Tag: Roman Polanski (Page 4 of 7)

Can Marty and Leo take the weekend without women?

That’s the question being posed by The Hollywood Reporter‘s jolly Carl DiOrio as he predicts that the latest from the team of Martin Scorsese and Leonardo DiCaprio will enjoy a $25-30 opening. The atmospheric Dennis Lehane adaptation, “Shutter Island” is apparently “tracking” best with older men — I’m definitely interested and by “older” I assume they mean “over 15” — and fairly well with younger men, but not so with female of the species.

Leo and friends in

DiOrio finds this surprising because of Leo’s tried and true girl appeal but it’s really not when you consider that the marketing suggests a sort of hard-boiled cop/horror combo with barely a female or any kind of love interest in site and what appears to be a lot of very male-style histrionics.  The trailer certainly emphasizes the male cast members with Michelle Williams and Patricia Clarkson making what amounts to cameo appearances.

As for the reviews, which for a movie like “Shutter Island” can really make a difference, they are okay but not too impressive when you consider that Scorsese is a long-time critical mega-favorite and easily one of the five or so most revered living directors still living. Our own Dave Medsker was notably disappointed in his mixed review and he’s certainly not alone, with only 61% of “top critics” digging “Shutter Island” according to Rotten Tomatoes. (He gets a somewhat better 67% with the critical hoi polloi.) Scorsese’s last attempt at a big time Hollywood thriller, the 1991 version of “Cape Fear,” is the only one of his film’s I’d personally dare call “bad” and I’m hoping I like this one at least a little better. On the other hand, that one made a relative mint for Marty Mr. Scorsese and his colleagues, so who cares if I like it or not?

What's-his-name and what's-her-name in As for this week’s possible #2 and #3, well, last week’s winner “Valentine’s Day” may be in there, but the question is will the critically dissed comedy have any legs now that it’s holiday is long past. Also, with a lack of competing family films, that “Percy Jackson” movie that I’m simply too lazy too type out a complete title for may do pretty well. And let’s not count out “Avatar” quite yet, either, if one of the other films takes a big dive.

Debuting in very limited release this week is what looks like a nifty little political thriller that’s getting solid reviews, “The Ghost Writer.” It stars Ewan MacGregor, Pierce Brosnan, Kim Cattrall, and my and Max Fisher’s one-true-love, Olivia Williams. The director is Roman Polanski, so there’ll be another test of the “no such thing as bad publicity” dictum, I suppose.

Late Friday movie news dump

It’s been a long four day week, and the hits just keep on coming.

* Even as A-listers are wrapping up George Clooney‘s Haiti telethon, the Sundance Film Festival is now underway in earnest and under new management, although boss Bob abides, naturally. Anne Thompson has a report from the front. Yesterday, she reported on the notable acquisition of the super-fest, director David Guggenheim’s “Waiting for Superman” — which is not about to whole “when will the next Superman movie come out?” thing or even superheroes at all. Sorry.

More Sundance news to come next week, no doubt. Watch this space.

* Movie City News has compiled the results of 225 Top 10 lists and come out with a top 30 of its own. At the top, “The Hurt Locker” far ahead of nearest competitors, “Up in the Air” and “Inglourious Basterds.” At the bottom of the “best of” lists, Lars von Trier’s horror drama “Antichrist,” the most controversial film in a career filled with controversy.

* Speaking of films at the bottom, the Wrap brings us Forbes’ annoyingly hard-to-read list of the biggest fiscal flops of the last five years in more easily digestible form. Topping the list is the recent adaptation of Robert Penn Warren’s “All the King’s Men” which went from Oscar hopeful to complete dud in nothing flat when it came out. There are two films I personally like on this list, “Grindhouse” and “Walk Hard.” Anybody else out there have a favorite on the flop list? In any case, I wonder about the accuracy of the list as it doesn’t include DVD figures.

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Know your ghost writers

Via EW’s Mandi Bierley, we have a French trailer (that’s why the subtitles and that errant F-word) for the upcoming film from a director you may have heard of named Roman Polanski. And, yes, it’s possible to think Polanski fully deserves more jail time and to pay to see a movie directed by him in totally good conscience. It’s also possible to buy a record produced by Phil Spector without remorse, and I hope we can all agree that what he did was actually a lot worse. Anyhow, here is the trailer for “The Ghost Writer.”

And, just to make life a bit confusing and interesting, it turns out that there’s also a recently released apparently more or less direct-to-video film called “Ghost Writer,” a solo-feature directorial debut from the always entertaining actor Alan Cumming, who also co-directed a movie called “The Anniversary Party” I quite liked back in 2001. Under a different title, “Ghost Writer” seems to have divided the very few critics who’ve seen it, but it definitely does not look dull. Both movies have very interesting casts.

Downhill Racer

In the mood for an inspirational sports story? You won’t get it in this hard-edged, documentary style 1969 sports film starring Robert Redford (a star but not yet a superstar) as a reckless Olympic-level skier who is utterly selfish and cold-hearted. A pre-“French Connection” Gene Hackman is his coach, probably a good guy and a bit off-put at having to deal with this grade-A douche who, like it or not, might be a champion.

As the DVD extras in this typically strong Criterion package inform us, “Downhill Racer” was originally conceived by Redford as a film to be directed by a hot new European director who shared his passion for skiing. Roman Polanski, however, was too busy with “Rosemary’s Baby,” so Redford concentrated his efforts on working with writer James Salter and first-time feature film director Michael Ritchie (“The Bad News Bears”) to craft this deliberately cold lack-of-character study. The ski footage is as exciting as you can imagine and “Racer” is often as intriguing as it is chilly. Still, it’s primarily a cerebral experience, hobbled by a protagonist who is incapable of changing and a bit dull. Redford and Ritchie inverted the formula in their next collaboration, placing a well-intentioned idealist in conflict with the morally dangerous world of electoral politics in “The Candidate.” That made for a much more engaging movie, but “Downhill Racer” remains worthwhile — and notable historically. Redford says the troubles he encountered making it ultimately led him to conceive of a project to help emerging filmmakers called “Sundance.” That’s more than a footnote.

Click to buy “Downhill Racer”

Yet another Friday night movie news dump

Really not that much to say, except…

* Summit has acquired the North American rights to distribute “The Ghost Writer,” a political thriller starring Ewan McGregor and Pierce Brosnan. And why is this the top item? The director is Roman Polanski. Wait for this film to benefit from a lot of free publicity generated by people who think it’s wrong to see any movie in which someone involved with it once did a very bad thing. If you follow that rule, you’ll miss a lot of movies.

* Not too surprisingly, that report I mentioned on Wednesday that James Cameron‘s next movie is going to be an outer space redo or homage or what have you of The Seven Samurai was all wet. Instead, quoth the Playlist, he’s producing, but not directing, a remake of the not-so-great (at least as far as I can remember it) sixties sci-fi hit, “Fantastic Voyage.” It could work and will probably be at least a little bit fun in 3-D.

fantastic-voyage-rm-eng

* Speaking of Cameron, it’s a bit weighted towards the geek press at this moment, but reviews have been leaking all over the place for “Avatar” and, guess what, the critics seem to think there’s something to the hype. At the very least the film is guaranteed to get a bunch of technical nominations and probably win them. Throw some Oscars into the marketing mix of James Cameron’s latest, and a genuinely gigantic hit with massive legs could brewing.

How long before the inevitable backlash? Well, Michael Phillips‘ review encompasses both frontlash and backlash. Putting on her critic hat, Anne Thompson writes a prose poem. She says all us cinephiles are going to have to see it multiple times. Well, I’m sure some of us will disagree there. Contrarians, skeptics, and extra-tough critics, start your engines.

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