After taking home the Best Live Action Short Film Oscar in 2005 for Wasp, Andrea Arnold made her stunningly assured feature film debut with Red Road, another grim, realistic portrait of unfortunate souls. Fair warning: this is definitely not a feel-good movie. However, if you’re in the mood for something dark, sad and challenging, you could scarcely do better.
Jackie (Kate Dickie) is a single woman working as a closed-circuit surveillance operator in Glasgow, Scotland, where there are apparently cameras on nearly every street corner. Jackie’s rather creepy and mostly dull job is to watch the monitors and report any criminal acts or emergencies to the proper authorities. For a good portion of the film’s beginning, we are thrust into the tediousness of Jackie’s everyday life with little dialogue and no exposition, a refreshing departure from the average movie’s need to explain everything right away. Red Road has rightly been compared to the work of Michael Haneke in this regard, and the element of voyeurism at work here especially recalls two of his best films – Funny Games and Cache – but Arnold has more empathy for her characters and, seemingly, less nihilism in her heart than the great and revered Austrian filmmaker.