Tag: Peter Petrelli (Page 3 of 4)

Heroes 3.9 – It’s Coming…But Is It Something Good? (Could Be! Who Knows?)

Aaaaaaaand we’re back in the present again. But was it worth the trip?

Well, as goofy as they were, I have to admit that I enjoyed the breeziness of the segments with Hiro and Ando, though to do so required me to set aside my uncertainty about what the hell had happened to Hiro in the first place. I mean, we’ve seen Brother Voodoo make with the mind wipe maneuver, but based on the way Hiro was screaming, I figured Papa Petrelli was all but ripping his brain to shreds, and when he announced that he thought that he was 10 years old, my presumption was that Papa had wiped out everything he’d known prior to that age. But given Ando’s conviction that he can trigger Hiro’s memories to return, I guess we’re supposed to presume that Papa now has the ability to inflict hysterical post-traumatic amnesia…? Well, fair enough, then. It’s not like it’s the most ridiculous conceit I’ve had to buy into with this series. The scenes in the bowling alley were silly fun, and as a geek of the highest order, Hiro’s rant about the changes in comic books was very much of the “it’s funny ’cause it’s true” variety for me.

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Heroes 3.7 – Repeat after me: “Robert Forster is AWESOME.”

Robert Forster is a god among men…and I’m not even talking about his character of “Heroes.” I don’t know what it is about the guy, but he just brings something to his roles where he can deliver more coolness than ought to be allowed by law, and “Heroes” is certainly no exception to that rule. Mind you, even with that ability, he still couldn’t pull off that awful line that was teased in last week’s preview (“Son, until you change that attitude, you’re grounded”), but I refuse to believe that there will be a funnier delivery of a line by any other character this season than his delivery of the punchline, “Have you met their mother?” Genius. But while Papa Petrelli’s scenes this week with Peter and Sylar were great, his best moment came with his handling of Maury Parkman. Wow. Nice knowin’ ya, Maury.

Claire and Mom have bonded over her handling of the Puppet Master, but it doesn’t stop Mom from being hesitant to accept the idea of Claire going on a road trip with her new best gal pal, Elle. And, really, can you blame her? Elle’s got a villainous past. Still, you have to like the fact that everyone from Claire’s little brother on up is aware that all they have to do to stop Elle is pour water on her.

There was a time when I would’ve heard Claire deliver that line about how “something’s wrong with us” and I would’ve figured it was just the writers being lazy…or possibly Claire just being stupid and somehow forgetting that her problems didn’t start until Sylar sliced into her brain. But, no, it appears that she’s actually being smart for a change and blatantly using Elle to get her own problem fixed, even if its origins aren’t the same as Elle’s. But speaking of stupid, I couldn’t believe the ridiculousness of Claire and Elle flying on a commercial aircraft while Elle’s powers were sparking left and right. I have to believe that the entire scene only existed because someone in the writer’s room was too proud of the “please turn off all electronic devices” joke to let it go unused.

While I’m glad that Mohinder seems to be working his way back to being the same guy we remember from the earlier seasons, it seems like somewhat of an abrupt about-face. Maya’s quivering speech about how he needs to redeem himself for his previous actions is presumably supposed to be the impetus for his return to good-guy status, but it’s going to take longer than an episode or two to erase the whole MohinderFly thing from my memory…especially as long as those cocoons are still hanging around his pad.

Speaking of Mohinder’s place, the scenes that took place there, with Nathan and Tracy meeting up with HRG and Meredith, worked better than I had anticipated. They felt more…real, I guess. Instead of the “Heroes” equivalent of a comic-book crossover, where one hero’s adventures cross path with another hero’s adventures, it felt weirdly casual. (“So, you’re her biological dad, you’re her adopted dad, and she’s her biological mom…?”) That feel lasted into the scenes were Nathan and Tracy met up with Peter and Claire, when Claire offered up that great line, “Dads aren’t always what they seem.” Actual drama in “Heroes” rather than melodrama? Will wonders never cease!

I’m not sure what to make of the whole Matt / Daphne love story. I don’t blame Matt for being naively hopeful that the future he’s seen will come to pass, but how naive is he going to be, and how much is he going to let Daphne get away with? I did enjoy the scene where he pulled a fast one on Knox; it’s been so long since Matt really had a chance to let loose with his abilities that I’d forgotten he could even do that. Or was this the first time we’d really seen him do something as profound as that? I noticed that he made a comment about how his dad could do it, but maybe we hadn’t actually seen him use his own powers on such a level before this.

As for the Peter / Sylar sibling rivalry, Peter definitely got the better one-liner this week (“Just kick his ass, and let’s get out of here”), but I’m interested to see where the Sylar storyline will go. He’s getting to be more of a Mama’s boy each week, reaching a point this episode where Mama Petrelli played to his desire for motherly approval in a big way, but it looks like Papa has his ear at the moment. Then again, Sylar’s so freaking wishy-washy that he’ll probably switch sides half a dozen more times before the end of the season.

Lastly, there’s Hiro and Ando, who served as the episode’s bookends. As much as I could do without another trip through time, the series’ flashback episodes have always proven to be a lot of fun, and the idea of seeing Malcolm McDowell, Robert Forster, and Eric Roberts in the same episode is too much to resist.

Heroes 3.6 – Wise Men at their End Know Dark is Right

I can’t believe I’m saying this, but…tonight’s episode of “Heroes” was really good.

I’m not even going to limit my praise to calling it the best episode of the season (although it was), because it deserves more love than that; it was legitimately enjoyable across the board, with only a few moments which gave me pause.

Hiro and Ando: Clearly, we knew Hiro hadn’t really killed Ando, but doing a flashback which showed Hiro visiting a joke shop was pretty funny. As aware as Papa Petrelli and his secret society of super villains are, it wouldn’t take them long to figure out that Ando isn’t really dead, but since Ando doesn’t have super powers, then the only person who’d really care about it one way or the other is Knox, and his ability isn’t one that lends itself to him finding out the truth. It was a nice touch that, when Daphne left, Ando pointedly released the breath he’d been holding. Why was it so nice? Because it showed that someone behind the scenes at “Heroes” finally realized, “Hey, the fans are actually noticing stuff, so we’d better start covering our asses a little better.” If Ando hadn’t released that breath, someone would’ve said, “Didn’t Daphne notice he was still breathing?”

When Hiro and Ando tried to catch Usutu the precog in Africa, it was a little bit like watching Austin Millbarge and Emmett Fitz-Hume at work, but, c’mon, who didn’t laugh out loud at the caption of “One minute before Hiro got hit”? The sequence was funny, but the writers actually had fun with the notion of Hiro going back in time…and, again, I have to think that was in response to all the moaning about FuturePeter not choosing a better time to go back in time to change the past. If I didn’t love Usutu already, watching him smack Hiro over the head with the shovel would’ve cinched the deal. His otherwise Zen-like manner makes him my favorite new character of the season, so it should be interesting to see how things go when the villains attempt to make him for them.

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Heroes 3.5 – There’s a Peacefulness and a Rage Inside Us All

Okay, so Linderman isn’t real.

After this week’s twist that Daphne could also see him, I really thought for sure that maybe he wasn’t just some twisted creation of Nathan’s psyche, but now we know that he’s actually nothing more than the work of one of Papa Petrelli’s minions. That’s right: we finally got the big reveal of Robert Forster this week, which I’ll get to in more detail in a bit. First, let’s talk about some of the other goings-on from this episode.

Sorry, but Moninder has reached the point of ridiculousness now. I was accepting the similarities to “The Fly,” but…really? He’s taking down people in the park, dragging their bodies home in a manner so careless that he’s literally leaving a trail of blood behind him, and then he’s…cocooning them? Give me a break. The only possible up side to the storyline at this point is that we may soon see the last of Maya, but somehow I suspect that we couldn’t possibly be that lucky.

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Heroes 3.4 – In The Future When All’s Not So Well

Although most of this week’s highlights came from the future, we did get a few interesting moments in the present. Mohinder tried to get a handle on his new abilities, only to find that his control over them isn’t what he hoped it might’ve been. What the hell is he doing to his neighbor, cocooning him? Despite how it may have seemed to many of us, Tracy discovered that she’s actually a triplet, but did you notice how Herr Doktor referenced that the triplets were named Tracy, Nikki, and…Barbara? The sequences with Nathan Petrelli and Mr. Linderman are very interesting, if only because I’m now totally uncertain about whether or not the latter does indeed continue to exist in some manner that allows only the former to see him. And Matt Parkman’s new buddy sent him spiraling into a white-eyed vision, which brings us to…the future.

Even with all of the advances in special-effects technology, it’s clear that we will never successfully reach a point where an actor can perform a scene with himself and not have it feel cheesy…or maybe it’s just because the only difference in Milo Ventimiglia’s PresentPeter and FuturePeter voices was that the latter was a tiny bit more growly. Either way, while the scene of the two Peters chatting with each other worked surprisingly well when they were interacting in the crowd, as soon as they headed down the alleyway and the focus of the scene was solely on them, I was very much in “gimme a break” mode. Fortunately, FutureClaire put a couple of caps in FuturePeter before I had to worry about it too much.

I liked the way FutureMohinder was couched in shadows, hissing his words, but what I really liked was that transition from the present to the future, with Mohinder’s voice slowing down on the tape recorder as it suddenly gained a coat of dust and a cockroach running over top of it. A small moment, but an awesome one. It was also good to see Molly again (kids grow up so fast these days), and the relationship between Parkman and Daphne is an intriguing one, to be sure.

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