Tag: Ari Gold (Page 4 of 8)

Entourage 6.9 – Security Briefs

Talk about wasted opportunities. Just when it looked like the writers were cooking up an interesting storyline for Vince involving a potentially dangerous stalker, it turns out to be a rush week prank by a bunch of sorority girls. Turtle is a little surprised that it’s his underwear they were after, but considering he’s dating Jamie-Lynn Sigler, he was bound to start getting more attention from ladies. Unfortunately, that’s only going to spell trouble for Turtle, who will likely find a way to screw up a good thing as Ms. I Only Wear Thongs continues to flaunt herself in front of him.

Getting back to the whole stalker subplot, it really did feel like a big fat waste of time. It might have been different had the storyline been contained to a single show, but the fact that it was drawn out over three episodes really made it seem like they were trying to turn it into something bigger. Perhaps that was the point, and the punch line is supposed to make light of how serious everyone has been reacting to it (namely Drama, who decides to interrogate Vince’s stalker himself), but it just didn’t have as much of an impact as it would have if the stalker really was a threat.

In fact, the only good thing that came of it was a funny little inside joke involving the caller ID on Eric and Drama’s phones. Instead of coming up “Vincent Chase” when he calls, it reads “Rupert Pupkin,” in reference to the lead character of Martin Scorsese’s 1982 film, “The King of Comedy.” For those of you who’ve never seen it, the movie is about an aspiring stand-up comic played by Robert De Niro (and named Rupert Pupkin) who begins stalking his idol (a late-night talk show host played by Jerry Lee Lewis) in an attempt to get his foot in the door. Admittedly, it’s a bit of a sick joke considering Vince could have really been in serious danger, and it’s ultimately going to prove even more troublesome for Eric. Ever since lying to her about Sloan, Ashley has been obsessing about every little thing Eric does. This isn’t going to help matters, as she now thinks Eric was speaking to someone named Rupert Pupkin when he told her he was talking to Turtle and Drama. Oh well, they weren’t going to last anyway.

While the stalker subplot ate up everybody else’s time, some progress was finally made between Ari and Lloyd involving the latter’s impending promotion. After Ari steals Zac Efron away from Adam Davies right in front of his face (well, technically, it was over the phone), Davies decides to fire back by offering Lloyd a job at his agency. Lloyd remains loyal at first, but after Ari goes all Principal Gleason on his ass by tacking on an additional 60 days to his original 100 Days of Hell, Lloyd decides that he’s had enough mistreatment and crosses over to the dark side. Ari can’t blame anyone but himself – he’s been a jerk in the past, but tonight he was a straight-up douche – and he’s already second-guessing his behavior. Can Ari even operate without Lloyd by his side? That’s what he was worried about when Lloyd first brought up the idea of becoming an agent, and it looks like we’ll finally get to see how he handles it.

Entourage 6.8 – The Sorkin Notes

It was only a matter of time before Doug Ellin and Co. slipped up and delivered a bad episode, but considering it’s taken this far into the season for it to happen, it really isn’t worth getting upset about. Still, not a whole lot went down in tonight’s show, and even worse, the filler portions weren’t very entertaining. The only subplot that did accomplish anything was the one involving Andrew Klein’s midlife crisis, but although fans of Ari were no doubt happy to see Jeremy Piven back after his pseudo-absence on last week’s show, this story is really starting to get on my nerves. Gary Cole may have been a great addition to the back-end of Season Five, but this year, they’ve turned his character into a boring mess.

Now that Marlo has locked him out of the house and frozen his assets, Andrew has started crashing at the office, and Babs has taken notice. With his meeting with Aaron Sorkin set to take place later that day, Babs gives Ari an ultimatum: either Andrew signs Sorkin or he’s gone. Of course, when it’s time for Andrew to prove his worth to the agency by reeling in the big fish, he isn’t there because he’s busy trying to get his notes from his home. When Marlo refuses to let him, and then burns said notes for him to see, Andrew absolutely loses it and drives his car through the house. Not a smart move, as it forces Ari to take the meeting in his place. Sorkin, however, hates Ari’s guts, and refuses to even listen to anything he has to say. So when they discover that Andrew has been sent to county jail, they go to visit him, only for Andrew to miraculously sign Sorkin after telling his lame sob story. I can’t say I was happy about that, though, as it only means Andrew is bound to stick around. This was the perfect time to get rid of his character and allow for Ari to get back to business, but now he’s stuck babysitting Andrew for what looks like the immediate future. Le sigh.

Meanwhile, in Other Subplots That Just Won’t Die, Eric and Sloan get together for drinks to try the whole friendship thing again, only for Eric to suddenly bail on her when Ashley comes crawling back. This whole back and forth between Eric and Sloan was always going to play a big role this season, but what was the point of bringing them together for a few seconds only for them to end up exactly where they were before? If Eric was upset that Sloan can’t decide what she wants, then why did he decide to meet her in the first place? It’s a pretty maddening storyline that I hope gets settled soon, because while I’m sure Eric will end up with Sloan eventually, the writers just need to get them together and be done with it.

The other story of the night focused on Vince’s recent break-in after agreeing to meet with Ari’s security friend (played by Peter Stormare) for a demonstration of his services. There didn’t seem to be much to this plotline except for a chuckle-worthy scene where Drama stood in for Vince during a simulation, but the final scene of the episode did open a few doors for the rest of the season. At first, I was going to criticize the guys for even considering paying the outrageous cost for security (after all, the unwelcome visitor only snagged some underwear), but now that they’ve uncovered a possible identity with the driver’s license of a particularly creepy-looking guy named Curtis Tucker, it might be more serious than we were led to believe. That, or the security guy planted the evidence in order to scare Vince into paying their steep fee. I’ll admit that the former offers a more interesting premise, but don’t count my other theory out just yet.

Entourage 6.7 – No More Drama

This year of “Entourage” has been pretty great so far, but one of the show’s biggest weaknesses has always been its tendency to hit the cruise control and coast through the middle of the season. Thankfully, that doesn’t seem to be the case this time around, as tonight’s episode managed to include not just one, but two major storylines, as well as a fun side adventure starring Vince and Turtle. The latter was obviously the most lighthearted of the bunch, but even though the break-in at Vince’s house was handled quite humorously (stolen underwear, really?), there’s a good chance it could become a little darker during the final stretch of the season. After all, celebrity stalkers shouldn’t be taken lightly, and though the guys have clearly ruled out firearms as a form of protection (“Turtle, you will end up like Plaxico and shoot yourself.”), they might want to take Ari’s advice and hire some security on the double.

Speaking of which, where was Ari tonight? With the exception of a short scene with Vince and Turtle, Ari’s only other involvement in the episode was sending Eric a bunch of pizzas as a gift for starting his new job. Ari may still think of him as a pizza boy, but Eric really hit the ground running on his first day, and I think that he’s going to prove to be a bigger asset than he gets credit for. With the exception of Harvey and maybe Billy Walsh, just about everybody Eric has worked with in the past likes him (or at least respects his work ethic), and that includes Bob Saget, who Murray is desperately trying to sign. At the moment, Saget is being pursued by a fellow co-worker named Scotty Lavin (Scott Caan), but when he fails to close the deal, Eric tries to close it for him after he name drops the former “Full House” star in a meeting.

As it turns out, the only way Saget will sign with the company is if he can have sex in Murray’s office. When Eric informs Scott of the strange request, however, he thinks that he’s being played, so Eric takes it to Murray himself and, just like that, bags himself a new client. Murray certainly seemed impressed with Eric’s initiative, and even jokingly suggests he sign Christian Bale by letting him “execute a cinematographer if he wants.” I highly doubt Eric is quite at that level just yet, but once Scotty learns that he’s been beaten to the punch, it’s not going to bode well for Eric. Of course, this impending rivalry is exactly what the show needs, and I can’t wait to see what the writers have in store for Kevin Connelly, Scott Caan, or even Kate Mara, who’s been cast in the incredibly thankless role of Eric’s assistant. Surely they plan on giving her more to do in the future.

That’s all we had time for this week, however, as the rest of the episode was dedicated to Drama trying to make up for his violent outage. With his job in limbo (Lloyd calls to inform him that all his scenes have been cancelled for the day), Drama races to the studio lot only to discover that he’s been banned to even enter. He tries to apologize to his boss by phone, but he only eggs Drama on even more, resulting in yet another threat – this one strictly verbal. So, with no other choice, Drama bribes the security guard at the gate with sweets and literally begs for his job back.

As it turns out, Drama’s job was never really in danger to begin with (Ed Burns granted him a “stay of execution”), but Dan the studio exec decides he’s going to torture him anyways, and I can’t even begin to imagine what that means for poor Drama. There’s a pretty wide variety of things that could happen to him, but since this is “Entourage,” I’m placing my money on his character having some kind of sexual (read: gay) reawakening. If the writers really wanted to turn the story on its head, however, they’d have Drama dreading the new subplot, only to receive a surprise Emmy nomination for his performance. Hey, it’s “Entourage,” it could happen.

Entourage 6.6 – Murphy’s Lie

We’re already at the halfway mark for the new season, and though I know a lot of people haven’t been digging these first six episodes, I have to say that they’re a lot better (and more consistent) than last year. So far, we’ve seen Vince’s return to superstardom, Turtle’s new life as a pseudo-celebrity, and even Eric’s maturation as a manager, and with tonight’s episode, it looks like even Johnny Drama might be getting his very own story arc. Could his days as the court jester finally be over?

Not bloody likely, but he certainly showed his true colors this week as a loyal friend. Sure, he might have been having a little too much fun teasing Turtle about his kissing scene with Jamie-Lynn, but when Drama’s sleazy boss invited his new screen girlfriend out to lunch to talk business, Drama did some reconnaissance to make sure Jamie-Lynn wasn’t following him into bed. As it turns out, Jamie-Lynn is just as loyal as Turtle’s closest friends, but that didn’t stop Drama from putting his career on the line after the network exec made a lewd comment about how he would eventually bang the former “Sopranos” star. Drama clearly wasn’t thinking about the consequences of putting his boss in a chokehold, but will he really be written off the show? I find that hard to believe, especially when Drama could easily explain the situation to any number of people more important and with more power than this overconfident douchebag.

While Drama was in the midst of a nervous breakdown, Eric was busy picking up the pieces after accidentally calling Ashley by Sloan’s name the night before. He apologizes to her and she deals with it remarkably well, but before you can say “Welcome Back Sloan,” Ashley discovers a message from her on Eric’s voicemail that sends her into a jealous rage. There was really no need for it, since Eric has been avoiding Sloan like the plague, but when push came to shove, he admitted to still having feelings for her. And while it certainly seems like the whole Eric/Ashley debacle has come to a close, I wouldn’t be surprised to see her pop up in the near future. Eric and Sloan probably won’t be reunited until the end of the season, if at all, and there are still plenty of episodes left. Of course, now that Eric’s accepted the position at Murray’s company, it’s looking more and more likely that Emmanuelle Chriqui will be a series regular come next season.

The rest of the episode was pretty uneventful. Turtle started his first day at college, Ari tried to mend Andrew and Marlo’s marriage, and Vince didn’t do much of anything except hang out with a freaky co-ed with a camera. Surprisingly, it’s the latter subplot that is the most interesting of the bunch. I may be looking too far into this, but now that Vince’s career is booming, what better way to create a little chaos in his life than for him to have to deal with a tabloid story? Could a sex tape be in his future, and if so, would it damage his image? They always say any publicity is good publicity, but if you don’t exactly need it, then it’s probably not worth the risk.

The strange weekend of five

This is one interesting movie August we’re in. In fact, if you go to a mutliplex this weekend and can’t find anything that interests you, then you probably don’t belong anywhere near a contemporary movie theater. At this point in film history, things just don’t get that much more diverse, and more interesting, than the new films on offer this weekend.

* Anyone with a geek bone in their body has heard and/or seen a fair amount about the movie box office prognosticators expect to end the reign of “G.I. Joe: The Rise of Cobra.” By most accounts a thoughtful yet violent/bloody R-rated science fiction actioner from first-time feature director Neill Blomkamp, “District 9” benefits from a lot of really good buzz, truly outstanding reviews, and a very high-profile variant of a viral campaign; the “humans only” signs have been up at bus-stops in Los Angeles for what seems like years and the film’s association with executive producer Peter Jackson won’t hurt. (Just like the filmgoers who probably still believe that Quentin Tarantino directed “Hostel” and have no clue who Eli Roth is, many casual movie fans will give Jackson the credit/blame on this.)

On the possible downside: there are no stars or recognizable faces and the film’s setting of South Africa might put off some people. We Americans, I fear, can be an obnoxiously xenophobic bunch at times. However, this is a new age we’re in (I think) and certainly this film, about space aliens being oppressed by us literally xenophobic humans, has a much easier to grasp premise than “Serenity,” the last star-free but excitement-heavy, well-reviewed science fiction film to rely on viral marketing, and the virus is far more virulent this time. So, the projections of a take of somewhere in the $20 millions or more for Sony offered both by Variety‘s Pamela McClintock and The Hollywood Reporter‘s ever-jolly Carl DiOrio, who guesses it at at least $25 million, make some sense.

Eric Bana and Rachel McAdams
* Unless they’re seeing someone very special and very insistent, the young males who will be flocking to “District 9” likely won’t be seeing this week’s promising box office hopeful, even though it’s also science fiction, though obviously of a very different sort. Warner’s “The Time Traveler’s Wife” is unusual for the movies I write about here in that I’ve actually seen this one before its release date, and you can read all about my opinion of the film over at the link. Suffice it to say that fantastical romantic melodrama is not generating a whole bunch of critical excitement, though that underwhelming 37% RT rating is not so much a collective groan as a chorus of “meh.”

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