Tag: Lena Headey (Page 3 of 3)

Terminator: The Sarah Connor Chronicles 2.3 – Running to stand still

Um, this is classified as an action show, right?

For the second straight week, an hour passed in which the overall story arc – assuming there is one – was pushed forward a few inches, tops. Catherine Weaver reaches out to Agent Ellison in the hopes of seducing him into working for the dark side. That’s pretty much all that happened in the grand scheme of things. The rest of the hour was taken up by an attempt by Cromartie to lure Sarah and Derek out into Nowheresville while he attempts to take out John back in the city. Oh, and John once again put his life in jeopardy, this time to hang out with Riley. We understand that it must be hard for a teenager to be so deathly serious all the time, but damn, man, you’re the last hope of mankind. Cowboy up, punk.

Any way you can get me out of this show? Can't just just have me killed or something?

Back to this whole story arc thing – do the producers even have a plan? They have to, right? Otherwise, they don’t get the green light to go on…right? Still, after watching tonight’s awesome season premiere of “Heroes,” and sifting through the dozens of story lines they unveiled, this show, by comparison, is moving like the turtle that Matt Parkman thought was talking to him in the desert. Are budgetary issues preventing them from a) adding new cast members to expand the story, or b) throwing in some splashy action sequences? Heck, this week’s episode didn’t even include a flash-forward to some post-apocalyptic wasteland. Instead it was all dark, crowded warehouses and the Santa Monica pier. Wheeee.

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Terminator: The Sarah Connor Chronicles 2.1 – Hey baby, can you bleed like me?

Warning: spoilers abound. If you haven’t seen the episode, stop reading right now.

For as much action as there was in the season premiere for “Terminator: The Sarah Connor Chronicles,” not a whole lot happened. They set up a whole bunch of stuff to happen later, but as a stand-alone episode, it was like a Michael Bay movie: stuff gets blow’d up, and you’re entertained while it’s happening, but the minute it’s over, you think, why did they need that much time to tell that little story? There is a reason for it, of course, but it’s a cart-before-the-horse reason, as if they wrote the episode backwards and worked their way to the beginning. When they got stuck, they inserted a car chase and blew shit up.

But that ending. Man, oh man, is it awesome. The last two minutes, in particular, are of the “Hell, yes” variety. Pity there was so much chaff around that sweet, sweet, wheat.

The episode opens with a decidedly not-dead Cameron, rebooting her frazzled memory chip after surviving a car bomb. (This kind of bomb apparently does not burn hair. Must be from the future.) She finds the culprits in the process of beating Sarah and John, and dispatches with them both. Then she sees John…and her chip tells her to terminate him. Holy shit! Run, John, run! How’s that for a Sweet 16; the robot that he’s wanted to have sex with for a good month or two now wants to kill him. That’s a buzz killer.

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Old Show, New Season: “Terminator: The Sarah Connor Chronicles”

If you’ve read my review of the first season of “Terminator: The Sarah Connor Chronicles,” then you already know that, although I felt the show lost a little momentum after its premiere, it kicked into overdrive with its fifth episode and roared full-throttle from there to the season finale. Granted, there were only a total of nine episodes in the strike-shortened season, but, still, the addition of the character of Derek Reese – John Connor’s uncle – into the mix not only turned the show from “not bad” into “pretty damned awesome” but also forced me to make the admission that, despite being a really terrible rapper, Brian Austin Green is actually quite serviceable as an action hero.

So if you watched the show last season, then there’s probably only one question to which you’re really dying to get the answer: did Cameron (Summer Glau) survive the bombing of her vehicle…?

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TCA Press Tour: Sarah Connor returns!

It’s a little surprising that there hasn’t been a “Terminator” TV series before now, given how popular the franchise has been over the years, but here’s my theory as to why it finally happened: once Ahnuld took over as Governor of California, the producers decided, “Oh, well, if he’s not gonna be available to do more movies, we might as well hit the small screen.” So, we have “Terminator: The Sarah Connor Chronicles” . . .

Hey, I’m psyched.

Yeah, I know, I say that a lot…but, seriously, the special effects in the pilot look sweet. Plus, what red-blooded American male can’t get into a cast which stars Lena Headey (“300”) as Sarah Connor and Summer Glau (“Serenity”) as the latest, sexiest model of Terminator? And in case you fall into a different male demographic – there, how’s that for a politically correct turn of phrase? – it’s worth noting that the shoes of John Connor are being filled by former “Heroes” star Thomas Dekker.

The Sarah Conor Chronicles - TCA Tour 2007

But if you’re a real sci-fi geek, you probably only have one question: where exactly does this series fall into the chronology of the three “Terminator” films?

Producer Josh Friedman attempts to sort out the confusion. “When we first started this,” he explains, “people said, “This takes place between ‘T2’ and ‘T3,” and I think that was incorrect. As far as I’m concerned, this is ‘T3.’ I mean, this is a continuation of what I would call the Sarah Connor trilogy. So I think anything that happens after ‘T2’ is fair game for us. And I think the ending of ‘T2,’ the exploding killing Cyberdine, killing Miles Dyson, sort of changes the timeline for anything in the future.” Friedman went on to clarify that the ultimate fate of Sarah Connor as referenced in “T3” – she succumbed to leukemia, of all things – is no longer to be considered to be a given; fellow producer James Middleton added, “We’re taking a phrase that is very important in ‘T2’: ‘No fate, but what we make.’ And this is a new fate for Sarah Connor, so we are creating an entirely new timeline.”

Of course, it will probably not surprise you to learn that, of our number, at least one person was simply unwilling to accept this answer at face value. “At the end of ‘Terminator 2,'” began a reporter, “it looked as though they had saved the future. And in ‘Terminator 3,’ basically they were stuck with the future that ‘Terminator 1’ came from. Does your show believe that that loop is inevitable, or are they still trying to change the future to the point where it never gets to the rise of the machines?”

Rather than simply saying, “I’m sorry, but answering your question would wreak havoc on the space-time continuum,” Middleton actually responded thoughtfully: “Our characters operate and fight a battle every episode based on faith that they can prevent Judgment Day. Now they’re going to do everything that they can to do that. But the odds against them are formidable. They have a formidable enemy. So how they operate every day is to fight the fight the best they can in each episode.”

(Perhaps more amazingly, the reporter accepted this answer!)

With all these references to the films, you’re probably wondering the same thing we were: what are the odds of us actually managing to see that aforementioned Governor of California on the show?

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