Tag: Quentin Tarantino (Page 13 of 13)

American Idol: Changes, but not really

Last night the Top 7 performed on “American Idol” and while some changes were made, nothing really changed in the end. Last week, you’ll remember that Adam Lambert was in the pimp spot, but didn’t perform until after 9pm ET, with the show running almost 10 minutes late. So those who set their DVRs missed his performance, though with Adam being a favorite, the votes were not affected at all. Still, something needed to give and they decided that this week, the judges would have to scale back their comments….meaning, after each performance only two judges would comment instead of all four. Considering that there would be one less performance this week anyway, that should help shorten the program, right? Well, not really. Not when the judges see it as a chance to banter on incessantly, and not while Ryan Seacrest can’t keep things moving along properly, and not when they book more commercial spots than necessary. Actually read that last part back, because I am quite sure that’s your real culprit in all this.

But anyway, superstar director Quentin Tarantino was the mentor this week, a guy who makes movies but has a passion for music and a knack for marrying songs with his films. And the theme was songs from movies. Easy enough, right? Well yeah, but Bryan Adams’ two sappiest songs reared their collective ugly head.

Here is how it went down:

THE GOOD

Allison Iraheta went first and sang Aerosmith’s “I Don’t Wanna Miss A Thing.” It wasn’t her best, but when she kicked into the second half of the song, holy crap. Paula and Simon both draped her with praise. Paula said that while she knows she champions Adam every week (that’s an understatement), Allison is remarkably talented as well, and Simon said that Allison is the girls’ only hope left, and that she is getting stronger every week and believing in herself.

Anoop Desai sang the first of the Bryan Adams’ sap-fest with “Everything I Do (I Do For You)” and he did a really nice job with it. Honestly, I loathe that song the way Newman from “Seinfeld” loathes Keith Hernandez, but Anoop played with the melody a bit and made it soulful and interesting. Randy said Anoop has found his zone, and that it was in tune and had some nice emotion, and Kara said Anoop added some nice soul to a pop song and that it was one of his best performances so far. No argument here.

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Tarantino’s “Basterds” gets its big debut

Those wondering if Quentin Tarantino would complete his latest film (the WWII epic “Inglorious Basterds”) in time for the Cannes Film Festival (and perhaps more importantly, its late August release date) need not worry. Yahoo! Movies has officially released the teaser trailer on the internet today, and from the looks of things, it’s farther along than I imagined. Though it seems to be more traditional than the usual QT project, the film shows immense promise – notably Brad Pitt, who seems to be channeling his inner George Clooney for what may be his best role to date.

In the film, Pitt stars as the leader of a group of Jewish-American soldiers who invade Nazi-controlled France to give Hitler and his army a taste of their own brutality. The film also features “Freaks and Greeks” star Samm Levine, “The Office” star B.J. Novak, and horror director Eli Roth. Check out the trailer below, and then let us know what you think.

Sukiyaki Western Django

Director Takashi Miike is one strange dude, and that inherent weirdness is on full display in “Sukiyaki Western Django,” an unofficial remake of “A Fistful of Dollars” using a mostly Japanese cast speaking broken English. Set a few hundred years after the Genpei War, the movie takes place in a city called Utah-Nevada where two rival gangs – the Reds and the Whites – battle for control over a legendary treasure hidden somewhere in town. When a lone gunman arrives one day, the leaders of both clans try to woo him over to their side, only to discover that the nameless sharpshooter has plans of his own. Unfortunately, Miike’s homage to the Sergio Leone spaghetti westerns feels more like parody, and the choice to have his Japanese actors speak English (even though most of them are just sounding out the words phonetically) is just the start of the problems. The story jumps around so much that it’s difficult to keep the paper-thin story straight, the dialogue is incredibly lame, and there’s a surprising lack of action for a movie whose trailer was loaded with it. Additionally, most of the comedy injected into the story doesn’t work very well (namely a schizophrenic sheriff who comes off looking like Gollum from “Lord of the Rings”), and Quentin Tarantino delivers his worst onscreen performance since “Little Nicky.” “Sukiyaki Western Django” isn’t even half the film it could have been, and while many will expect something along the lines of a fun midnight movie, all you’ll find is a great idea gone to waste.

Click to buy “Sukiyaki Western Django”

Hell Ride

There’s a rule of thumb to follow regarding movies involving Quentin Tarantino: those he writes and directs are usually good, and those he produces are usually bad. There are a few exceptions to both sides of this rule (perhaps most famously Zhang Yimou’s “Hero”) which led me to believe that “Hell Ride” could be a fun little film, but as it turns out, it’s yet another low-rent vanity project from one of QT’s less-talented friends. Larry Bishop writes, directs and stars as Pistolero, president of the Victors biker gang. When one of their own is tortured and killed by rival gang member Billy Wings (Vinnie Jones) of the Six Six Sixers, Pistolero teams up with his two most trusted members, The Gent (Michael Madsen) and Commanche (Eric Balfour), and sets out to exact revenge.

Hell Ride

Unfortunately, the film isn’t even remotely as entertaining as the red band trailer makes it out to be, and in the process, puts some really cool characters to waste. Bishop sure has the look of a badass biker, but he can’t act the part, nor can he write the kind of dialogue Tarantino is famous for. He certainly tries with these silly rhymes and play-on-word conversations that he must think sound ultra-hip, but they only make the boring mess of a plot even that much more difficult to sit through. Only Dennis Hopper and David Carradine (as veteran members of the rival gangs) truly deliver performances worth remembering, and it’ll make you wish the film spent more time developing their characters instead of focusing so much time and energy on Bishop getting his freak on with a horde of naked chicks. “Hell Ride” may sound like one hell of a time, but you’d be better off checking out FX’s “Sons of Anarchy” instead.

Click to buy “Hell Ride”

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