Category: TV (Page 64 of 595)

True Blood 3.10 – Once Evil, Always Evil

If I’m to be perfectly honest, this week is the first time since Season 3 began that I’ve been legitimately excited about tuning in for “True Blood.” Granted, you have to take my position with a grain of salt, since I wasn’t watching when episodes 3.7 and 3.8 originally aired, so I’m willing to admit that it’s possible I could’ve had that feeling as a result of one of those. Even so, though, I’m willing to bet that just about everyone who watched The King rip out the heart of that poor newscaster at the end last week’s episode was desperately seeking an answer to the question, “What’s going to happen now?”

I know *I* certainly was.

It was therefore mildly disappointing to have the episode begin not with The King but, rather, with Bill finally revealing Sookie’s true identity to her. Fortunately, Sookie’s reaction served as an instant salve for the wound: “I’m a fairy? How fucking lame!” I think you’d have to say that Bill didn’t exactly do the best possible job of playing up Sookie’s ancestry, and things only got worse when he was forced to admit that her people were reportedly wiped out of existence by vampires, owing to fairy blood being magically delicious. He can’t exactly confirm that the stories are true, but he can at least vouch for the awesomeness of Sookie’s blood. This immediately makes her suspicious of why Bill’s interested in her, but he swears up and down, “It’s not your blood I love. I love you – your mind, your heart, your soul – and I will foreswear ever feeding on you again if that’s what it takes to convince you of that.” Aw, isn’t he just the sweetest vampire?

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Mad Men 4.5 – “How does she not fall over?”

I don’t want to say that Don’s gotten himself the secretary he deserves, but…I don’t know how else to finish that sentence. Although you could easily argue that she’s almost more of a comedic device than an actual character, at least she serves a definitive statement: this is definitely a woman who Don is not going to be sleeping with. Mind you, given her performance in the first few minutes of the episode, there’s really no reason to believe that she’s going to be around for the long haul, anyway. Still, you don’t really hear Don complaining very much when she interrupts the scintillating meeting about the stats behind America’s typical cough-drop users to tell him that he’s got a phone call from Walter Hoffman from The New York Times, though it’s possible that his feelings on the matter changed after he discovered the reason for the call.

Hoffman’s found out that Clearasil’s been signed to another firm, and he’s nosing around about a possible trend with companies jumping ship from Sterling Cooper Draper Pryce. Don claims to not be thinking about it, but Ted Shaw has claimed, “Every time Don Draper looks in his rear view mirror, he sees me.” Don’s only on-the-record comment on the matter is to claims that he’s never heard of Ted Shaw.

Mad Men - Don Draper on the phone

It’s time for a meeting of the partners, one prefaced by a brief conversation about the state of civil rights in America. (I’ve noticed that real-world goings-on seem to only be referenced offhandedly this season. I don’t know that it’s a better-or-worse situation. I’m just saying that I’ve noticed it.) When Don arrives, however, things get down to business, with Pete announcing that he’s convinced the folks at Secor Laxatives to produce a TV commercial and test market it. Cue Roger making a few inevitable jokes on the matter, which are quickly poo-pooed by Bertram Cooper.

Yes, that’s right: I went there.

Better still, Pete’s looking toward a possible relationship between the firm and Honda, which was still very much an up-and-coming company as far as American audiences were concerned. Look at Pryce, making with the funny. He’s really loosened up since his night on the town with Don, eh? Too bad Roger’s being such a hard-ass about the situation, still battling some demons which have apparently been haunting him since World War II. I was somewhat surprised with the way everyone immediately decided to bypass Roger and move forward with the Honda meeting, but I guess it’s hard to argue with the possibility of that kind of money.

Be honest, though: how many of you had ever heard of “The Sword and the Chrysanthemum“? I mean, I’m sure plenty of you have probably read it, but I’m not going to pretend that I’m one of them.

And, seriously, who the hell is Dr. Lyle Evans?

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Entourage 7.8 – Sniff Sniff Gang Bang

As has been the case with most of this season, tonight’s episode revolved around Vince’s downward spiral – not just professionally, but personally as well – as his relationship with Sasha continues to affect his life. Although the guys don’t think Vince could ever be serious with anyone, they clearly don’t know the new Vince as well as they think, because he’s falling for Sasha… hard. So when she tells him about an offer to shoot a new adult film, Vince gets a little overprotective, offering her the $200,000 she would have been paid for the gig not to do it. Of course, not only does Sasha plan to the movie (maybe a little bit out of spite, but mostly because she’s a freaking porn star), but she also informs him that it’s actually a five-guy gangbang. Ouch, for both involved.

And while Vince is busy trying to persuade Sasha not to do the porno by getting her a part in his new movie, Eric is desperately trying to keep Vince attached to said movie. That’s because the studio wants Vince to take a drug test, and he flat out refuses, claiming that he’s never been in any kind of trouble that would suggest he should need to be tested. Thankfully, Billy finally confesses to Eric that he did witness Vince doing some coke with Scotty Lavin at that party, and after ripping Scotty a new one right in front of a prospective client, he then confronts Vince about his drug use. But instead of apologizing to Eric for lying, Vince just acts like a giant prick, warning Eric to stay out of his personal business and practically demanding that he find Sasha a part in “Airwalker” or else.

entourage_7-8

Personally, this behavior still seems a bit out of character for Vince (especially after everything he’s already gone through following the “Medellin” debacle), but he’s still attached to the movie when it’s all said and done. Unfortunately, Randall Wallace is not, who chose to walk away from the project after the studio bent to Vince’s will. The real question isn’t whether they’ll be able to find a new director, though, but just how in the world Vince is going to bounce back a second time when Hollywood becomes privy to this scandalous behavior.

It certainly can’t end well for him, but at least Ari is trying to mend his broken relationships as he experiences trouble on both home fronts. Not only has Ari promised a “kinder, gentler” workplace to his current staff just as old employees begin to come out of the woodwork to sue him, but Mrs. Ari feels embarrassed by the entire situation, going so far as to call an emergency therapy session to try and work out their marital problems one last time. Ari would probably tell you that there’s nothing wrong with his marriage, but Mrs. Ari wants some changes (including a no-Blackberrys-in-the-house rule and no more broken promises) lest she have to reevaluate their relationship. Though Ari seems a little hurt by the ultimatum, he eventually agrees, if only because he’s already late for an important meeting with Mark Cuban.

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Top Chef DC: justice served?

There was quite an uproar last week when Kenny was eliminated from “Top Chef DC.” Many fans and even some of his fellow contestants were outraged, and rightly so. Was Alex a better chef? Really?? But the judges proved that they are sticklers for their own rules. Anyway, here is a recap of last night’s episode, as we get down to the meat of the season!

The show began with the Top 7 meeting up with Padma and also Wylie Dufresne, owner of restaurant WD-50 and a contestant on “Top Chef Masters.” They announced the quick fire challenge, for which the prize was $10K. They each had a mystery box in front of them, and they had to begin cooking with the ingredients in the box. However, more mystery boxes would keep coming, and as they did, they would have to incorporate those ingredients in as well. Yikes. There wound up being four boxes in all….fish, fava beans and honey; squid and black garlic; ramps and passion fruit; and jicama. Angelo was not feeling as confident as usual and it showed in his cooking. However, the least successful dishes were Alex and Amanda, and Wylie’s favorites were Tiffany and Kevin. The winner was Tiffany, who seems to keep winning lately and showing that she is truly a contender here.

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Exclusive Clip — “Cemetery Junction”

It’s annoying but true: in the current blockbuster-driven film climate, an increasing number of films which are clearly worthy of a look are not even getting theatrical releases. You’d think that the directorial debut of the widely acclaimed team behind the original UK version of “The Office” and HBO’s outstanding “Extras,” not to mention “The Ricky Gervais Show,” would at least get a limited arthouse release in the good old U.S.A. The fact that Ricky Gervais has become a well-known figure here as a comic in his own right should help, even if his movies as a writer-actor have so far failed to set our world on fire. If even Gervais’s equally mirth-inducing but less well known professional partner, Stephen Merchant, were to wander into, say, a random Santa Monica or Hollywood-area coffee house, he might well be mobbed.

Nevertheless, the DVD of Gervais and Merchant’s cinematic directorial debut, “Cemetery Junction,” was released yesterday and we have, I’m told, an exclusive clip from the film. As you’ll see, this appears to be a slightly jaundiced coming-of-age comedy-drama in the mold of something like “Diner,” “American Graffiti,” Fellini’s “Il Vitelone,” and innumerable other nostalgic-yet-brittle films made in Britain and all over-the-world.  It stars young Christian Cooke as the requisite dissatisfied local, dividing his time between hanging out with his more complacent mates (Tom Hughes and Jack Doolan), a theoretically dead-end job selling life insurance (hey, that’s what my dad did!), and falling for the boss’s beautiful but engaged daughter (Felicity Jones). Supporting turns are filled by Ralph Fiennes, Emily Watson, Matthew Goode and, of course, Ricky Gervais. He just happens to appear in the rather amusing clip below.

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