Tag: January Jones (Page 2 of 4)

Mad Men 4.6 – Life? Don’t talk to me about Life…

I’ll bet you thought I was going to entitle this week’s blog “The Cure for the Common…” or something relating to the gag that kicked off tonight’s episode. Believe me, I was tempted: I thought it was pretty hilarious that this young punk – 36-year-old Danny (Strong) claiming to be a 24-year-old – strolled into Sterling Cooper Draper & Pryce with half a dozen ads based around the same general theme, with his only real defense being, “Uh, did you see me shaking hands with Roger Sterling out there?”

Looks like the candidates are pretty slim pickings, which would certainly be enough to bum Don out even if he didn’t have all of this other stuff going on in his life, but, man, he really tried to drag Peggy down to his mood, despite her unabashedly optimistic attitude about how well things are going for her. You’d think he’d be in better spirits, what with his CLIO nomination and all. (By the way, is this the first time we’ve heard mention of the CLIO Awards? It seems like it might be.) Then again, you’d also think he would’ve noticed after all of this time that Peggy isn’t the same shy girl who used to cower every time he raised his voice…although, in fairness to Don, she does tend to fall back into that old pattern when she’s around him.

Huh. I wasn’t expecting a flashback to the first time Don and Roger met. Don was selling furs…? I don’t remember hearing that tidbit of information before, either. Funny how Roger’s first reaction to one of Don’s ad slogans was to disparage it. And, holy cow, look at Joan, would you? She’s a red-headed Marilyn Monroe, especially with her hair done up like that. Man, when she dropped that fur coat, I found myself wishing “Mad Men” was on HBO…and then I laughed out loud when they cut back to Roger reminiscing about what I’m pretty sure I was imagining myself.

I couldn’t begin to guess how many bowls of Life I ate as a child, so I had a smile on my face as soon as I saw the familiar multi-colored letters of the cereal’s name…which is the exact opposite of the expression on Pete Campbell’s face when we first see him. He’s so serious these days, not unlike a li’l Don Draper circa Season 1. (Probably not a coincidence.) I liked Lane’s dismissal of Harry’s attempt at namedropping as well as Joan’s reminder to New Boy that he can get up and get his own damned drink. Peggy’s not going to waste her time drinking, though. Instead, she has to do battle with Stan, the firm’s new art director. What a jerk. Clearly, she’s going to end up sleeping with him…or kill him. One or the other.

And speaking of jerks, here’s Ted Shaw, coming up to Don and Roger in order to be his usual dickish self. As a Marx Brothers fan, I had to laugh at Roger’s description of the purported general as “Rufus T. Bullshit,” which was almost as funny as the expression on Pete’s face when he realized that he might have to work with Ken again. Great guest spot from Mark Moses, getting a chance to play a drunken Duck Phillips. The menage a trois of handholding between Don, Joan, and Roger was too cute, but…wow, they’re really going to go for broke and head straight from the CLIO Awards back to the office to meet with the people from Life? Ballsy, Don, real ballsy…especially when it’s Harry who’s stuck having to entertain the troops until he gets there. Good thing most everyone was a “Peyton Place” fan back then, I guess. That, and it’s a good thing that the SCD&P bar is always well stocked.

Or is that a good thing?

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Mad Men 4.5 – “How does she not fall over?”

I don’t want to say that Don’s gotten himself the secretary he deserves, but…I don’t know how else to finish that sentence. Although you could easily argue that she’s almost more of a comedic device than an actual character, at least she serves a definitive statement: this is definitely a woman who Don is not going to be sleeping with. Mind you, given her performance in the first few minutes of the episode, there’s really no reason to believe that she’s going to be around for the long haul, anyway. Still, you don’t really hear Don complaining very much when she interrupts the scintillating meeting about the stats behind America’s typical cough-drop users to tell him that he’s got a phone call from Walter Hoffman from The New York Times, though it’s possible that his feelings on the matter changed after he discovered the reason for the call.

Hoffman’s found out that Clearasil’s been signed to another firm, and he’s nosing around about a possible trend with companies jumping ship from Sterling Cooper Draper Pryce. Don claims to not be thinking about it, but Ted Shaw has claimed, “Every time Don Draper looks in his rear view mirror, he sees me.” Don’s only on-the-record comment on the matter is to claims that he’s never heard of Ted Shaw.

It’s time for a meeting of the partners, one prefaced by a brief conversation about the state of civil rights in America. (I’ve noticed that real-world goings-on seem to only be referenced offhandedly this season. I don’t know that it’s a better-or-worse situation. I’m just saying that I’ve noticed it.) When Don arrives, however, things get down to business, with Pete announcing that he’s convinced the folks at Secor Laxatives to produce a TV commercial and test market it. Cue Roger making a few inevitable jokes on the matter, which are quickly poo-pooed by Bertram Cooper.

Yes, that’s right: I went there.

Better still, Pete’s looking toward a possible relationship between the firm and Honda, which was still very much an up-and-coming company as far as American audiences were concerned. Look at Pryce, making with the funny. He’s really loosened up since his night on the town with Don, eh? Too bad Roger’s being such a hard-ass about the situation, still battling some demons which have apparently been haunting him since World War II. I was somewhat surprised with the way everyone immediately decided to bypass Roger and move forward with the Honda meeting, but I guess it’s hard to argue with the possibility of that kind of money.

Be honest, though: how many of you had ever heard of “The Sword and the Chrysanthemum“? I mean, I’m sure plenty of you have probably read it, but I’m not going to pretend that I’m one of them.

And, seriously, who the hell is Dr. Lyle Evans?

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A trailer double bill: “The Black Swan” and “The Red Shoes” and some movie news too, I guess (updated)

I’m miles from home, I’ve left my mouse at home, and the barristas where I am are annoying while talking about movies, which is extra annoying to me. Can’t they talk annoyingly about sports instead? Why am I here? I got here early to beat the traffic and am across the street from the New Beverly Theater where I’ll be frittering hours away doing something unspeaking geeky on the occasion of the birthday of a fellow film geek blogger.

So, there’s no time for discuss the more interesting than usual casting news that Idris Elba will be taking over the role of James Patterson’s Alex Cross in the upcoming series reboot, that January Jones will try something different from tantalizing and annoying “Mad Men” viewers as Betty Draper and will be taking over the role of Emma Frost in “X-Men: First Class” or that Noomi Rapace, who originated the role of Lisbeth Salender in the Swedish “The Girl With the Dragon Tattoo” is about to be heavily promoted for an Oscar nomination and may be taking on some blockbuster roles in big time American flicks, except that I just did. Instead, I’m presenting the really terrific — and outstandingly creepy — trailer for “The Black Swan” which seems destined for the title of most unnerving ballet film of all time, which I guess is just what we should expect from Darren Aronofsky after all this time. 13 year-old Chloe Moretz has already endorsed it in my recent interview with her. [UPDATE: Anne Thompson has thrown some very cold water over the Nikki Finke/Noomi Rapace story. I’m sure readers of both blogs may be seeing more about this one.]

I think I’ve presented it before here, but what the heck, after the flip is the trailer for the rather strange and very ravishing classic film Aronofsky pretty much had to have been thinking about as he made his film. I hope Mr. Scorsese, whose directing her “The Invention of Hugo Cabret” guides young Ms. Moretz to “The Red Shoes” — I can’t imagine he wouldn’t, seeing as he’s said it’s his favorite movie.

Mad Men 4.2 – A Glass of Gin, A Box of Velveeta

I’d like to start this week’s “Mad Men” blog out with an apology: I’m out at the TCA Press Tour in Los Angeles (as you probably already know if you’ve been reading Premium Hollywood this week), and I’ve been at the mercy of my schedule, which has been decidedly hectic. I was sent an advance screener of the episode…more about that in just a moment…but since it was mailed to my home, I wasn’t able to watch it until my wife, God bless her, brought it to me when she flew in from Norfolk, VA, late Friday night. I was finally able to watch it on Saturday afternoon, taking notes as I did so, but then I had to find time to actually compose the blog entry…and, well, here it is 11:57 PM PST, and I’m only just now getting the opportunity to do so.

Yeah, it’s been that kind of week…and I think it’s probably going to show in the blog, so let me go ahead and apologize for that up front.

Of course, I guess I should just be happy that I had an advance screener, since lord knows I won’t be getting any more this season…and nor, for that matter, will anyone else. When my wife handed me Episode 4.2 upon her arrival, it was folded inside a piece of paper which read as follows:

July 26, 2010

Dear friend:

With a new season of “Mad Men” underway, I wanted to take a moment to thank you for your incredible and unprecedented support of the series since its debut four seasons ago. I’ve enjoyed our relationship over the years and your insightful reviews and features.

It has been a privilege to be associated with such an extraordinary group of actors, crew, craftsmen and executives – all of whom are committed to the care of our show.

As we provide you a with a copy of our second episode (airing August 1), we wanted to make you aware of a new development in terms of our DVD distribution moving forward.

In an effort to avoid inevitable spoilers and preserve the experience of watching live for our fans, we have chosen to make this the last review copy we send out.

We ask that in the weeks ahead you continue to write on the progression of our show, and I look forward to your thoughts and commentary along the way.

Here’s to an amazing season.

With sincere thanks,

Matthew Weiner

This is, one can reasonably presume, the direct result of Weiner’s annoyance with The New York Times over their piece which was written in advance of the premiere and offered up ostensible spoilers, and I can feel the man’s pain, but, man, I am just not a happy camper about this situation. I mean, God love you, Matthew, but you try having to stay up late on a Sunday night to blog a show…or, worse, two shows, since Alan Ball fucked me over by declaring a moratorium on “True Blood” screeners, too.

I never spoiled nothing for nobody, and this is the thanks I get…?

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Mad Men 4.1 – Ladies and Gentlemen, The Scrappy Upstarts!

“Who is Don Draper?”

Those are the first words we hear when “Mad Men” returns for its fourth season, but it’s certainly not the first time we’ve heard the question asked. This time, though, it’s coming from a journalist who’s interviewing Don and trying to wrap his head around his subject. The question, as you would expect, thoroughly flummoxes Don, but he recovers nicely, turning his instinctual expression of concern about the query into one of mild annoyance, then firing back, “What do men say when you ask that?” As it turns out, he actually is kind of annoyed by the question, though it quickly becomes evident that it’s mostly because he just plain doesn’t like talking about himself. He’s not used to being on a firing line like this one, and if he had his way, he’d clearly avoid it altogether. Unfortunately, that’s not going to be an option in this new scenario in which he finds himself. The members of this new firm have to promote both the company and themselves…and, yes, that includes you, too, Don.

In a moment of perfect timing, the interview wraps up just as Roger Sterling and Pete Campbell walk up to the table. Pete’s clearly just as obsequious as ever (“We’re grateful for your sacrifice”), and Roger, it seems, has been spending some time on a book. His memoirs…? He doesn’t clarify. He does, however, offer up a trademark zinger within the first three minutes of the episode, so it’s clear that this is, at least to a certain extent, the same old Sterling that we left at the end of Season 3. It does appear that he may be drinking a bit more, however. This is a slightly impressive accomplishment, given that his alcohol intake was rather heroic to begin with, but it’s never a good thing to use booze as a crutch, so I’d expect that we’ll see more of this development sooner than later. Is Roger on track to become this year’s Freddie Rumsen?

Don, Roger, and Pete meet with a new client: Jantzen, who – according to the stats they cite during the meeting – maintain 25% of the bathing suit market. They’ve got some concerns that need addressing, and once again, we see Don’s limited tolerance for current goings-on. You know, when a client says, “I’m getting tired of saying this today,” you’d think most people would have the tact not to respond, “Next time, just have one meeting.” They also probably wouldn’t openly mock the client’s delicate sensibilities and their position that the inherent sexiness of a bikini is somehow diminished if you simply refer to it as a two-piece bathing suit. But, then, Don didn’t get where he is in the ad game by keeping his opinions to himself, now, did he?

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