Tag: J.J. Abrams (Page 2 of 5)

Press Conference for “Schmucks”

For those of us who enjoy contemplating the historical and political currents that run through film history, it’s tempting to look at the latest comedy from director Jay Roach (“Austin Powers,” “Meet the Parents,” “Recount”) as a possible reflection of American discomfort at the brutal nature of business and the growing disparities between the wealthy and the increasingly lumpen middle-class. However, when you’re talking about a movie that ends with a confrontation between a good idiot (Steve Carell) who designs amazing dioramas using dead mice and an evil idiot (Zach Galifianakis) with the power of mind control, but only over other idiots, that may be taking things a little seriously.

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Opening this Friday, “Dinner for Schmucks” borrows its premise and some of its plot from Frances Veber’s 1998 “The Dinner Game.” Paul Rudd co-stars as Barry, a rising L.A. executive who finds that entering his company’s upper echelon will mean participating in a competitive Dinner for Winners. All the guests are to bring an extraordinary person who has been unrecognized by society — in other words, a dithering idiot. The winner of the nasty game is the one whose guest is the most amusingly stupid.

Barry is initially appalled by the idea and assures Julie (Stephanie Szostak), his horrified art curator girlfriend, he’ll have nothing to do with it. On the other hand, he needs to pay for his Porsche and his absurdly large apartment at West Hollywood’s Sunset Tower Hotel (in real life, you’d need a billionaire’s wealth to afford that). It’s a choice between being nice and being unemployed and in debt. Then the fates seem to reward him when, driving through a quainted-up version of Westwood Village, he nearly runs over Tim Wagner (Carell), a clueless IRS employee and ultra-naive artist committed to his “mousterpieces.” Wagner, of course, turns out to be a goodhearted type whose attempts to help his new friend backfire in increasingly absurd ways. Fortunately, most of them are funny, particularly thanks to some outstanding and often completely unhinged supporting performances from Zach Galifianakis and Jemaine Clement of “Flight of the Conchords” as an absurdly pretentious and untalented, but hugely successful, artist on the make for Barry’s increasingly angry girlfriend and all other attractive women on the planet.

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“Dinner for Schmucks” isn’t going to electrify cinephiles or become a staple of screenwriting seminars, but a couple of weeks back it had proven itself to be a very effective laugh-getting machine at a West L.A. screening. Therefore, full of a free breakfast, a selection of journos were in a pretty good mood for a morning press conference at the Beverly Hilton with a number of funny and/or talented people, including stars Carell and Rudd, supporting bad guys Bruce Greenwood (“Star Trek“) and Ron Livingston (“Office Space“) as well as director Roach and writers David Guion and Michael Handelman, who are about to become directors themselves with the film version of the BBC comedy, “Cruise of the Gods.”

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TCA Press Tour, Summer 2010: Day 1

Welcome back, my friends, to the experience that has been lovingly described as being “like the Bataan death march, but with cocktails.” I speak, of course, of the Television Critics Association press tour…but, then, if you’re a regular reader of Premium Hollywood, then you already know that I visit California twice a year – first in January, then in July – in order to get the details on what new programs the broadcast and cable networks will be bringing you over the course of the next six months. Myself and my TV critic peers will be spending the better part of the next two weeks in a big ballroom at the Beverly Hilton, watching and listening as the casts and creators of the various new series trot onto the stage, answer our questions and address our issues, and make room for the next series. Then, at the end of most evenings, there’s a big party with most of the folks we’ve seen during the course of the day, and we get the opportunity to chat one on one with as many of them as we can wrangle. Oh, sure, there are free drinks to be had, but when you’re trying to play the part of a proper journalist, you can’t indulge but so much…well, not ’til you’ve gotten all of your interviews, anyway.

Fortunately, the first day of the Summer 2010 TCA Press Tour started slowly, providing visits to the sets of a few series, a trip around the Warner Brothers studio lot, a ride on the latest addition to the Universal Studios tour, and – to ease us in slowly – only two proper panels. We did, however, get a few Q&A ops while at the various sets, some of which were decidedly more impressive than others.

“Desperate Housewives” set visit

Having never watched a complete episode of “Desperate Housewives (I rather expect I’d like it, but there just aren’t enough hours in the day to play catch-up at this point), I had no personal investment in visiting the set for Wisteria Lane, but when you’re a heterosexual male and you’re presented with the opportunity to stand within a few feet of Eva Longoria Parker, you don’t turn it down.

Unfortunately, it took us for-freaking-ever to finally make our way to the set, as our bus driver apparently had no clue as to its whereabouts, aside from the fact that it was located somewhere on the Universal Studios lot. As a result, instead of getting to enjoy a leisurely breakfast on the set before beginning our interaction with series creator Marc Cherry and members of the show’s cast (Longoria Parker, Felicity Huffman, Marcia Cross, and new addition Vanessa Williams), I got off the bus and barely had a chance to grab a cup of coffee and a bagel before the proceedings had begun.

Cherry and the cast appeared, cheerily greeted the assembled critics and thanked us for coming to the set, then split the group, with Huffman and Williams setting up camp in one house and Cherry, Cross, and Longoria Parker in another. Even if Eva hadn’t been in the mix, I knew from previous TCA experience that Cherry is always entertaining, so I followed him and his Housewives inside to hear what they had to tell us about the upcoming season of the show. At first, Eva was going to speak to what we could expect from Gabrielle’s storylines this year, but she stumbled almost immediately, admitting that she couldn’t remember what Cherry had told her she could say and what she couldn’t.

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It’s your just barely pre-holiday weekend movie news dump

I was going to try and avoid doing this this week and meant to gripe about the Los Angeles Film Festival’s rather serious problems in terms of how they treat the human beings who attend, but there was simply too much interesting news stuff going on to ignore, even if some of it is outside of what I usually cover.  So, LAFF, you get another reprieve…

* I don’t do gossip and the content of an argument between a director/star and his ex-mistress certainly qualifies. On the other hand, when that star is Mel Gibson and he has the history he does and he says something as noxious as this, you just can’t ignore it. People say terrible stuff when they’re in the thrall of extreme anger, but Gibson keeps going back to the racist and misogynist well when he becomes unhinged. It’s not nothing.

Also, I hope he avoids anything that looks like preaching ever again. I’m no theologian, but as I understand it,  a devout fundamentalist anti-Vatican II Catholic who openly cheats on and leaves his wife is not exactly walking the walk, but it’s only anyone’s business because of the way he’s made religion part of his career and it’s hard not to think of him as complete hypocrite, on top of everything else. I truly don’t believe that people should decide not to see movies based on a particular actor’s behavior, not matter how bad, but this comment is so repulsive, and the man is so clearly out of control, that I’ll understand if people would just prefer not to look at him anymore.

On the other hand, for those in the talking and making fun of people business, it can be a good thing, and it’s already started, largely via Twitter. Jeff Schneider of the Wrap has compiled some of it.

* I usually also try to avoid stories that are vague and unconfirmed, but this one is a bit too interesting and potentially big to ignore. There’s also a various obvious Gibson connection to the biggest unconfirmed glorified rumor of the day. It’s that it’s just barely possible that two back-to-back “Mad Max” sequels are being directed down-under even as we speak by the Max man himself, George Miller. Certain aspects of the story, especially the putative titles, are hinky, but I guess we’ll just have to wait and see.  If it’s true, I’m guessing Miller is a bit relieved that Gibson isn’t involved this time. (Though can they really be sequels in the usual sense without him, or at least his character?)

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“Super 8” trailer

I’m delaying my next news-aggregation type post until tomorrow morning because, not only am I way ready for dinner, I didn’t want to delay the teaser trailer for the already-much ballyhooed collaboration between J.J. Abrams and Steven Spielberg. There was an earlier version of this that was shot by a video camera. Quite frankly, I just didn’t see the point. Now, we have the real thing and it’s pretty neat-o.

I have to admit that, at least based on the name, and the really nifty explosions, I’m kind of liking this one already. Also, most of you digital generation youngsters might know know about it, but Super 8 was, in its funky way, pretty beautiful. Of course, the connection between the film format and the movie — which presumably will be shot mostly in 35mm — remains unclear. Still, it’s an interesting little trailer for what we understand is science-fiction film with some resemblance to early Spielberg and clearly something to do with alien life forms. I’m definitely picking up a slight “Close Encounters of the Third Kind” vibe.

H/t to the Playlist who also bring us the mystery of the briefly seen face.

A somewhat creepy, very late night end of week movie news dump

It’s late, so I’ll keep it brief tonight/this morning.

* Given the wave of movie science fiction we’ve had since the release of “Star Wars” back in 1977, it’s always been a disappointment to me how few of the most respected SF novels (“sci-fi” isn’t a term literary science fiction geeks approved of back in my day) have been made into movies. So, even though the book kind of baffled me when I read it not too long after it’s original release in 1984, it’s nice to see that a film version of William Gibson’s Neuromancer, the novel which is the original source of the word “cyberspace” — whatever that means. Vincenzo Natali (“Cube”) appears to be the helmer.

* It’s looking like “Iron Man 2” will not be a huge record breaker after all and may make (horrors!) significantly less than the $140 million “floor” we were originally given.

* The RZA (pronounced “The Ri-zuh”) is joining the select club of successful pop musicians turned movie directors that includes Prince, David Byrne, Rob Zombie, Paul McCartney (on the ill-fated telefilm, “Magical Mystery Tour”) and I’m sure some others I’m forgetting. Not surprisingly for the Kung-fu loving Wu-Tang Clan founder who worked on part of the “Kill Bill, Volume 1” score, it’s a stylized martial arts epic co-written with fellow Tarantino associate Eli Roth.

* Speaking of Paul McCartney, the one time Beatle, an outspoken vegetarian in real life, may be going in a very different entirely unauthorized and fictional direction as a brain-eating mop-topped zombie in a possible film version of yet another comic zombies-in-history novel, “Paul is Undead” which envisions a zombified fab four.  Sure, why not.

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