun. You have to see it to fully appreciate its awesomeness, but let me say this: watching Hollywood Spider-Man get shot with the net gun is the single greatest moment in the entire series.

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Desert Punk: The Complete Series

If there’s one thing the Japanese aren’t afraid of, it’s expressing their inner pervert – especially when it comes to anime. A typical series features several buxom beauties, sexy schoolgirls and devilish demons scattered throughout, but “Desert Punk” needs just one: Junko, a dangerous femme fatale who uses her basketball-sized breasts in order to make her way to the top of the food chain. Her greatest admirer also happens to be Desert Punk, the titular anti-hero who spends his days dreaming about nestling in between a nice pair of boobs when he’s not earning a quick buck. Set in a post-apocalyptic future where Japan has been reduced to an impoverished desert country, “Desert Punk” follows the young mercenary as he acquires a bratty little apprentice, makes new enemies, and even forms a few alliances along the way. As the show’s tagline (“Get the job done. Collect the money. Repeat.”) suggests, the job-of-the-week format quickly gets old, and though the series eventually moves in a new direction at the midway point, once the death of a major character occurs in episode 20, the series stops dead in its tracks. The remaining four episodes try to right the ship before the big finale, but by then, it’s too late. There’s a reason the show never became more than a cult hit, but for those that enjoy a little crude humor with their action, “Desert Punk” is a treat.

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