Tag: Jon Hamm (Page 2 of 7)

Mad Men 4.11 – Too Little, Too Late

When I saw that this week’s episode was entitled “Chinese Wall,” I found myself overwhelmed by a sudden wave of deja vu. “Now, wait a minute,” I thought. “I know damned well that phrase has been utilized before, because I posted the video for Philip Bailey’s ‘Walking on a Chinese Wall’ when it happened.” And, indeed, that was true: Faye made the reference back in Episode 4.9.

If you’re not familiar with the term, it’s an expression which, according to the never-fallible Wikipedia, means “an information barrier implemented within a firm to separate and isolate persons who make investment decisions from persons who are privy to undisclosed material information which may influence those decisions.” In this case, the wall in question has been constructed by Roger, and he’s put everyone else on the other side of it.

And, now, on with the episode!

Hey, look, Peggy’s hanging with the lesbian from Life and her pals, including the guy who pissed her off with his writings a few episodes back. I guess all is forgiven now that he’s asking permission to quote her, since she immediately brings him back to her pad (I was disappointed, though, that Peggy’s reference to her roommate didn’t result in an appearance from Carla Gallo), and a good night evolves into an even better morning. We’re seeing a whole new Peggy, people!

Mad Men - Ken Cosgrove

Ray Wise in the house! Ken Cosgrove and his fiancee are having dinner with her parents – yep, Mr. Wise is her dad – when he gets word that Lucky Strike is moving out of business with Sterling Cooper Draper Pryce. As you can imagine, this information scares the heck out of him…so much so, in fact, that he rushes out of dinner and into the waiting room at the maternity ward, where Pete is waiting for Trudy to have their baby. Pete’s immediately on the phone to Don, and although he interrupts his makeout session with Faye to take the call, the topic of conversation instantly puts a damper on his libido. The next thing you know, everyone who’s anyone – minus Lane, of course, though it’s acknowledged that he’s been duly informed – is at the office, ready to pounce on Roger the second he walks in. He claims it’s an impossibility and immediately calls Lee, except we know from his comments that he’s clearly not talking to him.

Don heads back to his place and immediately starts drinking, and you know that ain’t a good sign. He acknowledges that he’s more or less dreaded this possibility for quite some time, but although Faye tries to remind him of how valuable a player he is, Don dismisses her level of concern, saying, “I’m not at that point yet.” Clearly, he’s not going to go down without a fight. Pete’s father-in-law, meanwhile, is almost immediately dismissive of any chance of the firm’s survival, basically saying, “Ah, well, you had your fun, now back to the real world.”

Should I feel sympathetic for Roger? Well, I did, at least a little bit. It’s not his fault that Lucky Strike decided to pull out, and I can’t blame him for not wanting to admit the loss to the firm, but at the same time, he’s clearly getting in over his head with this chicanery, getting a highly warranted smackdown from Joan for keeping his mouth shut when something could’ve been done to save the situation. After she once again relents and lets him swing by her pad, they share a sweet embrace, but even though he’s pretty pitiful when he departs from the premises, she’s seriously disappointed the next day by the fact that he’s continuing to weave his web of lies, and the awkwardness between them is palpable. I don’t think she’d betray him to them, mostly because it’s not like they could save the account at this point, anyway, but his actions are putting her job in jeopardy, too, and I think it’s pretty well established how much she enjoys her niche at the firm. For his part, Roger seems to have been temporarily swayed by the arrival of his book. Maybe he’ll be inspired to become the ad man he once was…?

Mad Men - Peggy

After Bert and Don give the State of the Union address, the feeling on the floor is that everything’s more or less under control, but Don’s not pulling any punches when he sits his team down. The best moment, though, came when it was just him and Peggy. They’ve definitely got their own special relationship now…if, uh, not quite as special as the one she had last night, which has put her in a stellar mood. Unfortunately, it’s pretty transparent to everyone around her, which results in Stan being an Alpha Male to the Nth degree. What a jackass that guy is. Still, even his minor-league attempt at getting revenge on her for her rebuffing of his advances didn’t do any damage: it takes more than a little lipstick on the teeth to stop the creative force that is Peggy Olson!

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Mad Men 4.10 – Do You Promise Not To Tell?

Joan wants a chat with Roger…and the talk is serious: “I’m late. Very late.” I guess I shouldn’t have been surprised at how Roger immediately did his best to calm her down, speaking to her in a tender voice and assuring her that he’d take care of everything. His doctor, however, isn’t nearly as tolerant of the fact that Roger’s gotten Joan pregnant, but he still passes along information so that she can get an abortion…if she decides to actually get one, that is.

The mere fact that Roger broached the possibility of Joan keeping the baby made me sure that we were going to spend the rest of the episode playing “will she or won’t she,” and I was right on the money about that. Even now, Joan’s impossible to read. I hate to believe that she actually went through with it ’til we get formal confirmation on the matter, but she probably did, as it would go against standard “Mad Men” storytelling for her to do something as cliched as say, “I changed my mind, I’m keeping the baby.”

Mad Men - Joan Halloway

Lee Garner, Jr. is back…but not for long. After the Christmas episode, you’d think they’d be glad to see him go away for good, but since Lucky Strike is basically the client that’s keeping Sterling Cooper Draper Pryce afloat, their departure could literally sink the firm. It’s a little disconcerting to see Roger shift from angry into being legitimately upset. Will he be able to save SCDP in 30 days…or before he has another heart attack?

Mad Men - Roger Sterling

Isn’t it amazing how the promise of a ticket to see the Beatles at Shea Stadium – which dates the events of the episode as taking place near August 15, 1965 – can make up for years of half-assed parenting? But, my God, even Betty’s icy exterior cracked when Don told her where he was taking Sally…and, perhaps even more impressively, mother and daughter actually shared a smile. Unfortunately, the way Don kept having to put pressure on Harry about the tickets, coupled with Harry’s expression while assuring him that he’d get the tickets, had me worried almost immediately that the grand event wouldn’t go off as planned. Little did I know that it’d be the only thing that would pan out.

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Movies news on a Monday night

Direct from the Starbucks at Pico & Robertson…

Jon Hamm in * Rumors have been circulating for at least a week that Jon Hamm of “Mad Men” and now “The Town” is being considered to play Superman. I’m a huge fan of the guy, but count me among those who think he’s a bit old to play an eternally youthful superguy, if there’s going to be more than one movie anyhow. Kal-El is not Tony Stark. In any case, apparently someone else who it appears did turn down the role of Superman director was Guillermo del Toro. Actually, if they ever make a movie set in the Bizarro world, del Toro would be the guy. Otherwise, I don’t see it at all and, it seems, neither did del Toro.

* In terms of film biz transactions, the Toronto International Film Festival surprised everyone and did rather well with numerous indie films being purchased for release. What doe it mean? Mike Fleming sees a modified return of the indie market, though with a thriftier than ever edge.

* The first casting news has come for the J.J. Abrams’ science fiction Steven Spielberg homage/collaboration, “Super 8.” Naturally, one of the stars is a young person — Elle Fanning. The other is closer to my age and is best known for his TV work. No, it’s not Abe Vigoda, but Kyle Chandler of “Friday Night Lights.”

* Speaking of people in my general age cohort who can’t escape their youth, Keanu Reeves is apparently getting colleauges like Alex Winter ready to do a middle-aged edition of the “Bill & Ted” epic. As actors go, Reeves may not be a Philip Seymour Hoffman-level thespian, but he really excels at certain kinds of comedy and I’m board for this. He does a pretty good Werner Herzog, besides.

* Tim Burton is going back to where he started as a director with a stop-motion version of his career-starting live-action short, “Frankenweenie.” The voice cast has just been announced and it will include Winona Ryder, Martin Landau, and SCTV alums Catherine O’Hara and Martin Short.

* Did anybody out there ask for a “Timecop” reboot? Simon Brew is game.

* Re: l’affaire du Hulk back in July, Edward Norton continues to kill Marvel’s Kevin Feige with perhaps not kindness, but civility. Ouch.

* I beg to differ with Sarah Silverman, her “full frontal” nude scene will be pretty. Very pretty.

sarah_silverman

* I’ve seen movies in some mighty small “shoebox” multiplex theaters and screening rooms, but if you’re wondering how small a movie theater can be, this promotion for “Buried” answers the question.

* As I write this I’m getting ready to watch the multi-director documentary “Freakonomics” for free. You however, may pay as little as a penny and as much as a $100 to see it this Wednesday. It’s your choice. Still, we know there’ s no such thing as a truly free, or almost free, anything and, as with writers like myself, some effort is expected in return. Details here.

Mad Men 4.9 – Here’s to you, Mrs. Blankenship…

Another week, another great episode of “Mad Men.” The show has really settled into a solid groove of awesomeness over the course of the past several weeks. Not that it isn’t always pretty darned awesome, but ever since Episode 4.6, it’s been mindbogglingly good.

Given the title of this blog, I feel obliged to start things off by discussing the late, great Mrs. Ida Blankenship. I’ve spent much of this season under the presumption that Bert Cooper would be the one to die in the saddle at Sterling Cooper Draper Pryce. Not that I’m rooting for Robert Morse to leave the show, but it just seemed like we hadn’t been seeing a whole lot of him this year, so I thought that perhaps that Bert’s days were numbered…and maybe they still are, but I certainly never expected that Mrs. Blankenship would beat him to the punch.

Mad men older woman

Of Mrs. Blankenship’s death, Roger quipped, “She died as she lived: surrounded by the people she answered phones for.” Similarly, the character departed in much the same way that she existed: as a punchline. There was some straight-up “Weekend at Bernie’s” schtick going on in the background as Don desperately tried to maintain his meeting with the gentlemen from Fillmore Auto Parts, and even though that isn’t necessarily the sort of thing that I expect when I tune in to “Mad Men,” it doesn’t mean that I didn’t enjoy it. If I laugh harder at a Don Draper line this season than “I’d have my secretary do it, but she’s dead,” I’ll be very surprised. Still, Mrs. Blankenship’s demise did also lead to a sad, sweet moment from Bert, when he poetically described her as “an astronaut,” and it served to remind Roger of his mortality, which ultimately found him living life to the fullest…but we’ll get to that.

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Weekend boxoffice: Ben Affleck steals the weekend, but “Easy A” hangs onto to its virtue

A surprise this week. A film that seemed to skew towards an older and more male audience actually grabbed more box office lucre than a high-concept comedy aimed largely — albeit on a weekend where no one made anything close to a cinematic mint.

Ben Affleck and Rebecca Miller in

He might look down in the pic above, but Ben Affleck — whose taken his share of sometimes deserved and sometimes not so deserved lumps as an actor over the years — has something to celebrate today. To be specific, the cowriter-director-star’s heist drama, “The Town,” swiped an estimated $23.8 million for Warner Brothers according to Box Office Mojo’s weekend chart. I’m guessing that the film got a boost from pent up demand for a the kind of plot-centric thriller we adult males seem to crave, as well as the budding  potential superstar presences of Jeremy Renner, Jon Hamm, and Blake Lively, not to mention female lead Rebecca Miller. Since older people usually pay a bit more attention to critics, it’s actually possible that the unusually good reviews helped here.

If Cinemascore means anything — and I’m not all that sure that it means all that much — “The Town” might have also gotten a boost from word of mouth, since Anne Thompson tell us it got a better than average B+ all around. Thompson also quotes Warner’s distribution chief Dan Fellman, saying that the studio is looking ahead to award season for the thriller. Moreover, Fellman also reminds us that the film is the largest September opening in Warner’s history (that is to say, September kind of sucks for box office). Though it’s not the kind of movie that usually wins Oscars, the loosened up Best Picture category certainly helps a well-reviewed and reasonably popular film’s chances.

Emma Stone in The PG-13 not-having-sex high school comedy with promising youngster Emma Stone,Easy A,” which was supposed to be #1 as of Thursday night, didn’t quite get there. However, seeing as its budget is reportedly $31 million less than the actually rather modestly budgeted “The Town,” it is by far the most profitable film of this frame with  respectable estimated receipts of $18.2  and an extremely respectable $8 million budget. It’s another fiscal win for Sony/Screen Gems, which has been on a sort of hot streak of late.

The M. Night Shymalan-produced “Devil” took the hindmost of the top 3 with a less than spectacular $12.58 million for Universal, which by now is used to disappointments. Though not directed by Shymalan, the PG-13 film was promoted as if it was and Uni and the man they call “Night” may finally be paying the price for all the almost universally disliked but oddly successful films that bore the once hugely promising filmmaker’s name. Anne Thompson wonders if the two other scheduled films drawn from stories by Shymalan to be directed by up-and-comers on low budgets, “The Night Chronicles,” will happen now. Mr. S., I grew up watching Rod Serling productions, I know Rod Serling’s work. You’re no Rod Serling.

The weekend’s other new release proved that audiences can spot a cheaply made 3D animated family film rather easily for something that is likely a far, far cry from Pixar or Dreamworks Animation. “Alpha and Omega” came in below the predictably sinking-like-a-stone-in-week #2 “Resident Evil: Afterlife” with an anemic $9.2 million.

A number of new films came out in limited release this week. The most impressive per-screen average of the week was $30,000 for the Kazuo Ishiguro adaptation, “Never Let Me Go.” The British science-fiction romantic drama earned $120,000 on four screens for Fox Searchlight, though it’s muted reviews may dim its Oscar hopes, which is really the only root to major success for a film like this at present. The highly buzzed, probable documentary (there are doubters, though everyone agrees it’s no “I’m Still Here“), “Catfish,” may have better Oscar hopes if it reassures the Academy that it really and truly is a documentary. It did well this weekend for Rogue with a $255,000 in only 12 theaters.

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