Tag: George Clooney (Page 3 of 5)

Late Friday movie news dump

It’s been a long four day week, and the hits just keep on coming.

* Even as A-listers are wrapping up George Clooney‘s Haiti telethon, the Sundance Film Festival is now underway in earnest and under new management, although boss Bob abides, naturally. Anne Thompson has a report from the front. Yesterday, she reported on the notable acquisition of the super-fest, director David Guggenheim’s “Waiting for Superman” — which is not about to whole “when will the next Superman movie come out?” thing or even superheroes at all. Sorry.

More Sundance news to come next week, no doubt. Watch this space.

* Movie City News has compiled the results of 225 Top 10 lists and come out with a top 30 of its own. At the top, “The Hurt Locker” far ahead of nearest competitors, “Up in the Air” and “Inglourious Basterds.” At the bottom of the “best of” lists, Lars von Trier’s horror drama “Antichrist,” the most controversial film in a career filled with controversy.

* Speaking of films at the bottom, the Wrap brings us Forbes’ annoyingly hard-to-read list of the biggest fiscal flops of the last five years in more easily digestible form. Topping the list is the recent adaptation of Robert Penn Warren’s “All the King’s Men” which went from Oscar hopeful to complete dud in nothing flat when it came out. There are two films I personally like on this list, “Grindhouse” and “Walk Hard.” Anybody else out there have a favorite on the flop list? In any case, I wonder about the accuracy of the list as it doesn’t include DVD figures.

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Friday movie news dump: Critic’s Choice Awards; Hollywood helping Haiti (updated)

I’m getting off to a late start tonight, so let’s get on with it.

* Via Roger Ebert’s tweet, we have the news on the Critic’s Choice awards, which are voted on by broadcast and some internet critics. “The Hurt Locker” won best picture, and best director for Kathryn Bigelow. “Inglourious Basterds” also had an extremely good night, as did Jeff Bridges. There was a tie for best actress between Sandra Bullock and Meryl Streep. Good ol’ Nathaniel R. liveblogged the proceedings.

Christoph Waltz in And, if I was a betting man (and I sorta kinda am), I’d be tempted to head up to Vegas and bet the farm on basterd Christoph Waltz and Mo’Nique of “Precious” for the supporting role categories at the Oscars.

UPDATE: I failed to note  earlier that “Avatar” managed a near clean-sweep of the more production/technical oriented awards, though the Best Make-Up award went to “District 9.”

* In light of what’s been going in Haiti, I’ve been feeling a bit guilty on not mentioning it and focusing on what is, after all, a business that is all about diversion and distraction. So, I’m glad to be able to make tonight’s longest item a mention of the massive fundraising telethon George Clooney is organizing and cohosting, along with Wyclef Jean and Anderson Cooper, on January 22nd. Nikki Finke is also reporting that Not On Our Watch, an “international advocacy and grantmaking organization” founded by Clooney and friends Matt Damon, Don Cheadle, Brad Pitt, and others has donated $1 million to emergency medical care. The super-cool Anne Thompson has some more details and links to places where you can give, and also has some additional news on good works done by show biz folks.

It’s also nice to report that the interwebs have been doing a fabulous job of fundraising but, of course, this is a really massive disaster and more will be needed for a nation that has already been long on the ropes. On the political net, DailyKos diarists are posting new rundowns of places to help each day. The Huffington Post and Rachel Maddow‘s sites have an excellent rundown of organizations that need your help. If those links are a bit too latte-sipping Blue State for your tastes, conservative blogger the Anchoress has also posted a list of many of the same organizations. I’d also like to put in a plug for the excellent Oxfam America which is already on the the ground in Haiti and has been especially active in terms of providing water and sanitation, which is going to be absolutely vital. Please click on any of these links and, especially if you can afford to an haven’t already given something, do what you can.

* The bidding, or whatever it is, on MGM is underway.

* I should probably have mentioned yesterday how Nikkie Finke’s “Toldja!” yesterday was that Disney has a new production chief with a quite interesting creative background that includes the upcoming “Tron: Legacy” and Project Greenlight. Following up on yesterday’s news, Finke points out an apparent irony.

* The extremely smart Jonah Hill to turn producer for…”21 Jump Street” with the directors of “Cloudy with a Chance of Meatballs“? Sure, why not?

jonah-hill-transformers-2

“Avatar” tops a weekend of holiday box office bounty

If you’ve been following the horse-race over at Nikki Finke’s place, you’ll know it’s been a very long holiday weekend of box office ups and down. However, for those of us who can wait a day or two for the results, it’s actually somewhat simple.

Avatar movie image (3)

James Cameron‘s super-expensive 3-D extravaganza for Fox, “Avatar,” emerged as the victor of a three-way battle for the top prize with an outstanding second-weekend estimated take of $75 million and an absolutely minuscule drop from it’s first weekend of 2.6%, according to Box-Office Mojo. The Hollywood conventional wisdom has it that most science fiction films drop by at least 50% on their second weekend. Clearly, this is not most science fiction films and the fact that people are waiting to see this one in 3D and paying extra for the privilege is not hurting. So, as I’ve alluded to often enough, the word of mouth on this thing is something else. However, as always, I await the backlash as some folks plunk down their extra-heavy 3D ticket price and fail to have a religious experience.

Robert Downey Jr. and Jude Law as Holmes and Watson, or some version thereofSecond place, of course, was Guy Ritchie’s unorthodox action-comedy take on probably the oldest genre franchise in the biz, “Sherlock Holmes.” The Robert Downey, Jr./Jude Law team-up loosely drawn from the late 19th/early 20th century works of Arthur Conan Doyle defeated “Avatar” and all-comers on its record setting Christmas opening. It then fell a bit and earned a still whopping estimated $65.38 for Warner Brothers, a company that certainly has some experience with franchises. Better yet, this one is in the public domain, which means fewer folks get a share in the wealth.

Fox’s “Alvin and the Chipmunks: The Squeakquel” actually beat “Avatar” by a couple of million on its early opening day last Wednesday, but fell sharply on Christmas Eve and rebounded the rest of the weekend, for a very healthy estimated third place showing of $50.2 million. Critics may detest it; parents may barely tolerate it, but, to paraphrase the old blues song, the little kids understand (or don’t know any better). The film’s total estimated take starting from its early opening is just a tad over $77 million.

Considering it’s a Golden Globe-nominated sex comedy presumably aimed at a very grown-up audience — not only because of the average age of its stars but also because it’s R-rated, Universal’s “It’s Complicated” has generated the critical equivalent of a shrug, with our own David Medsker coming down on the very much negative side. That doesn’t bode extremely well for this sort of movie, which can use all the critical and awards help it can get.

Meryl Streep and Alec Baldwin in Still, this weekend’s rising tide managed to lift this boat to the tune of an estimated $22 million or so, which is really not bad for this kind of film. Or, it wouldn’t be because Nikki Finke claims the budget was $80 million, which is way high for this kind of movie  and suggests to me that it’s possible stars Meryl Streep, Alec Baldwin, and Steve Martin let their agents negotiate extra-hard for a big pay-day because they were perhaps less than wowed by the film artistically. Universal just doesn’t seem to be cutting itself any breaks lately.

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TV/media in the 2000s: 10 (or so) key voices in left/right political media

Politically speaking, the aughts have been one long, strange trip. Just think about what we’ve seen this decade: a disputed presidential election in 2000, the largest terrorist attack in world history occurring on U.S. soil in 2001, followed by two wars, the partial erasure of New Orleans and much of the Gulf Coast, a congressional changing of the guard, the election of the first African-American president as well as the first with a foreign-sounding name, and the probable passage of a health care package which, depending on your point of view, is either historic, a mystery, a bit of a sham, or the first step on the road to a Stalinist U.S. of A.

Bubbling beneath all of this has been a series of remarkable changes in the world of media — television, movies, radio, and this thing we call the Internet — that have had a fairly profound impact on politics and, therefore, on real life. What follows are my choices for the ten most interesting and/or influential figures in the realm of political media. To try and slightly compensate for my obvious liberal bias (my side is far more facty, I tell ya!), I’ve got five spots each for conservative and liberal media figures respectively and I’ll be alternating and counting down from the bottom.

#5 Conservative

Trey Parker and Matt Stone — It’s possible that most regular viewers of “South Park” have little idea that Parker and Stone are self-described Republicans and I’m sure most of you don’t think of it as that much of a political show, even though rather subtle and often quite penetrating and/or infuriating thoughts about politics run through many, if not most, episodes. That’s because, like all great satirists, they are just as good at poking holes in the pretensions of their own side as that of the opposition, and their social liberalism puts them so at odds with the increasingly extremist faction that now controls much of the Republican party that some could easily mistake them for liberals. Actually, right now it’s easy to imagine them ditching the party indefinitely, along with any number of smart fellow conservatives who have already done so publicly.

parker-stone

Still, conservative and/or anti-liberal messages are often found on episodes of “South Park,” including attacks on such personal friends of the pair as George Clooney. Indeed, as early as 2001, famed blogger Andrew Sullivan described himself as a “South Park Republican.” (Sullivan is now one of those smart conservative ex-Republicans I mentioned above.) And, of course, there was no stronger, and certainly no funnier, attack on the antiwar efforts of the American left than “Team America: World Police” which had marionette versions of Michael Moore, Alec Baldwin, Matt Damon, and Janeane Garofalo working in tandem with North Korean madman Kim Jong-il in his plans to destroy Western civilization.

Since the film’s release in 2004, more doctrinaire conservatives have tried to follow suit with such liberal-bashing comedies as “An American Carol” and “The 1/2 Hour News Hour,” a truly wretched attempt to craft a conservative alternative to “The Daily Show,” but only Parker and Stone have been able to bash liberals and their ideas and make targets like Alec Baldwin love it.

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Big news and not really so big news

Two items worth mentioning:

* In a move that could have an enormous impact on pretty much all media, Comcast has officially announced its long-expected, and highly complicated, deal which — if understand it correctly and its possible I don’t — will make NBC/Universal a joint venture between General Electric and the cable TV giant, with Comcast holding a 51% stake in the deal. Arguably, this is a more of a TV story and I’m the movie guy, but the dividing line between movies and television grows ever thinner and this surely will impact the movie world. After all, TV is still probably the single most dominant delivery system for movies.

I will say that, as someone who has been worried about media consolidation for a very long time, this deal makes me incredibly suspicious. For starters, a cable company will now be involved with one of the main providers of content, and there are not only consumer ramifications but also political factors here that could go to the  heart of our democracy and, no, I’m not really exaggerating. Though I don’t expect Keith Olbermann and Rachel Maddow to be frog-marched out of 30 Rock tomorrow, giving any company this much power could actually allow them to mold and shape the limits of debate in this country. Actually, corporations already do a pretty good job of that, but this could make it all that much worse.

Anyhow, a couple of days back, Josh Silver made a cogent, if wonkish, argument that I hope people will read. Serious stuff, but the good news, for what it’s worth, is that it will be subject to federal scrutiny. But there’s may be a turf war over which agencies will do it. Great.

I’ll feel a lot better if this marriage gets annulled.

* On a  much lighter, and more typical note, the eternally mysterious one hundred year old National Board of Review — which I suspect gets all its power from its quasi-governmental sounding title (it started as essentially a censorship organization supported by the studios as a sort of preemptive act) but which is always seen as an Oscar harbinger — gave out it’s awards today.  The awards where rather spread around, but the much touted George Clooney/Jason Reitman comedy, “Up in the Air” won for Best Picture and Clint Eastwood picked up a Best Director award for “Invictus.” Gee, who’d ever expect that guy to win a major award?

A real class act.

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