Tag: Superman (Page 2 of 5)

Monday movie news

The Deadline crew has really been working overtime these last few days, so there’s much to talk about as a new week begins.

* I’m not kidding about the pace of news from Deadline today. Just as I was starting to finish writing this, Mike Fleming broke the news that we have a “Superman” director who’ll be working with producer Christopher Nolan, and he is one Zack Snyder of “300,” “Watchmen,’ the “Dawn of the Dead” remake and that owl movie that’s out right now. Expect a fightin’ Supes. Should you expect a good Supes movie? Dunno. I never understood the grief that “Superman Returns” got. It was a nice, fun movie in the best senses of the words “nice” and “fun.” Will this one be all grimness and unnecessary darkness? I hope not.

*  Fox landed the film adaptation rights for apparently the hottest book of the moment, Abraham Lincoln: Vampire Hunter which is being produced by Tim Burton and directed by Timur Bekmanbetov (“Night Watch,” “Wanted“), who purchased the rights with their own money. And it’s not like they were afraid to show they really wanted it:

When Tim and Timur and their entourage of reps came to the Fox…they were met with a huge banner at the gate. It had the title treatment of the script and was emblazoned, “Tim Burton and Timur Bekmambetov present Abraham Lincoln: Vampire Hunter”. At their parking spot were signs saying “Parking For Vampire Hunters Only: park at your own risk,” and so forth. There were bloody footprints lining the walkway and stairs leading from their cars to the meeting in Building 88 with images from the book and lines from the script. As if that were not enough, there also were bloody axes strewn about, and a bugle player in a Confederate uniform playing “Taps” as the filmmakers walked to the meeting..

Yes, like Camelot, Hollywood is a silly place, and I sort of like it that way. I just wished I enjoyed Bekmambetov’s movies, because I didn’t.

* Re: silliness. Check out this promotion for “Jackass 3D”

* I seriously dislike writing about stories that say that so-and-so is “about to be” “offered” a part. There are simply too many items like that and too many “ifs” (maybe the studio will change their minds; maybe the star will say “no,” etc.) and I prefer to wait until the story is further down the road. Nevertheless, Mike Fleming has reported that Emma Stone is about to be offered the part of Mary Jane Watson in the Marc Webb-directed 3D “Spiderman” reboot opposite Andrew Garfield.

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Mubarak ho, Mr. “Robot”-o

Though there’s been some bombshell television news today, it’s been a blissfully slow news 48 hours regarding the movie world. True, Mike Fleming had a couple of scoops yesterday. His short list of possible “Superman” directors is fun — I’ll take Duncan Jones please, though Matt Reeves would be okay, too.  Also, though I remain impressed by her work, having just seen another terrific performance by Chloe Moretz at a screening last night of “Let Me In,” the fact that she’s got another nice gig as “Emily the Strange” is interesting but not exactly earth shattering. So, I’ll forgo the end-of-week movie news dump.

Instead, we’ll spotlight what have to be the trailers of the day, if not the week. According to Anne Thompson, it apparently started from a tweet by the very busy former “Lost” showrunner Damon Lindelof, who’s heading to India and will be checking out what has to be one of the most lavish Bollywood films ever in terms of effects. It’s a superheroic science fiction tale involving, well, a robot, a giant snake thing, an enormous number of guns, and, of course, big time musical numbers! Here’s the short trailer and some brief TV spots Thompson ran.

Also, just about the time Thompson put up her post, I was alerted by friend-of-the-blog-and-blogger Randy R. to a another, slightly more musical comedy oriented trailer that was running on the site of Ms. Thompson’s comics counterpart, Heidi MacDonald.

Gotta love Bollywood: something for everyone.

Just for the record, “Robot” is directed by Shankar (though it’s such a common name I’m not 100% sure if this is the same Shankar who crafted the hugely popular  “3 Idiots,” though it seems like a reasonable bet) and stars Aishwarya Rai and Rajnikanth who I gather is known as simply Rajni and is a superstar. The music is by A.R. Rahman who is easily the best known composer of Bollywood music here in the West for his terrific work on “Lagaan” and also as the double-Oscar winning composer of the music for “Slumdog Millionaire.”

Movies news on a Monday night

Direct from the Starbucks at Pico & Robertson…

Jon Hamm in * Rumors have been circulating for at least a week that Jon Hamm of “Mad Men” and now “The Town” is being considered to play Superman. I’m a huge fan of the guy, but count me among those who think he’s a bit old to play an eternally youthful superguy, if there’s going to be more than one movie anyhow. Kal-El is not Tony Stark. In any case, apparently someone else who it appears did turn down the role of Superman director was Guillermo del Toro. Actually, if they ever make a movie set in the Bizarro world, del Toro would be the guy. Otherwise, I don’t see it at all and, it seems, neither did del Toro.

* In terms of film biz transactions, the Toronto International Film Festival surprised everyone and did rather well with numerous indie films being purchased for release. What doe it mean? Mike Fleming sees a modified return of the indie market, though with a thriftier than ever edge.

* The first casting news has come for the J.J. Abrams’ science fiction Steven Spielberg homage/collaboration, “Super 8.” Naturally, one of the stars is a young person — Elle Fanning. The other is closer to my age and is best known for his TV work. No, it’s not Abe Vigoda, but Kyle Chandler of “Friday Night Lights.”

* Speaking of people in my general age cohort who can’t escape their youth, Keanu Reeves is apparently getting colleauges like Alex Winter ready to do a middle-aged edition of the “Bill & Ted” epic. As actors go, Reeves may not be a Philip Seymour Hoffman-level thespian, but he really excels at certain kinds of comedy and I’m board for this. He does a pretty good Werner Herzog, besides.

* Tim Burton is going back to where he started as a director with a stop-motion version of his career-starting live-action short, “Frankenweenie.” The voice cast has just been announced and it will include Winona Ryder, Martin Landau, and SCTV alums Catherine O’Hara and Martin Short.

* Did anybody out there ask for a “Timecop” reboot? Simon Brew is game.

* Re: l’affaire du Hulk back in July, Edward Norton continues to kill Marvel’s Kevin Feige with perhaps not kindness, but civility. Ouch.

* I beg to differ with Sarah Silverman, her “full frontal” nude scene will be pretty. Very pretty.

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* I’ve seen movies in some mighty small “shoebox” multiplex theaters and screening rooms, but if you’re wondering how small a movie theater can be, this promotion for “Buried” answers the question.

* As I write this I’m getting ready to watch the multi-director documentary “Freakonomics” for free. You however, may pay as little as a penny and as much as a $100 to see it this Wednesday. It’s your choice. Still, we know there’ s no such thing as a truly free, or almost free, anything and, as with writers like myself, some effort is expected in return. Details here.

Midweek movie news

You’d think Jewish New Year and Labor Day coming so close together would slow down the pace of movie news a little, but leisure is for suckers and Yahweh is just another bit player in this hard luck town.

* The talk of the geek-o-sphere for some time is going to be the announcement of a massive and potentially trendsetting film/television cross-over adaptation of Stephen King’s multi-volume “The Dark Tower” mega-epic. Universal, which has had some very tough times lately, is taking what I’m guessing could be a make-it-or-break-it gamble on the project, the news of which was broken by Mike Fleming earlier.  I’m not a King reader, but I am intrigued by the fact that it’s a western-science fiction-horror cross-breed. In any case apparently the plan is to start with a movie, go to a 22 episode not-so-mini-series, and then onto another movie, another series, then wrapping it all up with movie. The idea being to provide fans with both the grandeur of theatrical films and the detail and time of a television series.

the_dark_tower

It’s intriguing but laden with potential pitfalls. One is that it demands an awful lot of time and people who aren’t following the series may feel shut out of the latter two movies. The other is that, quite frankly, I feel the “A Dangerous Mind” creative team of director Ron Howard and writer Akiva Goldsman — who I gather will be writing and directing the first two films and the entire first series at least, which could be some kind of record if that’s what’s really going to happen — simply haven’t indicated they’re up to this kind of material. I hate to say it but winning Oscars can be negative indicator sometimes.

It’s not that I doubt their ability to crank it all out. Howard is obviously a very competent director who knows how to make highly professional material and I have tremendous respect for him as an individual and one of the more positive forces in Big Moviedom. However, he’s always shown a tendency to play it safe and often a bit dull when the chips are really down creatively as a director and none of Goldsman’s movies have been all that inspiring to me either. All I’m saying is that I had a good feeling about Peter Jackson taking on “The Lord of the Rings” and I have a bad feeling about it, though I’d seriously love to be wrong.  Something tells me this project needs a real lunatic and Ron Howard is one of the sanest guys in show business. Huge King fan Quint at AICN has similar misgivings. He has a more riding on this than I.

* Simon Abrams is right re: “Kick-Ass” doing a lot better than people assumed. Even though I cover the weekend grosses here, we all make way too much of those openings and fail to look at the overall picture. Calling a movie a bomb that makes nearly half its budget in its opening weekend is just idiotic anyhow. The actual success of the film may have figured in the ongoing financial struggles between Lionsgate and Carl Icahn.

Aaron Johnson is

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RIP Tom Mankiewicz

The son of the great writer-director Joseph L. Mankiewicz (“All About Eve”) and nephew of equally great screenwriter Herman Mankiewicz (“Citizen Kane,” “The Pride of the Yankees”), Tom Mankiewicz was by his own admission understandably intimidated by his relatives’ example. Still, he forged a reputation as a solid screenwriter and an ace script doctor, writing the final drafts of 1978’s “Superman” and 1980’s “Superman II” as well as “polishing” a number of scripts including “War Games,” “Gremlins” and Tim Burton’s “Batman.” He died today at age 68. According to his L.A. Times obituary, he had been undergoing treatment for pancreatic cancer.

I want to remember Mankiewicz with the fun, and only slightly silly, openings to two of the most underrated entries in the James Bond series. The deliriously brutal “Diamonds are Forever” from 1971 and probably my favorite Roger Moore Bond, 1974’s “The Man With the Golden Gun” (which I’m not sure if I’ve even seen as an adult).  Note how both openings cleverly break the mold of most of the pre-credit sequences in the series. A necessity in the first case because of Connery’s temporary replacement by George Lazenby on “On Her Majesty’s Secret Service” and the unusually dark ending of that film which sets Bond off on a deadly vendetta against Ernst Stavro Blofeld. The second doesn’t even include the live Roger Moore, but we do see quite a bit of the great Christopher Lee as perhaps Bond’s most skillfully deadly nemesis, and Hervé Villechaize in a role which no doubt inspired the creators of the humorously awful “Fantasy Island.”

It really has been a long time since I saw this. All I’d like to know is — what was the Tabasco for? I didn’t see any breakfast. Gratuitous early product placement? H/t Mubi – David Hudson

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