Category: TCA Press Tour (Page 11 of 56)

TCA Tour: Lost

Let us begin our coverage of ABC’s “Lost” panel by giving all due props to Jonathan Storm, TV critic for the Philadelphia Inquirer, who kicked things off with the following statement: “Hello, I’d like to ask each one of you to tell exactly what happens in the final season.”

Nice try, Mr. Storm.

Fortunately, Storm had a back-up question ready to ask of the panel – which consisted of Emilie de Ravin (Claire), Daniel Dae Kim (Jin), Josh Holloway (Sawyer), Evangeline Lilly (Kate), executive producers Damon Lindelof and Carlton Cuse, Terry O’Quinn (Locke), Michael Emerson (Ben), and Jorge Garcia (Hurley) – once the laughter stopped: how are you feeling as this comes to an end?

“As we were walking out onto the stage and this montage was playing, I was whispering to my cast members, ‘I am going to cry like a baby when this show ends,'” said Lilly. “It’s become so nostalgic for us to look back over six years and have grown up together and grown up in front of all of you together. It’s been so intense that for it to come to an end is going to be life-changing.”

Garcia instantly agreed. “Certain places that we shoot, it’s, like, ‘Wow, I haven’t been here since season three,'” he said. “Right now, it’s very appreciative and precious.”

“There’s a lot of camaraderie on set now,” acknowledged Holloway. “It feels…a lot of magic, like the first season. It was an incredibly magical year, and the whole experience, of course, has been incredible, but this last year, everyone’s really getting that sense of camaraderie and nostalgia, and it’s just been fabulous.”

“You know, personally, I’m just feeling a tremendous amount of gratitude,” said Lindelof, “and the idea that we’re getting to end something while anybody still cares and while we still kind of love each other, as opposed to everybody saying, ‘It’s about time.’ This is sort of a once-in-a-lifetime or once-in-a-career experience, for a show that’s still performing, for the network to allow us to end it, is a tremendous gift. As Evangeline was saying, as I was walking onto the stage, I was sort of experiencing a sense of, ‘I can’t believe they’re going to actually let us get away with this.'”

When asked how long the conclusion of “Lost” had been determined, Cuse acknowledged that there really wasn’t a definitive answer to that question. “We came up with the final image of the show a long time ago back when we were first plotting out the mythology in the first season, then we started adding elements to that as we went along…and, really, between the first and the second season is when we cooked the mythology,” he said. “We kind of knew what the end point was, but as you move towards the end point, you add elements. Obviously, the end is not yet written, and there are certain sort of mythological, architectural elements that are intact for that ending, but a lot of character stuff will get worked out as we go along. I mean, that’s part of the discovery process of writing. For instance, Michael Emerson wasn’t on the show at that point. It’s a fun process because we sort of have a concept of where we’re going to end the show, but there is still the process of actually executing it and there still is the process of discovery, particularly on a character level, that will come into play as we finish the show.”

“So if you guys have any ideas,” said Lindelof, “we’re open-minded.”

Continue reading »

NBC News’ Brian Williams weighs in on the Conan situation

I had a chance to chat with Brian Williams during NBC’s party at the TCA press tour on Sunday night, and as a throwaway of a closing question, I asked him what had been asked of virtually everyone else that day: do you think Conan O’Brien should stay?

I guess I shouldn’t have been surprised that, throwaway or not, he nonetheless gave me a serious, thoughtful answer.

“Oh, I hope to God he stays,” replied Williams. “We feel, I think, like east coast Irish-Catholic brothers. We came up and followed prominent people into our jobs and kind of came up at the same time. We talked about it a lot on the air. Conan’s got a great New England, almost blue-collar for a Harvard kid, work ethic. He drives himself hard, and I have just always found us to be kindred spirits. I love his sense of humor, and I hope to God he can stay with us.”

Hope may be dwindling, but Williams remains a class act.

TCA Tour: Parks and Recreation

NBC’s “Parks and Recreation” suffered through a first season which impressed only a handful of viewers and critics, only to return for its second season with everyone suddenly trumpeting it as one of the funniest shows on television. Now, this is certainly not unprecedented for shows from executive producer Greg Daniels, who endured the same fate with “The Office,” and when you think about it, every series has to endure a certain amount of growing pains. But what’s required of a show’s creative team to take a confused show and straighten it out?

“Well, I think it’s fair to say that we make some kind of change to the overall idea of the show for every episode,” said co-creator / executive producer Michael Schur. “It’s a constant process of learning what is good and what is not so good, and there is a little bit of an arbitrary pause, in that our first season is only six episodes, so that was the time that we had the most amount of time to sit around and think about what we liked and what we didn’t like. But there wasn’t, like, a ‘Eureka! Oh, here’s what we do’ moment. It’s just a constant kind of process of shooting episodes and writing episodes and cutting them together, seeing which way the characters seem to be developing and talking to the actors and getting their input. I think that…again, we had this sort of weird mini season of six episodes like ‘The Office’ did, and then we took, whatever, four months off, so when it came back, I think there was a temptation to say, ‘Oh, what has changed now?’ I would like to think that, if we had just been airing continuously, the episodes would have turned out the same way and that it would have seemed like a more gradual evolution, because I think that’s what character comedies are all about: evolution.”

I don’t know about the rest of the cast, but at the very least, Nick Offerman remembers precisely when he firmly grasped his character, Ron Swanson. “When I was originally auditioning for the role, Mike said, ‘I think this guy has a really big mustache,'” he recalled. “I think that was probably the moment. I was, like, ‘Ah, yes, I see…'”

Nonetheless, Ron has evolved a bit since then, something which Greg Daniels spoke to. “I guess it was the ethics episode in the first season where he kind of stepped up and defended Leslie,” he said. “Originally, he was more of an antagonist, I think, because he was a person who didn’t believe in the mission of the department that he was in, she was so optimistic, and they were so at odds. But then they developed a nice kind of grudging friendship, and when we saw how well that worked, we wrote towards it.”

Amy Poehler chimed into the discussion as well, adding, “What was discovered, too, was (that) Ron liked Leslie because she made his job easier.”

“It’s a very symbiotic relationship at this point,” said Schur.

“Co-dependent,” corrected Poehler. With a wink and a nudge, she added, “But we all know what those relationships are like, right?”

Continue reading »

Breaking TCA News: Simon Cowell to leave “American Idol”

Fox’s executive panel at the TCA Press Tour was very late beginning this afternoon, but as Peter Rice (Chairman of Entertainment) and Kevin Reilly (President of Entertainment) took their seats, Rice assured the gathered group of television critics, “We have a good reason for keeping you waiting.”

He was right.

Minutes later, surprise guest Simon Cowell had stepped onto the stage, taken pen in hand, and officially signed the paperwork to bring his popular UK series, “The X Factor,” to Fox in 2011. He will serve as the show’s executive producer as well as a judge. There is, however, a down side to this development: it means that this will be Cowell’s final season as a judge on “American Idol.”

Prior to Cowell’s surprise arrival, Rice had acknowledged that Cowell’s future on Fox was directly connected to whether or not the network would pick up “The X Factor,” a series for which he has long established considerable passion.

“There has been a lot of speculation, partly because we didn’t have an an agreement,” said Cowell, after taking his seat. “We reached an agreement at about half past ten this morning.”

“More like half past eleven,” corrected Rice, with a laugh.

“I’ve always had a fantastic relationship with Fox,” Cowell continued. “We did talk about me staying on both shows, but then when we looked at the practicalities of that, it was just impossible. I made a commitment to staying on the show in the UK, and I didn’t think it was right for me to also do two shows in America. I can barely manage to do ‘American Idol’! We had a lot of discussions about it, a meeting with Peter in October, but it was done very gentlemanly, the whole thing.”

As far as Cowell’s departure from “American Idol,” he likens it to having a good player on a good football team: they work well together, but when the player retires, the team is still successful. In the end, it comes down to the fact that “American Idol” is not Cowell’s show, whereas “The X Factor” is.

“It’s still close to me,” he said, “and I made sure that ‘Idol’ would be protected. The show could last for ten or twenty more years. I’m confident that it will continue to be the #1 show, and everyone’s committed to keeping it that way.”

Rice described Cowell as “irreplaceable,” taking a pass on making any comment about who the network might be pursuing to fill his spot on the series while offering assurances that the network is fully aware of the necessity of maintaining the same level of energy for “American Idol.”

TCA Tour: Undercover Boss

During her comments in the executive session, CBS’s President of Entertainment, Nina Tassler, couldn’t say enough good things about the network’s new reality series, “Undercover Boss,” which they’re opting to premiere immediately after the Super Bowl. It’s an act that’s either a sign of unabashed confidence in the series or a total Hail Mary pass, but despite how apropos the latter might be for the timeslot, having seen the pilot episode, I can absolutely see why they would be confident. Tassler said that “everybody who is sitting and watching the Super Bowl, be you 8 or 80, can stay right there and enjoy the program,” and she’s on the money with that assessment: who can’t get behind the idea of a boss coming down from his or her ivory tower and mixing it up with the frontline employees in the company? Everyone can relate to that…which, as it happens, is exactly what its creator, Stephen Lambert, had in mind.

“I was very keen to do something in the world of the workplace,” he said. “There’s so many scripted shows that are set in the workplace, but not that many set in the real workplace in the reality space on network television, and it seemed to me that it’s very relatable. Anybody who has had a boss who has worked in the company will understand this show, and for the person in charge to be able to see what their workers, their employees, are really doing seemed like an exciting idea.

“This is a show where the boss is on a dual mission,” Lambert explained. “One, he wants to find out what’s really going on on the front line, things he can’t see when he’s back at headquarters. Second, he’s looking for the unsung heroes of the company, so he’s looking for people that deserve some kind of thanks, maybe a promotion. It’s the mixture of kind of comedy that comes from the boss trying to do the front-line jobs and the emotion of these people, these coworkers that he spends time or she spends time with having that recognition that can be extremely emotional, and that was the idea behind the show.”

The first boss to go undercover on the show is Larry O’Donnell III, the President and COO of Waste Management (you’ve no doubt seen their trucks cruising around your neighborhood at one point or another), and when you watch the episode, you’ll see him doing everything from picking up trash to cleaning out Porta-Potties. Now, if you’re wondering how undercover he really is, given that he clearly has a camera crew following him, all they know is that he’s just this guy who’s working these frontline jobs…and, to hear him tell it, they got used to the camera’s presence pretty quickly.

“When I first went into this and I actually talked to our senior leadership team, I thought the most difficult part was going to be for me to be able to maintain my undercover status where the employees didn’t figure out who I was,” he said. “There were some managers along the way that recognized me, and I was able to get them off to the side and tell them to go home or stay in their office. You know, people ignored the cameras within about…it seemed like certainly within the first half hour. It was like they weren’t even there.”

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑