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Hidden Netflix Gems – Goon

I am not particularly interested in professional sports, generally ignoring all games except the occasional Olympics or Super Bowl viewing, but every year or so there is a sports movie that comes along and deeply and unexpectedly resonates with me. Four years ago, there was Darren Aronofsky‘s The Wrestler, a beautiful, heartbreaking film that was easily among my favorite films of 2008; the following year, there was Big Fan, written and directed by The Wrestler writer, Robert D. Siegel. This year, the unexpected sports movie that finds a place in my heart is Michael Dowse‘s Goon, a movie about hockey that mostly ignores the game itself in favor of the fights that so often break out on the ice.

Seann William Scott delivers his best performance yet as Doug Glatt, a sweet, lovable Canadian bar bouncer who is troubled by the fact that he doesn’t have a “thing” that defines him. His father (Eugene Levy) and brother, Ira (David Paetkau), are both doctors, and his best friend, Pat (Jay Baruchel, who co-wrote the film with frequent Seth Rogen collaborator Evan Goldberg), has a public access show about hockey, but Doug feels aimless, searching for his life’s real purpose. That changes one night at a hockey game, when he knocks out a player who climbs into the stands to beat up Pat, who has instigated the fight by being his usual loudmouth self. The fight in the stands garners more attention and applause than the game itself, and Doug soon finds himself recruited as an enforcer for a local minor league hockey team.

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New trailer for ‘The First Time’

Check out the new trailer for “The First Time” starring Dylan O’Brien (MTV’s “Teen Wolf”), Britt Robertson (CW’s “The Secret Circle”) and Victoria Justice, with Craig Roberts (“Submarine”) James Frenchville, LaMarcus Tinker (“Glee”), Christine Taylor and Joshua Malina in supporting roles. The film is written and directed by Jonathan Kasdan.

Is ‘The Master’ overrated?

“The Master” is getting a ton of buzz. It has a phenomenal cast with Philip Seymour Hoffman and Joaquin Phoenix, and director Paul Thomas Anderson is the new darling of Hollywood. As you can see from the photo is has a very cool movie poster as well, so you can see people grabbing movie poster frames to showcase this poster on their walls.

The critics love the film as well, as you can see from the 85% rating from Rotten Tomatoes. Yet the audience rating is only 62%, so this is one of those films that impresses the critics with its artistic achievement but doesn’t entertain as many fans.

Perhaps the film is misunderstood by some, but after having seen it, it strikes me as grossly overrated. Frankly the film is boring as hell. The acting is superb, particularly the performance of Joaquin Phoenix, but Philip Seymour Hoffman‘s talent is wasted here. His character, Lancaster Dodd, is supposed to be the master, yet his appeal as a cult leader isn’t convincing. It’s not because Hoffman can’t pull off the role. It’s just that Anderson gives him absolutely nothing interesting to say. It’s all gibberish, and thus the entire premise of the film falls apart.

You have to see it for yourself to make up your mind, but I suggest you save your self the money. Save your money on the poster as well. Perhaps you can watch the film later on HBO. At least you won’t feel like you got ripped off.

Hidden Netflix Gems – Everything Must Go

Hollywood has a rich history of well-known comic actors taking on more serious and weighty roles, from Robin Williams to Ben Stiller to Jim Carrey, and now Will Ferrell, in what is probably his very best performance to date. Everything Must Go bears a strong resemblance to Stiller’s work in Noah Baumbach‘s Greenberg, or Adam Sandler‘s in Paul Thomas Anderson‘s Punch-Drunk Love, in its portrayal of a flawed but basically good-hearted man going through difficult times and coming out better for it. The difference between Ferrell and Sandler, of course, is that Ferrell’s comedies generally don’t suck.

Ferrell plays Nick Halsey, an alcoholic who loses his job at the beginning of the film and, after an ill-advised revenge against his boss, Gary (Glenn Howerton), returns home to discover that his wife has left him. Not only that, she has locked him out of the house, frozen their joint bank account, and left all of his possessions out on the front lawn. Nick is understandably upset, and reacts in the defeated way that has apparently become his life’s standard recourse: he buys a lot of beer and camps out in his La-Z-Boy on the lawn for the night. In the morning, having exhausted his beer supply and unable to find his car keys, he borrows a bicycle from his twelve-year-old neighbor, Kenny Loftus (Christopher Jordan Wallace), and heads down to the convenience store for more beer while Kenny keeps an eye on his stuff.

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Hidden Netflix Gems – Southland Tales

Most viewers, even those who eventually became its biggest fans, initially found Richard Kelly‘s debut feature, Donnie Darko, to be strange, convoluted and challenging to fully comprehend on a single viewing. However, compared to his 2006 follow-up, Southland Tales, Darko now seems like Where’s Waldo? Perhaps the absolute craziest film ever made, Southland Tales is a wild ride through pre-apocalyptic paranoia, fevered hallucinations and madness that really defies any kind of classification. It is pulpy, surreal, funny, political and, above all, very weird. I won’t try to convince anyone that this film is a success, per se, but its wild ambition and complete originality make it well worth a look.

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