Tag: Jason O’Mara

ABC cancels “Life On Mars”

Another good show bites the dust.

Granted, I wouldn’t put “Life On Mars” on the same level as last season’s time-traveling seriees, “Journeyman,” but “Life On Mars” has (had) a stellar cast — Harvey Keitel, Jason O’Mara, Gretchen Mol, Michael Imperioli — and a great premise. It debuted to strong ratings (8.2) but in recent weeks, ratings fell to the 3.0-3.7 range, which simply aren’t good enough to justify the expensive cast and production. (Coincidentally, “Journeyman” had similar ratings at the end of its run.)

The show will complete its 17-episode freshman-season order with an episode written as a series finale, wrapping the loose story ends, explaining how Tyler was transported back in time and perhaps bringing him back to his own time.

The show was a remake of a popular U.K. series that ran just 16 episodes (as planned). U.S. networks tend to try to bleed a hit for all its worth instead of getting in and getting out. Sometimes it works (“The Office”) and in the case of “Life On Mars,” sometimes it doesn’t. It turns out that the U.S. version will run one more episode than the U.K. version, so let’s hope that the creators have ample time to wrap things up. It looks like they do.

Greetings to the New Show: “Life on Mars”

It’s time to lead off with another one in my seemingly endless series of shameful admissions, but for such an avowed Anglophile as myself, this one really hurts: I’ve never seen a single episode of the original British version of ABC’s new series, “Life on Mars.” And, frankly, I’m really, really embarrassed about it, because, boy howdy, is it a show that’s right up my alley.

Here’s the premise of the British version: Sam Tyler, Detective Chief Inspector with the Greater Manchester Police, is hit by a car in 2006…and when he wakes up, he’s in 1973. Not only that, but he’s a Detective Inspector with the Manchester and Salford Police Criminal Investigation Department. That’s right: he’s still Sam Tyler…and people in 1973 know him as such. So the question at hand is whether or not he’s traveled in time or if this is all just an elaborate fantasy concocted by his mind while he’s in a coma.

Totally awesome concept, no? I don’t know how I missed out on it, especially since it also takes its title from a David Bowie song, but on the up side, it means that I can appreciate the American version a lot more, since I won’t be constantly comparing it to the British version or complaining that it’s a word-for-word Xerox, problems which kept me from latching onto “The Office” right away.

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