Tag: Roman Polanski (Page 7 of 7)

Jimmy Carter, is that you?

Jimmy Carter
There’s no ignoring the Polanski poo-storm right now, but really all that’s happening is an increasingly heated stream of opinion on which on one side people focus on what went wrong with the legal case, and the fact that a defenseless Swiss film festival was used as a means to the end of capturing the filmmaker. This side, which is circulating a petition worldwide may well be guilty of giving short shrift to Mr. Polanski’s crime(s) which, however you describe it, was extremely serious, possibly heinous. And it’s true, there’s no “great artist” excuse for criminal behavior. His life and work are separate matters.

At the exact same time, as Christopher Campbell ably summarized yesterday, the overheated rhetoric is really flying on the “jail Polanski forever” side. He is an “admitted child rapist.” (Polanski confessed to unlawful sex with a minor. The victim’s testimony does allege forcible sex, but it has not been corroborated.) People who support his release are soft-on-child-rape elitists who believe that famous people are allowed — nay, should be encouraged — to run around providing young teens with drugs and forcing them to have sex. People are talking about multiple boycotts against all the famous petition signers. (They probably should have just skipped asking Woody Allen to sign the thing.) Nope, no hysteria here.

Anyhow, amidst all this insanity, comes a comment on an Indiewire post about the petition from a J. Carter, which precedes more of the ongoing emotionalism. It’s without a doubt the most clearheaded and fair comment I’ve seen on the matter by anyone, anywhere, and I’m damn tempted to run it all here, but it’s too long. To read all of it — and I hope you do — just see the second comment at Indiewire. However, I will give you the capper.

If people wish to see justice done in the name of the children, note that there is an important Declaration of the Rights Of Children at the UN… The US has refused to sign this declaration, and if some of the people on this board , who are understandably upset, would take a moment to urge their appropriate representative to support this Declaration, then some good could be done from this.

Amen. As it turns out, the only other country who has not signed on is Somalia. You can read more about the declaration at Wikipedia. And, J. Carter, whoever you are, I think you’d make a fine ex-president.

Zombies, Ondie, Polanski, and a neglected cell phone

Movieland abides.

* Anne Thompson thinks “Zombieland” just may break the horror comedy curse — given the success of “Shaun of the Dead,” there may be something about zombies that just somehow outweigh today’s horror fans’ fear of anything remotely humorous. Anyhow, the short clip and others (Ms. Thompson has some more) looks good. Still, as Mr. Squeamish guy who had to get dead drunk to watch the original “Dawn of the Dead,” every time a movie with a certain amount of gore gets good enough word-of-mouth/reviews, I get conflicted. Not easy being me. Right now, though, I’m thinking this one might be worth sneaking the contents of my bar into the theater for, even if I’m already concerned the “nut up or shut up” catchphrase could get very old very quick.

* Ondie Timoner’s terrific and ominous new documentary, “We Live in Public,” opened in L.A. last week. I wrote a mammoth interview post on it, it did good business this weekend according to Box Office Mojo and, dang it, I’m claiming I gave it the PH bump! (If it’s good enough for Colbert….) Anyhow, you still have time to check it out before the run ends Thursday.  With some decent luck, many more engagements all over the country may follow.

* If you’re a member of the “lock ’em up now and show no quarter” side of the Roman Polanski debate, you’ll be happy to know that the 76 year-old director is likely to be in a Swiss jail for a period of weeks as he fights extradition.

* The video of Hugh Jackman skillfully dealing with the incessant ringing of some fool’s cell phone during a live performance as co-star Daniel Craig waits patiently has been everywhere. Since “here” is part of “everywhere,” here it is, via Cinematical.

Michael and Roman

In an ironic bit of counterpoint I only now noticed, just as word of Roman Polanski’s arrest in Switzerland was spreading, the 3,000 tickets available for the Los Angeles of preview “Michael Jackson’s This is It” sold out within two hours. I’m not sure what to make of this, except to say that there’s nothing like death for obtaining forgiveness from the American public for sins both real and imagined.

Anyhow, it’s no surprise at all that much ink has been spilled already on the case. David Hudson at the Auteurs Daily has done a terrific job of rounding up the coverage. He points out that one person who hasn’t been shy on weighing in on the matter is actress Debra Winger (“Terms of Endearment”) who happens to be president of the Zurich Film Festival which found itself the bait in the trap that caught Polanski.

He also points us to fairly exhaustive collation of blospopheric opinion on the matter conducted by Carl Franzen of the Atlantic Wire. I will say that the only thing that really bothers me about anyone’s reaction to the news is the way some want to make this highly complicated case extremely simple and act as if there’s no difference at all between statutory rape, forcible rape, and child molestation/rape — as if confessing to one makes you guilty of all.

Though just exactly how bad it was will never be known to anyone who wasn’t there, there’s no question but that what Polanski did was reprehensible. However, lots of people do reprehensible things and they don’t all go to jail for it, nor should they always. Just because someone may be a great artist doesn’t grant them any kind of moral license, but at the same time we should not judge anyone solely by their very worst actions.

I still can’t watch this scene without seriously covering my eyes a little.

Roman Polanski arrested in Switzerland

Roman Polanski in 1978

I’ll be getting to the weekend box office fairly soon but we have some breaking news today. Kind of a bombshell, actually.

As if to fill the void left by the conclusion of the Phil Specter case, a long-running Hollywood legal drama of some real significance has reemerged this morning and is almost certain to be filling the gossip and news pages for some time. As I write this, arguably one of one of the world’s five or so greatest living directors, whose resume includes “Chinatown,” “Rosemary’s Baby,” 2002’s “The Pianist” and the psychological horror classics “Repulsion” and “The Tenant,” is under arrest at age 76 and may be extradited back to L.A. county. This one could get messy and makes yet another painful and extraordinary chapter in the life of a director and occasional actor who escaped the Holocaust as a child, became an internationally famous filmmaker during the sixties, lost his pregnant actress wife in one of the most brutal murder rampages in U.S. history, and then nearly lost everything else over a inexcusable drunken encounter nearly a decade later.

Younger readers may not be aware how, in 1978, 45 year-old director Roman Polanski was arrested after having sex and sharing champagne and part of a Quaalude — a tranquilizer and de riguer party drug of the time — with 13 year-old Samantha Geimer. The victim’s name has only become public knowledge in recent years when, now middle-aged, she has come out publicly to forgive Polanski and call for a conclusion to the extremely muddy and muddled case which, however you come down on it, has more sides to it than you are likely aware of.

Indeed, though you may be hearing now end of moral grandstanding this week, this is no simple case. Even as someone who literally grew up with the matter and with Polanski’s career, I really knew very little about it before seeing and reviewing Marina Zenovich’s outstanding film about the matter: “Roman Polanski: Wanted and Desired.” As Zenovich said in the film’s commentary, Polanski was both a perpetrator and a victim of a publicity hungry judge who used to case for his own ends and drew out the case needlessly. The real heroes of her film were, ironically, both the prosecutor and the defense attorneys in the case. Yes, Virginia, there may be two honest lawyers in greater Los Angeles.

Anyhow, there are any number of questions at this point, including how did Polanski’s lawyers not know what the Swiss authorities might do? (Polanski has been able to live peacefully in France because the U.S.-France extradition treaty does not cover his particular crime and he is highly regarded there. He has carefully avoided being seen in countries such as England where the laws are different.) Nikki Finke calls it a double-cross.

This case is huge and has already been condemned by French Culture Minister Frederic Mitterrand who is in communication with President Nicolas Sarkozy. No doubt, even as we speak poor Robert Gibbs is probably trying to figure what President Obama’s answer should be when he’s asked about it. Maybe he can use the whole “ongoing legal matter” construction to avoid it. That’s what I’d try to do.

Whatever happens, we certainly won’t be avoiding the case here. Stay tuned.

A Chat with director Craig Singer (“Dark Ride,” “Perkins’ 14”)

You can’t look at the New Releases rack of your local video store these days without happening upon four or five dozen flicks (at least) that have bypassed theatrical release and gone straight to video. This is a particular annoyance for horror aficionados, who’ve seen their genre of choice end up as a sad collection of remakes, quick-turnaround franchises, or sometimes both. Thank goodness, then, for Lionsgate and their After Dark Horrorfest series, which provides brief theatrical releases and high-profile DVD releases for both up-and-coming and established filmmakers. Director Craig Singer found sufficient success with his first After Dark venture, “Dark Ride,” to find his way back into the fold for the latest round of Horrorfest films. But Singer’s “Perkins’ 13” is a bit more adventurous than the usual motion picture, as he explained to Premium Hollywood in a discussion which also tackled some of his other works, including “Animal Room,” with Neil Patrick Harris, and “A Good Night To Die,” with Michael Rapaport.

Stay tuned for…

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