Tag: Lord of the Rings (Page 2 of 2)

Celluloid Heroes: Best Characters of the Decade

There are a lot of variables that go into making a successful movie – actors, writers, directors, producers, and all of the other overlooked crew members – but even if everything is done exactly right, it doesn’t mean anything without a good character. And at the end of the day, that’s what people remember the most when they leave the cineplex. As part of our look back at the movies of the 2000s, I present you with a list of the best characters of the decade. Obviously, some cuts had to be made (notable omissions include The Joker, Batman and Derek Zoolander), so feel free to comment on which of your favorite characters didn’t make the cut.

spiderman

10. Spider-Man

The web-slinger would probably make a list of best characters in any decade-end review of comic books, but this is the first time he can even be considered for a movie list. Thank Bryan Singer’s “X-Men” for that, because without its success, there’s a good chance we may have never seen Spider-Man jump to the big screen. Sam Raimi definitely deserves credit for adapting the character without all the cheese of the 60s TV series, but it’s Tobey Maguire’s strong performance that really brings the character to life. Although many claim the second film to be the best in the series, we think that all three have their own strengths and weaknesses. Sure, Peter Parker may lose some of his appeal when he goes all emo in “Spider-Man 3,” but seeing Spidey rock the black symbiote suit was just as cool as anything he did in the first two films.

Memorable Quote: “You know who I am. Your friendly neighborhood Spider-Man.”

jigsaw

9. Jigsaw

Say what you will about the deteriorating quality of the “Saw” films: Jigsaw is right up there with Jason Voorhees, Michael Myers and Freddy Kruger as one of the ultimate horror icons. What makes him so different from the others, though, is that he’s a fairly regular guy (when he dies, he really dies) who isn’t so much a villain as he is someone who goes to radical extremes to get his point across. Though his argument that he doesn’t ever kill anyone could be debated for eternity, Jigsaw is still a pretty badass dude. Not only is he one of the most inventive baddies to ever grace the silver screen, but the fact that he’s doing all of this while dying from cancer is beyond impressive. Tobin Bell may never be remembered for anything other than his work in these films, but his limited appearances are so memorable that we wouldn’t really mind.

Memorable Quote: “I want to play a game.”

wolverine

8. Wolverine

Though it’s difficult to think of anyone other than Hugh Jackman playing Wolverine, it certainly could have ended up that way. You can go ahead and thank the comic book gods for interfering, because if Dougray Scott hadn’t gotten hurt while shooting “Mission: Impossible 2,” “X-Men” fans might have seen a decidedly different take on their beloved adamantium-laced berserker. And since Wolverine has since become the mascot for those films (even earning a mediocre spin-off of his own) that also would have affected the movie as a whole, which might have stopped the whole comic book movie revolution before it even began. Just think about that the next time you see Jackman in his role as the wise-cracking, cigar-chomping mutant, because without his charismatic, star-making performance, this list would look a lot different.

Memorable Quote: “I’m gonna cut your goddamned head off. See if that works.”

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A scary Tuesday night at the movies

*  The rep of PG-rated horror these days couldn’t be much worse. So, I have no problem believing CHUDster Devin Faraci that a publicist sent out a blast e-mail crowing about the R-rating given to “The Wolf Man” for “‘bloody horror, violence and gore.”

The-Wolf-Man1

I’m excited enough about what appears to be a nicely movie-movie stylized general approach to the movie from director Joe Johnston, of the underrated “The Rocketeer” among other movies, to still be looking forward to seeing this, I think. Moreover, I am a fan of the fairly sanguinary (and, to me, truly freaking scary in more or less the best way possible) “An American Werewolf in London,” but I’m still a bit nonplussed. I realize I’m a bit of wuss about too much gore, certainly compared to the typical horror fan.

Nevertheless, I can’t help finding the attitude of AICN’s Quint a little Stephen Colbertesque in its equation of blood and gore to “nards” (Colbert would just come right out and call it “balls”). I also think making a tough, scary film really doesn’t have that much to do with how much colored corn syrup you throw around. But then who listens to a guy who likes musicals?

* The most disconcerting news about “The Wolf Man” is not the above, but the news last month about the decision to apparently drop a mostly completed score by Danny Elfman. Yesterday, Jon Burlingame of Variety wrote an even more disconcerting piece arguing that film composers are being devalued. Here’s the article ending quote from respected composer James Horner (not my personal favorite, as it happens, though he’s certainly worked on plenty of good movies and I’m perhaps not giving him enough credit):

“No one just says, ‘What do you think of my picture? I want you to write what’s in your heart.’ I haven’t heard that in years. That simple concept does not exist anymore.”

Michael Stuhlberg in Apparently, though, it does for some composers, when they’re working with really good directors. Michael Stuhlberg’s interview with Anne Thompson a while back indicates the Carter Burwell’s music may have changed the tone of Coen Brothers’ “A Serious Man” considerably and that he was given considerable latitude. Real filmmakers apparently still realize that musical choices — when and how to use it, or not use it —  are absolutely crucial.

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Tolkien/Harper Collins v. New Line/Warners suit settled

There is joy in Middle Earth as the suit over the accounting of the immense take of Peter Jackson’s Lord of the Rings film cycle has been settled. (Nikki Finke says it was nearly $6 billion.) The terms are being kept secret, but this is a separate matter from the already settled action between New Line and Peter Jackson, which ended his relationship with former New Line Prez Bob Shaye under some extremely acrimonious conditions. This means there’s nothing likely to stand in the way of Guillermo del Toro’s upcoming films of Tolkien’s The Hobbit.

It’s also worth recalling that this isn’t the first time the Tolkiens — who were partners in the suit with the Rupert Murdoch’s Harper Collins publishing megalith — have been allegedly deprived of what’s rightfully theirs and been involved in successful legal action. The question is, what’s more corrupting — the power of cash or you-know-what?

The Mutant Chronicles

Movies like “The Mutant Chronicles” are difficult to critique, because even though they may not be very good, you still have to respect their ability to create something from nothing. Shot on a shoestring budget with some of the best B-movie actors in the business, the film takes place in 2707 as corporations wage battle over the planet’s dwindling resources. When a mutant army is accidentally released during the heat of battle, however, a monk named Brother Samuel (Ron Perlman) enlists the help of seven soldiers (including Thomas Jane and Devon Aoki) to travel into the core of the Earth and destroy the machine responsible for creating the mutants. It’s essentially “Lord of the Rings” for the steampunk set, right down to the fellowship of nine and the orc-like mutants they battle along the way. Unfortunately, though the story sets up some cool action sequences, the experience is marred by D-grade special effects. You can almost always tell when the actors are working in front of a green screen, and the CG blood looks like it was added using Paint Shop Pro. Fans of campy sci-movies will no doubt appreciate the low production values and so-cheesy-it’s-funny dialogue (“I don’t get paid to believe. I get paid to fuck shit up.”), but for everyone else, “The Mutant Chronicles” is probably best ignored.

Click to buy “The Mutant Chronicles”

One more fantasy movie moment: “Beauty and the Beast” (1946)

With due respect to the later Harry Potter films, and as much as I consider Peter Jackson’s “Lord of the Rings” cycle possibly the ultimate single film of this first decade of the 21st century, if I had to pick the greatest fantasy film of all time, there’s one film that pretty much stands alone for me. Poet turned auteur Jean Cocteau’s version of Beauty and the Beast has never been rivaled. This “fairy tale for adults” remains a masterpiece of entertainment and cinematic poetry, and it’s in-camera effects remain truly stunning. In some respects, even Jackson’s incredibly brilliant WETA crew has never quite matched what cinematographer Henri Alekan, and production designers Christian Bérard and Lucien Carré managed in devastated post-war France.

I suppose I’m already guilty of it, but I try not to build-up classic movies too much lest I build up expectations so high that no movie can really live up to them at first blush. They’re only movies. But take a look at this trailer, which includes narration by Cocteau himself. To me, this is beauty.

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