Tag: Hiro (Page 2 of 4)

Heroes 3.16 – I Hate People When They’re Not Polite

Really? They had to start the episode by reminding me about the plotline that loathe the most…?

Fair enough, let’s drive right into the Claire storyline. She’s continuing to get text messages from the mysterious rebel while lying to her mother and being shitty to her father, while HRG continues to offer up threats which are clearly pointless, since we all know that she’s going to ignore orders and do whatever she wants to do, anyway. Well, at least Zeljko is clearly pissed off about it. (We can only hope and pray that he actually acts on it.) By using another comic book store as a set piece, I couldn’t help but feel like the producers were saying, “Okay, let’s keep playing to the diehard geeks, ’cause if we lose them, we’re really screwed.” The sequences of Claire trying to save the life of Comic Book Guy were well-executed, but, again, it all came back to the issue of Claire being totally uncontrollable. If this had been a real government operation, she would’ve been imprisoned (at the very least) long ago, no matter who her father and stepfather were. And now she’s unnecessarily telling her mother what’s going on, knowing full well what effect that could have on her and, worse, leading to a touchy-feely scene at the end with Claire and HRG…? (The only redeeming moment of that sequence was having Comic Book Guy step out of the shadows.)

Dear “Heroes” producers: KILL THE CHEERLEADER, SAVE THE SHOW.

It felt a little too on-the-nose to have “Born to be Wild” playing on the stereo as Sylar set forth on his road trip with his new little buddy, Luke, but that was about my only complaint about their storyline this episode. The relationship between the two of them remains the most interesting thing about this new series, with Sylar doling out examples of his power and being flummoxed by Luke proving more fascinated than scared. The scene at the diner was also really well done, with Luke being irresponsible with his abilities and Sylar actually opening up to Luke about what he wants out of his encounter with his father. I thought sure we were going to see the end of Luke after he made the mistake of trying to be a nice guy by giving Sylar his dad’s address, but then Zeljko’s men invaded, and the end of the scene was…well, how did you feel about it? I’m sure Luke thought that Sylar had betrayed him by leaving him to be captured, but I felt like Sylar imagined that he’d given Luke a bit of a thank-you gift by not just killing him outright. In the end, of course, Sylar clearly felt like he really did owe it to Luke to save his ass, and the sequence in the paddywagon was awesome…almost as awesome as having the two of them drive off into the night to the strains of “Psycho Killer.”

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Heroes 3.15 – In Blood We Trust (All Others Pay Cash)

Tonight’s episode began not with the resolution to the cliffhanger but, rather, with Nathan making a phone call to…who? At first, I thought, “Oh, it’s Mama,” but, no, that would’ve been too obvious. And we knew it wasn’t Tracy, since she was on the plane. Then I had a crazy thought: maybe it’s Papa, already back from the dead. It wasn’t, of course: it actually was Mama. But, hey, a Robert Forster fan can dream, can’t he?

The post-crash sequence quickly showed that last week’s cliffhanger was a big waste of everyone’s time, as every single hero got out alive, but once the gang got on the run, it looked like things were going to get very interesting very quickly, especially when Matt went all white-eyed. But, suddenly, the jets flew over and bombed the shit out of the crashed plane, and I groaned. Really, “Heroes” writers? You think having a couple of big, loud jets flying by and dropping bombs is somehow going to draw attention away from the plane crash that happened a few minutes before…? And my groaning turned into moaning with the funny-for-all-the-wrong-reasons scene of tranced-up Matt busting into a trailer just to hunt down paper and a writing utensil. Fortunately, Ando was there to provide a couple of legitimate laughs, most notably at an airline operator’s lack of knowledge about the whereabouts of the state of Arkansas.

It was a shame to see Daphne get shot down, though I was disappointed that we didn’t get to see a great deal of Matt’s emotional reaction beyond his turning the soldiers against themselves. I’m sure, however, that we’ll see him start to grow darker with his power usage in upcoming weeks as he extracts his revenge.

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Heroes 3.14: It’s a strange new world we live in…

Welcome back, kids, to one of the most bashed series currently on television…and that’s by people who used to consider themselves fans of the show. Now, clearly, if you’ve been a regular reader of this blog, you know that, although I’ve been here from the very beginning of the “Heroes” saga and plan to hang on ’til the bitter end, I’ve had my problems with the show. Clearly, Tim Kring and the gang can’t please all of the people all of the time, but even I can admit that Season 3 started off looking like it was going to blow the disappointment of Season 2 out of the water and only ended up having its own share of problems. Worst of all, the first half of the third season, “Villains,” came to an end with the death of one of the series’ one interesting new characters: Papa Petrelli, played by the ever-awesome Robert Forster. (The only consolation is that, well, we thought the character of Papa was dead throughout the first two seasons, so there’s every reason to believe that they’ll find a way to bring him back to life yet again.)

Tonight, we were presented with the beginning of the second half of Season 3, which has been given the subtitle of “Fugitives.” How was it, you ask…?

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Heroes 3.13 – When They Said to Choose A Side, It Made You Want To Hide

First things first: Hayden Panetierre is not a great actress. When her time on “Heroes” has finally come to a conclusion, I’d bet dollars to doughnuts that she ends up doing the straight-to-video or TV-movie circuit for the remainder of her career. I’ve been wrong before on guessing people’s ultimate career fates, but having watched the scenes tonight where Claire and Sylar are battling over the intercom, I’m feeling pretty good about this one. With precious few exceptions, she just can’t seem to deliver a menacing line without making it sound like the height of cliche…which it is, of course. But a better actress could’ve made it sound cool, while her delivery just made me groan.

I was way disappointed with how little action we got out of HRG’s plan to release the villains to serve as chum. In the end, it basically just felt like an excuse to break out the Puppet Master again…not that there’s anything wrong with that. But even that didn’t pay off. You knew the showdown between Sylar and the Puppet Master was going to turn out poorly for the latter, but I was hoping for at least a little more action than just Sylar asking, “You think you can control me?” Bam, Puppet Master’s strings are cut. Boring.

Sorry to see Claire’s biological mom go, as I kind of liked her, but once she got that shot of adrenaline, I figured she wasn’t long for this world, and I was right.

Finally, Tracy breaks out her powers again…and, subsequently, Knox breaks into a whole bunch of little pieces. It was a nice and shocking moment, to be sure. We really only got one other Tracy moment that’s worth discussing, but it was arguably the best scene of the episode: her encounter with Hiro. First, Tracy’s David Spade impression made me laugh (“And you are…?”), then she called Hiro “Pikachu,” which earned a giggle, but then Hiro offering an apology followed by a sock in the face was almost as funny as Daphne’s expression thereafter.

Speaking of Daphne, when she said, “And you were there, and you were there,” all I could think was, “Hello, ‘Wizard of Oz’ reference,” and the same went for “A Few Good Men” when Sylar screamed, “Tell me the truth!” Was this intentional? Were there more unabashed line thefts that I missed…?

Who doesn’t enjoy the opportunity to see George Takei wielding a sword again? There wasn’t really much to that scene, except to get a good laugh out of the father/son battle and to finally show the moment where the formula was torn in half, but, again, it’s George Takei wielding a sword.

Overall, I was really only “meh” about this episode. The scenes with Nathan and Peter were just more brotherly bickering, the conversation between Sylar and Mama Petrelli had limited emotional heft, given that we knew full well that she wasn’t his mother, and the whole subplot about Ando developing his time-travel-related ability was just plain ridiculous. Frankly, I’m glad to see PrimaTech finally go up in smoke; it’s about time we got more of a look at the heroes and villains outside of the same world they’ve always been centered around.

Then again, maybe I’m just tired.

Heroes 3.12 – This House Is Just A Broken Home, Left All Alone

Pretty ballsy of Nathan to blow into Papa Petrelli’s office and talk shit tonight, wasn’t it? And, yet, he was right: he does have the power…politically speaking…to help make Papa’s plan a reality. Of course, if he thinks Papa isn’t going to blow his mind if he makes a wrong move, he’s ridiculously naive. I continue to be interested in the militaristic side of Nathan’s storyline, but I have to say that this idea of having a super-powered fighting force seems like a really bad idea to me. Even if Papa’s people do have control over who gets what abilities, it only takes one strong bastard to figure out how to use his powers and the element of surprise to take control of the operation. But maybe that’s just me. Unrelated question: how utterly useless a character is Tracy these days? Why give her that awesome power if we’re not even going to get to see her use it?

Mama Petrelli’s cool delivery never fails to entertain me, especially tonight, when she calmly and carefully laid out the method by which her son should kill her husband. I appreciate Peter’s insistence that he has to be the one to take out his father, but you’d think he’d at least be willing to accept the help of the Haitian. But, noooooooo, it’s gotta be his responsibility…

Despite our readers’ suspicions to the contrary, Elle sure looked pretty damned dead to me when the episode began, and when Sylar covered her in gasoline and set her ablaze…well, if she isn’t dead, she’s at least going to be extra crispy. It was, of course, nice to see the unequivocally evil Sylar return, but the highlight had to be when Sue Landers’ co-workers burst in on him while he was in mid-attack. “Cake…?” Nice. The moment in the elevator was pretty funny, too. (“Huh. It does kind of tingle.”)

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