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“Gravity” takes off to Number 1 at the box office

GravityPoster2NASA may be shut down, but the country’s minds and wallets were surely in space as “Gravity” ruled the box office.

The Sandra Bullock and George Clooney lost in space 3D epic “Gravity”epic  opened to $55.6 million in domestic receipts. That total proved to be out of this world setting a record for the biggest October ever. Driven by older moviegoers, the highly rated film got most of it’s crowd from the over 35 set, according to The Hollywood Reporter. The space race wasn’t limited to the US as the film opened in over 2 dozen other markets grossing $27.4 million.

Adults may have ruled this weekend, but last weekend’s kidfest still showed some legs as another 3D film “Cloudy With a Chance of Meatballs 2” held on to the No. 2 spot grossing $21.5 in it’s second week. The other big studio debut was “Runner Runner” which stumble stumbled at the box office with a mediocre $7.6 million. Despite starring Justin Timberlake and future Batman, Ben Affleck, the drama about online gambling came up short with critics and moviegoers.

Speaking of superheroes, Hugh Jackman’s drama “Prisoners” held on to the No. 4 spot this week with $5.7 million. The former X-Man stars as a father who takes the law into his own hands when police fail to find his missing daughter.

Rounding out the top 5 is the Formula 1 racing film “Rush” with $4.4 million. Directed by Ron Howard, the drama is proving that although F1 racing isn’t big in the US that this vehicle still has a few laps left at the box office.

Already getting Oscar buzz, “Captain Phillips” got an early, but quiet release on 800 theaters. Box office numbers haven’t been revealed, but it’s rumored to have gotten decent numbers ahead of it’s high profile debut this weekend.

 

“Cloudy 2” serves up recipe for #1 spot

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Audiences had a taste for meatballs this weekend.

Sony’s animated kid flick “Cloudy With a Chance of Meatballs” led the box office grossing $35 million in a crowded box office filled with debuts for almost all cinematic tastes. It had been nearly four years since the original “Cloudy” opened and went on to rake in over $245 million worldwide. The 3D animated blockbuster performed slightly below expectations, but was a good shot in the arm for a summer flop heavy Sony.

The race for second was won by “Prisoners” with $11.3 million. The thriller starring Hugh Jackman, Jake Gyllenhaal, and Viola Davis had plenty of life in it’s second week. Ron Howard hasn’t done an indie since 1977’s Grand Theft Auto, but you wouldn’t know it by his showing at the box office finish line. The Formula 1 drama “Rush” not only got raves by critics, but finished a tight third for the week grossing $10.3 million despite being in 1000 less theaters.

Rush expanded in theaters following a limited showing in a few theaters in New York and Los Angeles. The story of the rivalry between Formula 1 racers Niki Lauda and James Hunt was projected to struggle in the U.S but is already providing box office gold overseas having grosed $14 million across the pond.

Fox’s Paula Patton vehicle “Baggage Claim” pulled in a decent $9.3 million in its debut to nab the fourth spot. Written and directed by David E. Talbert, the rom-com features Patton as a woman who is determined to get married in thirty days by revisiting her exes. The film also stars Taye Diggs, Derek Luke, and Boris Kodjoe.

Rounding out the top five was Joseph Gordon-Levitt’s “Don Jon.” The raunchy comedy and Sundance favorite only cost under $6 mil to produce, but debuted to $9 million for Gordon-Levitt’s directorial debut.

‘Prisoners’ Escape with Box Office Crown

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Hugh Jackman proved once again that he can slice his way to box office gold with or without claws.

The “Wolverine” star took the thriller “Prisoners” to the number one spot this weekend with a gross of $21.4 million, according to THR.com. Jackman portrays a Pennyslvania father looking for his kidnapped daughter. Co-star Jake Gyllenhaal is the leader of the police investigation. When Jackman gets frustrated with the investigation, he takes the law into his own claws…uh hands. The Warner Bros. film only cost $30 million to produce, so the film is already being hailed as an early fall hit.

Last week’s top movie ‘Insidious: Chapter 2″ dipped to second place, pulling in $14.5 million in it’s second week. The horror film debuted to over $41 million, surprising critics who panned the sequel. So far, “Insidious 2” has grossed $60.9 million Fans are delighted to know that “Insidious 3” is already on the drawing board.

“The Family” directed by Luc Besson, continues to make a made man out of direcotr Luc Besson. The mob laugher starring Michelle Pfeiffer and Robert DeNiro as a mob family in witness protection brought in $7 million in it’s second week, which was good enough for the third spot. The Spanish language “Instructions Not Included” was muy bueno at the box office earning $5.7 million to come in at No. 4. Rounding out the top 5 was the disappointing “Battle of the Year.” Neither 3D nor Chris Brown could save the dance flick from bombing with only $5 million in it’s debut. Directed by Benson Lee, the film cost $20 million to make.

 

 

Anna Camp can’t save “True Blood”

trueblood13_63 Anna Camp photo - John P Johnson

HBO’s “True Blood” started out as a great show, as the vampire stories and cable TV sex scenes made it one of the hottest shows on television. But the show has slipped over the years, even if it still commands a decent audience. HBO has announced that next year’s seventh season will be its last, and frankly the show lost it long ago. It used to be a regular on Bullz-Eye.com’s TV Power Rankings but this year was left off again.

TV critic Laura DeMarco explains how the show has suffered in recent years.

Yes, there are bad guys, but most of them are so cliched and cardboard as to be laughable. Case in point is good ol’ boy Louisiana Governor Burrell, the main force behind getting the hungry, marauding vampires off the street and into the camps.

He’s a jokey, hokey cliche. The only true villain, former preacher’s wife/governor’s girlfriend Sarah Newlin (Anna Camp), is truly bad. But she’s so bad, so campy, so over-the-top cliched, she’s entertaining. But she’s not too scary. She’s no Russell Edgington, though she’s quite fun to watch.

We love Anna Camp and were thrilled to see her character come back, but she’s just not enough to carry the show.

Molly Lambert also chimed in about how the fairies were the last straw. She appreciated the eye candy and all the sex scenes but the idiotic stories got to her.

So we’ll see what happens in the final season. We know there will be plenty of sensual sex scenes to keep many viewers interested, but we can’t expect much more than that.

Photo by John P. Johnson courtesy of HBO

‘The Butler’ ends summer as #1

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As far as the box office, “The Butler” proved that the only direction it knew…was up.

“Lee Daniels’ The Butler” held off one of the hottest boy bands in music by grossing an estimated $20 million to stay atop the box office for it’s third consecutive week. It narrowly beat out the concert film “One Direction: This is Us,” which made a strong bid for the Labor Day crown, which pulled in $18 million over the holiday weekend.

Critics destroyed the Ford Shelby driven vehicle “The Getaway,” starring Ethan Hawke and another teen idol, Selena Gomez. The action film about a former racer who steals a car in order to save his wife only had enough gas to open at tenth for the week grossing $5.5 million.

The comedy “We’re the Millers” continued it’s family lovefest with $15.9 million to come in third place. The animated “Cars” spinoff “Planes” held on to fourth place with $10.7 million.

The biggest winner of the week may have been “Instructions Not Included,” which can boast the largest opening for a Spanish language film in North America. The film starring Eugenio Derbez grossed $10 million for the weekend despite being on a mere 347 theaters, in contrast to “The Butler” and “We’re the Millers” which are on 3,300 and 3,445 films respectively.

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