Tag: Ben Affleck (Page 3 of 3)

Weekend box office preview: dissembling teens, bank robbers, cheap looking wolves and an elevator demon (update)

Folks, you  have no idea how tired I am as I write this. Therefore, while we have four new wide releases this weekend, all interesting in their own way, I’m be keeping it as short as possible tonight/this morning.

Emma Stone in

Jolly Carl DiOrio expects the weekend winner to be the Emma Stone comedy vehicle, “Easy A.” I, an adult male, personally found the trailer and premise for this movie about a girl using a false reputation for promiscuity to various ends, which is supposed to appeal primarily to female teens, pretty amusing. Moreover, it’s getting unusually good — if slightly muted — reviews for a teen film.

Though M. Night Shymalan’s name is hard-to-spell-and-pronounce version of “mud” with hardcore fans, the PG-13 scare-suspenser, “Devil” — which Shymalan did not direct but produced and wrote the story (with a twist, no doubt) — is expected to do relatively well. It is being carefully protected from bloodthirsty critics.

Ben Affleck and Jeremy Renner in The movie I’m most looking forward to is actor-writer-director Ben Affleck’s crime thrilller, “The Town,” co-starring Jeremy Renner and marking the big-screen semi-starring debut of “Mad Men” star and Mercedes pitchman Jon Hamm. Never a critic’s darling as an actor, Affleck is turning into one critically liked auteur and the highly positive reviews are making me anxious to see this one.

The movie I doubt I’ll ever see — and which is expected to make a shockingly low amount for a 3-D animated family film is “Alpha and Omega.” The cheaply made and critically unloved animation should at least should help some kids learn what are the first and last letters of the Greek alphabet.

UPDATE: One quick thought I meant to include last night. Jolly Carl said there might be a slightly depressive effect on the box office this weekend because  Friday night and Saturday until sundown is Yom Kippur, the holiest holiday on the Jewish calendar. The interesting part of this is that we Jews are only 2% of the population — though if you live in New York or L.A. you’d never know it and some of us almost completely ignore these things. Are we that overrepresented as moviegoers that our impact is felt beyond places like NYC, L.A., and Chicago?

Another look at “The Town”

The new international trailer and clip that have been circulating has me a bit more amped up to see the new crime thriller adaptation from director-cowriter-star Ben Affleck than the one I ran here last month. It’s not just shorter, it’s more to the point and less pretentious. The even shorter clip isn’t bad either. And, say what you will about Affleck, by casting himself toe-to-toe with both Jon Hamm and Jeremy Renner, he’s not afraid to put his own oft-questioned acting skills toe to toe with the two most dynamic new leading men around right now. I questioned that a bit a in my prior post, but I admire his nerve.

I’ve seen these at several spots, but since I saw them there last, so Screenrant gets the h/t.

Weekend trailer: “The Town”

As a director, Ben Affleck is following up his critical success on “Gone Baby Gone” with another crime thriller adaptation set in Boston., Based on Prince of Thieves by Chuck Hogan, “The Town” appears to be one of those cops-and-robbers tales where the both sides get equal time and a woman is in between them. This time, Affleck is the main robber, Don Draper Jon Hamm is the cop (G-man, actually), and Rebecca  Hall (“Vicky Christina Barcelona,” “Please Give“) is the woman who is, naturally, caught between them. Jeremy Renner and Blake Lively are also about.

My thoughts — this appears to have a good cast, but I wonder if director Affleck should have had second thoughts about casting himself and not his, say, his brother or, really, anyone else. True, in my view he’s gotten perhaps a little too much crap for his acting over the years. He’s been very good in a number of supporting roles. He also has been pretty darn weak in some crucial leading roles. We’ll see. Also, I didn’t love Affleck’s earlier cops-and-criminals drama quite as much as most critics, so we’ll see about this one.

H/t Rope of Silicon.

Three departures

I’ll inevitably miss some important stuff this week, but I wanted to quickly acknowledge the passing of three interesting figures who all made their presence felt in the world of movies and who’ve all left us in the last day or so.

* Zelda Rubinstein is best known as the diminutive character actress who appeared in all three “Poltergeist” films in the 1980s as well as numerous other productions and was also known as an activist on behalf of AIDS sufferers and little people.

Poltergeist-movie-08

* Left radical historian Howard Zinn often rubbed me the wrong way in his articles but that can be a valuable service to a reader, too. In any case, there was no denying his provocative intelligence or his appeal to the  leftish masses and his status as a genuine hero to innumerable activists. His most famous book, A People’s History of the United States — which I would admit to having not read yet, except I could have my progressive ID card revoked for the omission — was referred to as a great book in Matt Damon and Ben Affleck’s Oscar winning screenplay for “Good Will Hunting.” Ironically, Zinn, a World War II bombadier and afterwards something close to a pacifist, detested Damon’s next film, “Saving Private Ryan.”

* Last but definitely not least in terms of cultural impact, the most famous of all literary recluses and the creator of the biggest movie hater in history of letters, J.D. Salinger, has passed on. Holden Caulfield may have hated Hollywood and his creator may have shielded him from adaptations, but, my God, how many of the cinema’s best known young male leads have a bit of HC in them? The Hollywood Reporter obituary I linked to mentions “Rebel Without a Cause” and “The Graduate,” but it goes far beyond that. It’s kind of hard to even imagine, say, Wes Anderson’s first two films if The Catcher in the Rye had never existed.

The final irony of course, is that, without Salinger’s passing, we may finally see adaptions of “Catcher,” notes Dylan Stableford. And, what about all those books Salinger reportedly wrote but never published? Hollywood’s hunger for new properties from literary big names should never be underestimated.

I guess a little more graphic violence helps

We’ll be revisiting this tomorrow, but it looks like the mass-murdering-angels action-horror flick, “Legion” appears to be the #2 movie in the country this weekend. Right after “Avatar.”  Which leads me to wonder why “Dogma,” which took a comedic approach to the same material back in 1999 didn’t do better despite a lot of free-publicity generating controversry.

I know Kevin Smith is no one’s idea of a cinematic stylist, but he can write. Do the young men who go to these things have an actual aversion to decent writing? Just a thought. Anyhow, here’s the most “Legion” like scene.

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