Tag: Max von Sydow

First Watch: “Never Say Never Again” (1983)

Sean Connery as James Bond in Never Say Never Again in tuxedo

I had seen every James Bond film other than “Never Say Never Again,” released in 1983. That omission probably wasn’t accidental. The film occupies a strange and controversial place in the Bond canon: an unofficial, non-Eon Productions entry that marked Sean Connery’s return to the role of 007 after a twelve-year absence. When Netflix recently licensed all 26 Bond films from Amazon in a somewhat surprising move, including this odd, non-Eon outlier, I finally took the opportunity to check it off the list.

Unfortunately, the experience was a letdown. “Never Say Never Again” is a complete mess, and it has aged terribly. Some scenes are so misguided that they feel like unintentional parody, with the Blofeld scenes and dialogue standing out as particularly cringe-worthy. To be fair, many of the Bond films leading up to “Never Say Never Again” haven’t aged especially well either. Their pacing often drags, and Bond’s “cool” factor we all love is frequently buried under long, dull stretches and strained attempts at humor. This film suffers from all of those problems, only here they’re compounded by a weak script and thoroughly schlocky production values.

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Monday movie news

The Deadline crew has really been working overtime these last few days, so there’s much to talk about as a new week begins.

* I’m not kidding about the pace of news from Deadline today. Just as I was starting to finish writing this, Mike Fleming broke the news that we have a “Superman” director who’ll be working with producer Christopher Nolan, and he is one Zack Snyder of “300,” “Watchmen,’ the “Dawn of the Dead” remake and that owl movie that’s out right now. Expect a fightin’ Supes. Should you expect a good Supes movie? Dunno. I never understood the grief that “Superman Returns” got. It was a nice, fun movie in the best senses of the words “nice” and “fun.” Will this one be all grimness and unnecessary darkness? I hope not.

*  Fox landed the film adaptation rights for apparently the hottest book of the moment, Abraham Lincoln: Vampire Hunter which is being produced by Tim Burton and directed by Timur Bekmanbetov (“Night Watch,” “Wanted“), who purchased the rights with their own money. And it’s not like they were afraid to show they really wanted it:

When Tim and Timur and their entourage of reps came to the Fox…they were met with a huge banner at the gate. It had the title treatment of the script and was emblazoned, “Tim Burton and Timur Bekmambetov present Abraham Lincoln: Vampire Hunter”. At their parking spot were signs saying “Parking For Vampire Hunters Only: park at your own risk,” and so forth. There were bloody footprints lining the walkway and stairs leading from their cars to the meeting in Building 88 with images from the book and lines from the script. As if that were not enough, there also were bloody axes strewn about, and a bugle player in a Confederate uniform playing “Taps” as the filmmakers walked to the meeting..

Yes, like Camelot, Hollywood is a silly place, and I sort of like it that way. I just wished I enjoyed Bekmambetov’s movies, because I didn’t.

* Re: silliness. Check out this promotion for “Jackass 3D”

* I seriously dislike writing about stories that say that so-and-so is “about to be” “offered” a part. There are simply too many items like that and too many “ifs” (maybe the studio will change their minds; maybe the star will say “no,” etc.) and I prefer to wait until the story is further down the road. Nevertheless, Mike Fleming has reported that Emma Stone is about to be offered the part of Mary Jane Watson in the Marc Webb-directed 3D “Spiderman” reboot opposite Andrew Garfield.

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