Tag: Showtime (Page 2 of 3)

Nurse Jackie 2.1 – Hey, Hobo Man! Hey, Dapper Dan!

Yep, that’s right: another Showtime series is getting the blog treatment on Premium Hollywood. It’s amazing how much more inspired you can be to write a series blog when the network provides you with all of the season’s episodes up front. I mean, I don’t know how the other TV critics who are married with children feel about it, but for my part, trying to write a blog immediately after an episode airs really screws up my time with my family (particularly if it happens to be a series that my wife doesn’t like and that I’m not comfortable watching around my 4-year-old daughter), so I’m a heck of a lot more predisposed to take the reigns of a blog where I can watch the episodes in advance.

In the case of “Nurse Jackie,” it also helps immensely that I really love the show. Although I’m guilty of missing the first season when it originally aired, I can assure you that no arm-twisting was required to dole four stars for the Season 1 DVD set, and by the time I’d finished watching the whole thing from top to bottom, I was chomping at the bit to dive into Season 2, so it’s a pleasure to finally be able to do so.

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TCA Tour: Showtime Executive Session

You’ll have already seen my story about Showtime greenlighting “The Borgias,” which I posted because it was easily the biggest news within the network’s executive session, but Robert Greenblatt, Showtime’s President of Entertainment, did have a few more things to say during his remarks…and these are some of them:

* First of all, it must be said that Greenblatt had us from “hello,” offering an opening which couldn’t have been more perfectly designed for his audience. “I’m glad this is the first day,” he said, “because it’s so great when you guys are not sort of at the end of the rope here after rolling your eyes from all of what we’re saying to you, and I hope I can engage you enough today, because I’m sure all of you are just waiting for tomorrow’s NBC presentation. I’d love to get my temporary TCA card so that I could sit in on tomorrow’s session.”

* Coming soon is Showtime’s first foray into the world of traditional reality series. Get ready for “The Real L Word of Los Angeles,” which Greenblatt says will be on the air probably this summer. “We’ve just cast those women,” he said, “so at some point we will parade them in front of you for some kind of grilling…and I mean ‘parade’ in the best sense of the word.”

* When discussing the network’s new series, “The Big C,” a dark comedy starring Laura Linney as a woman dealing with a diagnosis of stage-four cancer, Greenblatt said, “I hope you all got our press announcement yesterday that we greenlighted a series about a character facing a terminal illness; I just want to make it clear that we have not picked up ‘The Jay Leno Show.'” Ouch…and ho, ho, HO!

But seriously, folks, Greenblatt says, “We look at the show essentially as a wake-up call as she begins to kind of look at her life and decide how she’s going to live it for the last amount of time that she has, and I think in the best possible world here, I think what we’ll do with this show is humanize the dilemma of her illness. Obviously, the show will walk the line between drama and comedy, and I don’t think there’s anybody better who could do that than Laura Linney. We’ve also surrounded her with some extraordinary people, an ensemble of great actors: Oliver Platt plays her husband, and we have Gabourey Sidibe, who’s the star of ‘Precious,’ who’s in the show as well.”

The pilot for “The Big C” was directed by Bill Condon, who already has experience with directing Linney and Platt from when they all did “Kinsey” together. We aren’t yet privy to the entire pilot, alas, but Greenblatt offered us a sizzle reel from it, and it looks really good, but for my money, no line topped this one from Linney to Sidibe: “You can’t be fat and mean. You can either be fat and jolly or a skinny bitch. It’s up to you.” The network has ordered 13 episodes, and the series goes into production as soon as Linney finishes her current commitments at the Manhattan Theater Club, with a premiere planned for later this summer.

* Greenblatt also spoke briefly about “Episodes,” the network’s new comedy, which was announced a few months ago. Created by David Crane and Jeffrey Klarik, the series is about a British couple who have a hit series on the BBC and, when an American TV network comes to them and convinces them to come to Hollywood and do an American version of their show, Hollywood just systematically destroys the show.

“Not,” added Greenblatt, “that that would ever happen at Showtime.”

Although “Episodes” won’t actually begin production until the spring, the producers thoughtfully put together a short piece to give us an idea of the flavor of the series…and it was funny. As you may have heard, the series will start the former Joey Tribiani, Matt LeBlanc, who will play himself as the woefully miscast star of the show within the show, and the piece showed us what he had to go through to get the part. (“I’d be playing myself, and I have to read? Fuck Showtime!”) Production on the series starts in late spring, and Greenblatt hopes the series will be on the air in the fall…and if it maintains the tone of what they showed us, then so do I.

Showtime greenlights the perfect series to replace the outgoing “Tudors”

During his welcoming remarks to the Television Critics Association, Robert Greenblatt – President of Entertainment for Showtime – revealed that the network has decided what will take the place of “The Tudors” when the series completes its run at the end of its fourth season.

Get ready for…”The Borgias.”

Greenblatt joked that they wanted to give fans of Showtime’s current period piece the opportunity to enjoy another “demented dynasty,” and, boy, do the Borgias fit that bill. Adultery, theft, rape, bribery, incest, murder…yep, sounds like a premium cable series to me.

“We think it’s a pretty dynamic story to dramatize,” said Greenblatt. It must be: not only will Neil Jordan serve as the executive producer (he will also direct the first two episodes), but “The Borgias” has drawn Jeremy Irons to play the role of patriarch Rodrigo Borgia. Plus, in a nice bit of torch-passing, Michael Hirst – one of the primary behind-the-scenes players on “The Tudors” – will be working on series as well.

“The Borgias” is scheduled to premiere on Showtime in the spring of 2011.

UPDATE – Showtime has issued its formal press release about the pick-up the series, describing “The Borgias” as “a complex, unvarnished portrait of one of history’s’ most intriguing and infamous dynastic families. The series begins as the family’s patriarch Rodrigo (Jeremy Irons), becomes Pope, propelling him, his two Machiavellian sons Cesare and Juan, and his scandalously beautiful daughter, Lucrezia, to become the most powerful and influential family of the Italian Renaissance. And all that power and influence eventually leads to their demise. As Machiavelli once said about his friends, the Borgias, ‘Politics have no relation to morals.'”

Greenblatt also offers this further quote:

“Having blazed a trail with the award-winning ‘The Tudors,’ we wanted to continue to offer our audience a period drama as wicked, witty, and utterly compelling — and that’s what ‘The Borgias’ will be. I can guarantee you’ve never seen a family quite like this before, nor could you make up the outrageous twists and turns of their epic saga if your life depended on it. The directorial mastery of Neil Jordan along with Michael Hirst’s flair for bringing historical dramas vividly to life for a contemporary audience will make ‘The Borgias’ unlike anything else on television.”

Friday night news dump (updated)

Time for our usual week-ending grab bag of left over and end-of-week movie stories…

* Two executive deaths today. First was 76 year-old nearly lifelong Paramount executive Gino Campagnola. That was followed by Nick Counter of the Alliance of Motion Picture and Television Producers. As Nikki Finke recounts, he was the guy whose job it was to negotiate with unions in the recent negotiations and strikes with the guilds. Not surprisingly, there are some hard feelings, as evidenced by some of her commenters who really crossed the line in terms of simply being mean about the man’s death.

As a liberal, I’m always going to tend to side with unions, but the man is dead and making the best deal for the bosses was kind of his job. You don’t have to like him, but calling him a “scum bag” or talking about karma on the day of his death is not cool. I wonder if Finke, who is known for zealously controlling her comments and once removed an entirely innocuous, on topic, comment about “Mad Men” by me after an unrelated exchange with me here, will leave those comments up. She has also posted official reactions from SAG which are, of course, much nicer.

* As “This Is It” passed the $100 million mark domestically and is at $144 million worldwide, the Jacksons as a whole make a mark at AFM (American Film Market) with some intriguing sounding seventies footage. [Update: I obviously got confused a bit by the headlines on this piece. As of Sunday 11/8/09, the music doc is estimated to have made “only” $57, 855 in the U.S. market.]

This-is-it-Film-Michael-Jackson-small

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What I don’t get about “Nurse Jackie”…

One of my pet peeves about television and movies is unrealistic casting of romantic leads. A few years ago, I took a lot of heat on this blog for questioning whether or not it was credible that Dr. John Dorian (Zach Braff) got to date a never-ending series of model-types on “Scrubs,” and as I watched the first season of “Nurse Jackie,” a similar thought ran through my mind.

Don’t get me wrong — I like the show. It’s good (but not great) summer fare, and I’m always a fan of the freedom in language and adult themes that the pay cable networks enjoy. If you’re not familiar with the series, it stars Edie Falco, best known for her role as Carmela on “The Sopranos.” Falco is a terrific actress and she carries the series. My problem is with the casting of her romantic interests on the series.

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