Tag: Nicolas Cage (Page 4 of 5)

Friday film news dump, pre-Halloween edition

christopherlee

So much going on today that, unless my Google Reader is lying to me, not a single one of the many film sites and blogs on my list of usual suspects has mentioned that Christopher freaking Lee was knighted today. (I, however, will be paying my respects in the next post.)

Meanwhile….

* The biggest news of the day was expected, I guess. The New York offices of the once might mini-major Miramax, founded by Harvey and Bob Weinstein and since sold off to Disney, have been closed and the annual slate of films significantly downsized. In addition, the division’s “prexy” Daniel Battsek is stepping down, though he is supposed to be supervising the consolidation of the NYC and L.A. offices through January and no replacement has been set. Not surprising in tough times for “small” films. Anne Thompson partially blames what you might call movie mission creep, among other factors.

The main problem with the studio sub-divisions that are being slashed if not eliminated is that they simply don’t return enough on investment. They inevitably drift away from small-scale divisions that push low-budget films into more ambitious upscale operations with more employees and more overhead. With growth comes bigger budgets, more P & A, wider releases, more grandiose Oscar campaigns and often, smaller profits.

Her entire piece is definitely worth a look as she mentions how even some seemingly successful award pictures as “There Will Be Blood” and “Doubt” became money losers or earned less than you might think due to marketing costs and award campaigns.

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Another Friday night news dump

I’ve been distracted wrapping up another project, but a few things of note did transpire to cap off this doozy of a week while I was otherwise absorbed.

* Both Variety and Nikki Finke are reporting that Miramax, the once groundbreaking “mini-major” founded and eventually sold by Harvey and Bob Weinstein that was named after their parents, Mira and Max, is being downsized/restructured by Disney. Meanwhile, grinning Disney Channel head Rich Ross is apparently a near-certainty to step into the void left by the departed Mousehouse chair, Dick Cook. I’m not sure why, but I have a funny feeling about this.

* Finke also has word that The Hollywood Reporter (aka THR) may well become a weekly as well as going behind a ‘net “wall.” If so, that’s going to leave a heckuva void for someone to fill online. If Finke has any visions of empire, this could be her moment — but she can’t do that alone. Personally, I’ll miss the video versions of the box office prognostications of the man I call “jolly Carl DiOrio.” He just seems so happy when he talks how well movies are going to do each week.

* THR has details on the 1993 settlement between Roman Polanski and his now adult victim. The odd part is that the records here don’t show whether or not Polanski ever paid it. If he didn’t, the woman is one extra-forgiving lady. I suspect he did.

* I’m not quite a diehard member of his cult, but I’ve always had a soft-spot for director John Carpenter (“The Thing,” “They Live,” “Escape from New York”) since seeing the original “Assault on Precinct 13” — a clever combination of Howard Hawks “Rio Bravo” and George Romero’s “Night of the Living Dead” with gang members replacing frontier desperadoes and zombies. His latest project, reportedly called “Riot” deals with another relic of my childhood, Arnold Shapiro’s “Scared Straight.” I’ll never  forget how shocked I was to hear F-words coming from my TV set. Who knew that one day cable TV would make that a near daily occurrence.

Now, I was the kind of kid who freaked out if a teacher even looked at me in a cross fashion. Nevertheless, it definitely worked on me as I’m here to tell you that I’m pretty sure I’ve never committed a felony, even by accident, though it’s always possible I’ve forgotten something. On the other hand, my parking ticket past is thoroughly checkered.

Anyhow, the latest news on the project via Krystal Clark at ScreenCrave is that Nicolas Cage, who was at one point attached, has likely left the project and the same may also go for Carpenter. Could’ve been fun, I guess.

And now a moment of vintage Carpenter.

Gearing up

As I recall, not a whole lot of work really got done on the first day of school, but as people trickle back in from vacations, film festivals and the like, things are starting to happen.

Nicolas Cage* THR blogger/reporter Borys Kits has been keeping busy over the long weekend. He reports that Nicolas Cage will be starring in an action/revenge film, and another action/revenge film, with cars and in 3-D, entitled “Drive Angry.” Don’t take the car, Nick, you’ll kill yourself!!!!! (It’s a reference to an old commercial that you may not be in the right age/geographic group to get, but Mr. Cage most certainly is.) Kits also reports that Steven Soderbergh will be entering the action game with martial artist Gina Carano. As if that’s not enough, Kits also has a news story posted on a new documentary about Stanley Ann Dunham, Barack Obama’s late mother who figured prominently in today’s ever-so-controversial “work hard and stay in school” speech, to be directed by acclaimed Los Angeles-based indie filmmaker, Charles Burnett (“Killer of Sheep”). I actually have some very slight personal connections with the group behind this film, so this one has my extra attention.

* Fans of Shinya Tsukamoto’s “Tetsuo” series should maybe brace for a disappointment.

* Anne Thompson summarizes the Telluride Film Festival in the time of recession. BTW, she has some very kind words for Nicolas Cage’s performance in Werner Herzog’s unauthorized Abel Ferrara homage (or something), “Bad Lieutenant: Port of Call New Orleans.” After debacles like “The Wicker Man” (my nominee for worst remake of all time with one of the worst lead performances by a major star), Cage badly needs to at least give a well-regarded performance or two. He’s a hugely talented performer — anyone remember “Leaving Las Vegas”? — but they all run the risk of sort of falling into themselves.

* I don’t know how to work this in tastefully. Let’s face it, most of what I talk about here is trivia — and then real life enters the picture and it’s hard to know what to say or do. Anyhow, critic/cinephile blogger Noel Vera has more thoughts, and some affecting links, on the lives of 28 year-old Canadian-Filipino critic Alexis A. Tioseco and his partner, film journalist Nika Bohinc. Both of them were killed last week when they apparently surprised a burglar in their Manila home.

Superheroes and megabucks

Just another day in movietown.

* Sony has signed James Vanderbilt, who wrote the first draft of “Spiderman 4” (now twice rewritten), to pen an additional two Spidey screenplays. Writer Michael Fleming speculates that the studio wants to speed up production as the S-man is their most reliable vehicle and a Julie Taymor’s Broadway musical with music by Bono and the Edge, is in fairly deep financial doo-doo long before opening night. (Of course, there is another way Sony could make money — come up with something new…nah.) Vanderbilt, by the way, is also the writer behind Brian Fincher’s cinephile favorite, “Zodiac.”

I personally wonder if Maguire, Kirsten Dunst, and Sam Raimi have much interest in doing any more films after the next one, which I suspect is a bit of a Mulligan for the sporadically entertaining and occasionally embarrassing mess that was the last Spiderman film. Also, Maguire is older than he looks (34 as of last June), and time is running out. A forty-something actor might work for Iron Man, but for Spidey, it’s kind of another story.

* Speaking of young superheroes, or in this case super anti-heroes, Variety tells us that Lionsgate has purchased the domestic rights to Matthew Vaughn’s comic-book adaptation “Kick-Ass,” with a cast that includes Nicolas Cage, Aaron Johnson, Chloe Moretz and Christopher Mintz-Plasse. Anne Thompson is very much on board and notes the strategy of indies using Comic-Con to get distribution. She also has a video from the con which doesn’t want to play properly on my computer. In addition, those who understand finances better than I might be able to draw something kind of line between and this Nikki Finke item having to do with the sale of some stock by Lionsgate Bigwig Joe Drake.

* Ignoring my fervent prayers, “G.I. Joe” is doing very well abroad. At least people who complain about the dumbing down of America will have to realize it’s not just us. Misery loves company.

Ladies and gentlemen, we have our new Kato

So says Sony and Nikki Finke.

And he can sing.

He can do the other thing, too.

I didn’t see Taiwanese pop-star turned actor/martial artist Jay Chou in “Curse of the Golden Flower,” but if he can hold his own with Gong Li and Chow Yun Fat (though I understand his Asian reviews were less supportive than English-language critics), I think he can manage Nicolas Cage‘s sure-to-be-nuts villain and Seth Rogen’s jokey Green Hornet.

Screenrant
has some more.

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