Tag: Elia Kazan (Page 2 of 2)

RIP Karl Malden (updated)

Like all character actors, Karl Malden never got quite the same level of attention as costars like Marlon Brando, Vivien Leigh, Steve McQueen, Anthony Perkins, Montgomery Clift, Michael Caine, and George C. Scott. Even the seventies TV series he starred in, “The Streets of San Francisco” found him being overshadowed in the eyes of the teenybopper set by his young punk of a male ingenue costar, Michael Douglas. That was largely because Malden was the kind of performer who understood that acting is a team sport. His best scenes were like great duets with near perfect communication between him and his scene partners. The exception were American Express travelers’ checks; those, he wiped off the screen.

Karl Malden died today at age 97, having been more or less fully retired since appearing in a 2000 episode of “The West Wing.” While he was never precisely an A-lister, he was a go-to actor for secondary leads, president of the Motion Picture Academy, and as far as I can tell a universally respected figure among actors and everyone else associated with the movie industry. He was also married to the same woman for seventy years, a rare enough Holllywood achievement to merit it’s own special Oscar. Not a bad life.

Below the fold is a video tribute I found that, from the misspellings, I gather may come from Serbia. (Malden, whose real name was Mladen Sekulovich, was the son of a Serbian father and a Czechoslovak mother.) The image quality could be better and some of the clips are a little too brief, but it does give you an excellent overview of his truly diverse film career, which included work with some of the greatest Hollywood directors including Elia Kazan, John Frankenheimer, and Alfred Hitchcock. It also includes some interesting moments from two oddball spy films, “Murderer’s Row,” which I haven’t seen, and the underrated “Billion Dollar Brain,” which included some pretty amazing scenes between Malden and Michael Caine as his old spy buddy, Harry Palmer, as well as Françoise Dorléac as his treacherous spy girlfriend (though he’s pretty tricky himself).

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A Chat with director Craig Singer (“Dark Ride,” “Perkins’ 14”)

You can’t look at the New Releases rack of your local video store these days without happening upon four or five dozen flicks (at least) that have bypassed theatrical release and gone straight to video. This is a particular annoyance for horror aficionados, who’ve seen their genre of choice end up as a sad collection of remakes, quick-turnaround franchises, or sometimes both. Thank goodness, then, for Lionsgate and their After Dark Horrorfest series, which provides brief theatrical releases and high-profile DVD releases for both up-and-coming and established filmmakers. Director Craig Singer found sufficient success with his first After Dark venture, “Dark Ride,” to find his way back into the fold for the latest round of Horrorfest films. But Singer’s “Perkins’ 13” is a bit more adventurous than the usual motion picture, as he explained to Premium Hollywood in a discussion which also tackled some of his other works, including “Animal Room,” with Neil Patrick Harris, and “A Good Night To Die,” with Michael Rapaport.

Stay tuned for…

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