Tag: Mark Ruffalo (Page 2 of 2)

Midweek movie news of the world

I’m getting a very, very late start tonight/this morning so let’s see how efficient and brief I can be. Also, we’ll see how many utterly huge stories I’ll miss.

Mark Ruffalo in *  I suppose the big news today is that it really appears as if there’s already an Edward Norton replacement after his departure as the Hulk from “The Avengers” was egregiously mishandled by Marvel’s Kevin Feige. The choice appears to not be Joaquin Phoenix but the first-rate, not nearly famous enough Mark Ruffalo. He is the deceptively low-key actor I’ve been rooting for since catching him in “You Can Count On Me” back in 2000. (It was my favorite movie of that year and also made me a life-long fan of Laura Linney.) Ruffalo is currently in the year’s probable indie-smash, “The Kids Are Alright.” As sussed out from various reports by Kevin Jagernauth of the Playlist, it appears he’s still in some pretty serious negotiations that are not yet really anything like a done deal. He’s a shrewd choice for Marvel and this would be a good way to salvage a thoroughly unfortunate situation.

* Joaquin Phoenix might not be the Hulk, but the probable mockumentary (or not) about him made by his brother-in-law, Casey Affleck, has been picked up by Magnolia. I’m not looking forward to the already infamous “Cleveland steamer” scene. Just FYI, much as I admire John Waters, “Pink Flamingos” is on my short “never see” list, but that infamous final scene is a lot worse, I suppose. I get ill just thinking about it.

* The fascinating outlandish career of arthouse poet turned stoner-action-comedy specialist David Gordon Green may take another fascinating turn if he really does remake Dario Argento’s “Suspiria” — which, I somehow managed to sit through some fifteen years or so back despite my squeamish/scaredy cat ways, because, among other reasons, it’s so freaking beautiful. Also, I’ve always had the hots for Jessica Harper.

Suspiria4

* If you want to know who the best, most essential, and most thoughtfully cinephilish bloggers and blogs are, check out the terrific blogroll from the Film Society of Lincoln Center. Congrats to my old bloggy compadres Dennis Cozzalio, Kimberly Lindbergs, Farran Smith Nehme, and Greg Ferrera, among others, for making the prestigious list.

* Nathaniel Rogers didn’t get a mention, though he certainly deserves it. The openly actresexual blogger did, however, get a very nice interview with his idol, Julianne Moore, who I kind of idolize myself. More congratulations are in order.

* I suspect that those old Steve Reeves Hercules movies will wind up being a lot more watchable than whatever Brett Ratner makes of the mythical strongman. I’m sure he can’t top the Disney animated film, even if it wasn’t the greatest of the studio’s nineties animation output. Cue the “do you like to watch gladiator movies”  jokes.

* If you’re wondering why the post two posts below this one has no video, here’s why. Somebody let me know if there’s a new version up, since the whole thing is a bit of a legalish technicality.

* Note to my friend, Zayne: Yeah, I missed this reconstruction of a lost ultra-obscure exploitation gangster film tonight about kidnapping the Pope (and asking for a $1.00 from every Catholic in the world — though  these days I doubt they’d pony up). I’m therefore bummed.

* Alison Nastasi has an interesting response to a fairly thoughtful rant by Dustin Rowles on the controversy around the new cover art for the remake of another film on my probably never-see list, “I Spit On Your Grave.” The poster is obviously in horrible taste, but isn’t that kind of the point?

* Now that a fourth tape is out, I wonder if Mel Gibson will get the message and give up the drunk dialing.

* I’m confused. If the planned film with Jeremy Piven and Thomas Jane is in any way actually closely modeled on John Cassavettes’ “Husbands,'” as director Mark Pellington seems to say, then I don’t think it should be called a “thriller.”

A trailer for a Sunday morning/afternoon: “The Kids Are All Right”

It’s a little sad that what appears to be a really entertaining social comedy with two genuine superstars, a leading man who deserves to be one, and another possible emerging young superstar or two is considered an “indie” flick. Anyhow, “The Kids Are All Right” brings us staid and affluent same-sex parents Annette Bening and Julianne Moore. They find their peace interrupted when Mark Ruffalo turns up as the fun-loving, ne’er do well biological father of their teenage children, played by Mia Wasikowska of “Alice in Wonderland” and Josh Hutcherson of “The Bridge to Terabithia” and the upcoming “Red Dawn” remake.

Except for the lesbian part and the artificial insemination part, this could easily have been an “A” Paramount production in 1951 with, say, Jean Arthur and Rosalind Russell as the two mommies, Robert Mitchum as the bio-dad, and Liz Taylor and maybe Dean Stockwell as the kids. Oh, well.

A big h/t to Dustin Knowles of Pajiba. And, yeah, if I was going to have two mommies, Ms. Bening and Ms. Moore would work for me, too.

Also, of course, this isn’t the first movie with this title, give or take and “L” and a space.

What Doesn’t Kill You

Some people may wonder why “What Doesn’t Kill You” didn’t receive a proper theatrical release, and to be completely honest, it all comes down to luck. Over the last few years, there have been a number of gritty crime dramas released in the same vein as Brian Goodman’s directorial debut, and though a majority of them weren’t any better or worse, they had the good fortune of being made first. That’s really the only thing standing in the way of the film, a based-on-a-true-story tale about two lifelong friends (Mark Ruffalo and Ethan Hawke) making a living as soldiers for the local crime boss in Boston. When a job gone wrong lands the pair in prison, however, one struggles to make the most of his second chance under the haze of drugs and money.

If there’s one thing going for “What Doesn’t Kill You” that some of the other likeminded films didn’t have, it’s a strong performance from its lead actor. Mark Ruffalo has been on the brink of breaking out for what seems like a decade now, and yet he continues to hammer away with quality roles where he really gets to flex his dramatic muscle. Ethan Hawke isn’t quite as memorable in what could easily be viewed as a copycat of his character in 2007’s “Before the Devil Knows You’re Dead,” but he still does his best work in films destined for the festival circuit. Unfortunately, though “What Doesn’t Kill You” may claim to be based on a true story, it’s simply too far-fetched to be believed. Goodman should have had the good sense to ignore that aspect of the tale and just focus on crafting a movie that we haven’t already seen countless times before. Maybe then it would have never gotten lost in the shuffle.

Click to buy “What Doesn’t Kill You”

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