Tag: The Avengers (Page 4 of 6)

Box Office Preview: ‘Avengers’ and Something About a Hotel


The Avengers

As I discussed over at Real Men Read Comics, Marvel has been building towards this one for a long time. After a long wait and perhaps too many attempts to connect the dots, Iron Man, Thor, Captain America, and the gang are coming together on the big screen.

I’ve actually got something nice to say about a new release, maybe even a few nice things. This is groundbreaking territory.

“The Avengers” was written and directed by Joss Whedon. This is the dude who brought us “Buffy the Vampire Slayer,” “Angel,” and “Firefly.” If you don’t know what “Firefly” is, you need to find out. It’s on Netflix instant, so go on, get. I’ll even give you the link. Like his projects, Whedon has built up quite the cult following over the years. And, as if all that wasn’t enough, he co-wrote “Toy Story,” for which he was nominated for an Oscar. That’s right folks, motherfucking “Toy Story.”

“The Avengers” has all most of the stars of the individual films back in their roles. We’ve got Chris Hemsworth as Thor, Chris Evans as Captain America, and most importantly, Robert Downey Jr. in his perfectly sardonic portrayal of Tony Stark/Iron Man. Now, Mark Ruffalo may have replaced Eric Bana, er, Edward Norton as Bruce Banner/The Incredible Hulk, but that’s probably a good thing. If you’re sick of all these different Bruce Banners flying your way, don’t worry, Ruffalo recently signed a six-picture deal to play The Hulk.

Let’s not forget about the supporting cast, rounding out the team are Scarlett Johansson as Black Widow, Samuel L. Jackson as Nick Fury, and Jeremy Renner as Hawkeye. But wait, there’s more, Tom Hiddleston will reprise his role from “Thor” as Loki, the film’s main villain. Hiddleston also played a brilliant F. Scott Fitzgerald in “Midnight in Paris.”

One of the ways you know a superhero movie, is great is when the dialogue is better than the action sequences. This is what we got in “Iron Man,” when oftentimes Tony Stark was more gripping with his super suit off than on. You should expect no less from Whedon, and according to Bullz-eye’s David Medsker, the Joss has delievered:

Once Whedon gets the cast in the same room and gives them the chance to interact as people rather than superheroes, the movie blossoms in a strangely wonderful way, one where it’s easy to wish that they would keep talking, rather than ramping up for the butt-kicking that is just around the corner. Indeed, until the climactic battle sequence, the action plays second fiddle to the talking, and as odd as that sounds for a superhero movie, it’s the right call.

If all this wasn’t enough, “The Avengers” has been certified fresh at Rotten Tomatoes, sitting at a 93 on the Tomatometer. For once, I’m actually excited.


The Best Exotic Marigold Hotel

The only other film getting a wide release this weekend is “The Best Exotic Marigold Hotel.” Believe it or not, John Madden was actually able to direct a film that doesn’t star Brett Favre. Hold on. I’m getting word that it’s a different John Madden, the “Shakespeare in Love” John Madden. Oh, well things make more sense now.

Kidding aside, this is a film about a group of British seniors, including Academy Award-winners Judi Dench and Maggie Smith, who decide to “outsource” their retirement to cheaper and seemingly exotic India. When they get there, the Best Exotic Marigold Hotel doesn’t look quite as it did in the brochures so both hilarity and drama ensue. The film also stars Penelope Winton, whose interactions with Maggie Smith in “Downton Abbey” are fantastic, so hopefully we get some of that here.

There’s a reason no other movies are being released this weekend, studios were scared of “The Avengers,” and rightly so. But it’s pretty clear that “Hotel” is “The Avengers'” antithesis, and so too is its target audience. That said, with its award-winning cast and 78 rating on the Tomatometer, “The Best Exotic Marigold Hotel” seems to be well worth seeing in its own right.

Box Office Recap: ‘Think Like a Man’ still on top


Despite making 46.5 percent less than it did last weekend, “Think Like a Man” remains on top of the charts, so I see no reason not to reuse this picture. After grossing nearly $34 million last weekend, “Think Like a Man” dropped to $18 million. This should be evidence enough that it was a very slow weekend at the (domestic) box office, parentheses required as “The Avengers” made its debut in 39 foreign territories, scoring $178.4 million.

Total domestic revenue dropped 30 percent as compared to a year ago, when “Fast Five” raked in $86 million. “Think Like a Man’s” $18 million is the lowest weekend gross for a number one movie since “New Year’s Eve” made $13 million in December.

Coming in second with $11.4 million was swashbuckling stop-motion comedy “The Pirates! Band of Misfits,” followed by “The Lucky One.” In fourth was “The Hunger Games,” which is still going strong in its sixth week, beating out all new releases save “Pirates!”

In fifth was “The Five-Year Engagement,” which made a disappointing $11.2 million. Heading into the weekend, the Judd Apatow-produced romantic comedy was expected to be “Think Like a Man’s” biggest competition. The film brought the writing team of Jason Segel and Nicholas Stoller, the same pair who wrote “Forgetting Sarah Marshall” and “The Muppets,” who also starred and directed, respectively. Few of Apatow’s flicks have had such poor opening weekends. Most of the Apatow films “The Five-Year Engagement” beat out are highly unremarkable (does anybody remember “Drillbit Taylor?”). The lone exception being “Walk Hard,” which was critically acclaimed but never found an audience while in theaters.

The highly predictable “Safe,” directed by Boaz Yakin (“Remember the Titans”) and starring Jason Statham (every Jason Statham movie), came in an equally predictable sixth with $7.7 million.

In seventh and last among new releases with $7.2 million was “The Raven,” which starred John Cusack as Edgar Allen Poe. Good. That’s all I have to say about that. I’m disappointed in each and every one of you who helped support this abortion.

Here are the results for this week’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. Think Like a Man, 2/2,015, Sony, $18 million, $60.9 million.
2. The Pirates! Band of Misfits, 1/3,358, Sony/Aardman, $11.4 million.
3. The Lucky One, 2/3,175, Warner Bros., $11.3 million, $40 million.
4. The Hunger Games, 6/3,572, Lionsgate, $11.25 million, $372.5 million.
5. The Five-Year Engagement, 1/2,936, $11.15.
6. Safe, 1/2,266, Lionsgate/IM Global, $7.7 million.
7. The Raven, 1/2,203, Relativity/Intrepid, $7.3 million.
8. Chimpanzee, 2/1,567, Disney, $5.5 million, $19.2 million.
9. The Three Stooges, 3/3,105, $5.4 million, $37.1 million.
10. The Cabin in the Woods, 3/2,639, Lionsgate/MGM, $4.5 million, $34.7 million.

Pike Speaks! – Luke Perry on a Whedon-less “Buffy” movie: “No Joss, no go.”

In the midst of chatting with Bullz-Eye.com about his new Hallmark Movie Channel flick, “Goodnight for Justice,” which premieres on January 29th, Luke Perry was willing to take a moment to weigh in on the idea of a “Buffy the Vampire Slayer” movie without Joss Whedon at the helm.

“No Joss, no go,” said Perry, who played the character of Oliver Pike in the 1992 film version of “Buffy. “They’d be fools to try to do it without him. They were fools to not include him as the director the first time. I hope he doesn’t feel bad about what they’re doing to his franchise, but clearly it’s not going to be the same thing without him.”

Whedon wrote the screenplay for the 1992 film. The television series based on the film premiered on The WB in 1997, then shifted to UPN in 2001, where it remained until its conclusion at the end of its seventh season.

Although the character of Pike survived the end of the film and has since reared his head in various “Buffy” comic books and novels, he never appeared in the television series. Nor – at least as far as Perry knows – was such an appearance ever considered. Perry does, however, have a theory as to why he was never invited to reprise his role.

BE: Had there ever been any talk of bringing your character, Pike, onto the series?

LP: No, I think he’s pissed at me…and I’m not sure why. But I think he’s pissed off at me.

BE: Well, hopefully, these words you’ve just said will help your cause.

LP: I hope so! I’d prefer that he not be pissed off at me.

BE: Plus, you know, he’s directing “The Avengers.” You don’t want a guy with that kind of power mad at you.

LP: Oh, I don’t give a shit about that. It’s not like he’s going to call me up and say, “Hey, Luke, you want to be one of the Avengers?”

BE: Oh, I didn’t mean that.

LP: Yeah, I just…I’d just like to think that everybody I’ve worked with had a good time. Potentially, Joss did not, and I don’t know if they treated him that well on that movie.

Check out the rest of the interview here…and don’t forget to catch “Goodnight for Justice” on January 29th!

RIP Roy Ward Baker

It’s a blissfully slow movie news week so far, after last week’s frenzy, so far (unless I missed something…I’m busy!).

In any case, it’s time to catch up on the passing last week at age 93 of one of the most reliable members of the Hammer Films horror and science fiction stable of the sixties and seventies, as well as the director of the some of the coolest British TV of that time, Roy Ward Baker. Aside from starting his career as Alfred Hitchcock‘s assistant director on the spy-comedy-suspense classic, “The Lady Vanishes,” being one of the main directors on the legendary season of “The Avengers” that featured Diana Rigg as the immortal Mrs. Emma Peel, aside from directing “A Night to Remember” (about the Titanic, but without Jack and Rose), as well as the racy “The Vampire Lovers” and the gender bending “Dr. Jeckyll and Sister Hyde,” he also made one of my favorite pieces of British film science fiction. We Americans call it “Five Millions Years to Earth” but to the rest of the world it’s….

What, you haven’t seen “The Avengers” movie already?

It came out 58 years ago. Come on, get with it already.

Amazing, considering the comic book (and the birth of Joss Whedon) was about eleven years off. I love “pre-makes.” Okay, what movies/TV shows did you spot in there? Nice seeing mid-sixties Emma Peel from that other “The Avengers” recast as Black Widow. Diana Rigg would have perfect for the part, and would have no trouble doing a Russian accent, for that matter. Nice touch with the “Timely-Atlas.” Real comics geeks will recognize that as name of the comic book forerunner to Marvel where such characters as Captain America and the (non Fantastic Four) Human Torch were first published.

Also, neat trick turning eyepatch-wearing “Thunderball” villain Emilio Largo (Adolfo Celi) into Nick Fury via the voice of Lee Marvin from “The Dirty Dozen.” I rarely use this word, but Lee Marvin would have been an awesome head of SHIELD (and a natural as Sgt. Fury, of course). Celi, not so much.

H/t Harry Knowles. A first here for me, I think, linkwise.

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