Category: TV (Page 554 of 595)

American Idol: Pass the Flask

So last night’s installment of “American Idol” taught us a few things. One, idols can’t sing country music very well. Two, Ryan Seacrest and Simon Cowell don’t like each other. Three, Randy Jackson shouldn’t wear a shiny red vest—dude, I can’t get the glare out of my eyes today.

All of the above pretty much sums up the storyline, but it’s worth noting that there is some real bitterness between judge and host and it keeps growing. After Simon made a comment about a contestant being dull and boring, Ryan responded by saying “Just like your love life, Simon.” Simon didn’t immediately respond, but later on made reference to Ryan’s 5 O’Clock shadow, saying that he was going for the “Desperate Housewives” look….taking a backhanded jab at the fact that Seacrest is said to be dating Terri Hatcher. Look, I like Simon and can’t stand Seacrest, but if he really is dating Terri Hatcher, he’s got scoreboard on the old man.

Then, to make things more interesting, Ryan later made reference to the fact that some of the judges were acting strange, and wondering aloud if there was a flask being passed around. We all know Paula has a problem, but are things that tense on the set that all of it is coming out before our very eyes? Stay tuned, this can only get uglier. But for now, pass me the flask, because if the performances are as boring next week as they were last night, we will all need to be drunk to figure out who is best.

Kenny Rogers was a guest on the show, and he spent some time coaching each contestant as they got ready to sing a song from the country music genre. Oddly, none of them picked a Kenny Rogers song. In fact, some of the song choices last night and this season in general have been, to use a Simon term, “dreadful.”

THE GOOD

Kellie Pickler was the best performer of the night, and no one should really be surprised that she can sing country. She sang “Fancy” and while Randy said it was great, Simon said he hated the song but loved the performance. But the fact that she was the best of the night should tell you all you need to know about everyone else.

THE IN-BETWEEN

Taylor Hicks kicked things off with John Denver’s “Take Me Home, Country Roads,” and it was about as bland as a piece of tofu. (To my vegetarian readers: “Not that there’s anything wrong with that”). Simon said the performance had no personality. It didn’t suck, but it was just boring.

Mandisa sang “Any Man of Mine,” and even though she hails from Nashville she couldn’t pull it off. It was boring and off-key in spots. We all know she’s capable of doing much better.

Elliott Yamin sang Garth Brooks’ “If Tomorrow Never Comes,” and while Randy said it was “hot,” Simon said it was a safe and mediocre performance, and I agree. Have you noticed I don’t usually note Paula’s comments? That’s because she gushes over everyone through that drunken haze. Besides, who really cares what Paula Abdul thinks?

Paris Bennett attempted LeAnn Rimes’ “How Do I Live” and it was just okay, once again not what we’ve come to expect from this little dynamo. Paula actually said she didn’t connect with the audience and Simon disagreed and said it was “excellent.” Maybe Paula passed Simon the flask?

Ace Young sang “I Wanna Cry,” maybe trying to cater to the soft side of all his female fans. Randy said it was boring and I agree. Simon actually said it was “very good” and Paula, well, Paula has a chick woodie for this guy.

Chris Daughtry is my hero….he may even be my new favorite to go all the way. But last night, he nearly put me to sleep singing Keith Urban’s “Memories.” The judges thought it was cool seeing a different side of Chris, instead of the rocker everyone has come to recognize. He can sing, but needs to show a bit more of that flare again to keep it going.

Katharine McPhee sang “Bringing Out Elvis” and with a bluesy choice like that, I really expected her to bring it. But she really kind of brought a boring rendition. She wasn’t bad, but she wasn’t great. And the fact that she was in the bottom two last week makes me wonder if this is the last we’ll see of Katharine.

Bucky Covington sang “Best I Ever Had,” and I don’t know who remade it into country but to me, that is a Vertical Horizon song. You would think Bucky could really show us something this week, right? Um, no. Bucky started off so bad, I thought America would vote him off right there on the show, but he got better as the song went on. Still, dude has got to be sweating like a cow in line at McDonald’s.

THE BAD

Okay, there was no one that really sucked last night. So it’s going to be hard to even predict the bottom 3. I’m going with Ace, Katharine and Bucky, because they’ve all been there before and there’s no reason to believe America won’t put them there again. But who will go home? My gut says Katharine, but I don’t think that would be right….so I’m hoping America picks Ace, because I really think the time is right for him to ride off into the sunset, or into Paula’s bed.

See you tomorrow with the results!

Vandalay, OUT.

All the while a great wind carries me across the sky

I’ve been wondering, as I’m sure most “Sopranos” fans have, how David Chase planned to bring his series to a close. The obvious choice would be to have Tony get whacked, but that seemed too easy to me. Now, I’m not so sure.

If the final season (plus the eight “bonus episodes,” whatever those are going to be) played out like your typical mob story, with Tony going down in the midst of some bloody power struggle with Johnny Sack or an internal conflict with someone from his own family, that could qualify as a copout. But it’s clear now that Tony’s brush with death has him examining his life in ways he never has before. He appears to be headed toward some sort of spiritual awakening, inspired by the Ojibwa saying that was pinned to the wall in his hospital room: “Sometimes I go about in pity for myself, and all the while a great wind carries me across the sky.” We’re all part of something much bigger, Tony’s neighbor in the hospital suggests, and it’s an idea that Tony seems to be warming up to. As they’re leaving the hospital, he tells Janice that he’s the luckiest guy in the world to still be alive and that every day from here on out is a gift. Later, rather than keep haggling with Phil and Johnny over the sale of Barone Sanitation, he agrees to their terms and in the process keeps Jason Barone, who found himself in the middle of a very nasty situation when his father passed away, out of trouble. “Truth be told,” Tony tells Phil, “there’s enough garbage for everybody.”

Tony seems to be finding answers to questions he never knew he had, which could very naturally lead to problems for T down the road. For starters, his guys aren’t going to be thrilled with the fact that Tony relented on the Barone situation, and if his new outlook on life continues to affect the decisions he makes, you can bet someone like Vito, who was visibly disappointed when Tony pulled out of his coma, will start thinking about a coup.

Of course, the other possibility here is, Tony may decide that he wants a change, that this isn’t the life he wants to lead anymore. Before the shooting, he never would’ve given in to Johnny on the Barone sale. “…there’s enough garbage for everybody”? Those aren’t the words of a ruthless crime boss. I think Tony’s gradually going to warm to the idea of retirement, of living out the rest of his life with Carmela and whatever grandkids Meadow and AJ end up giving him. That seed was planted very early this season when Gene Pontecorvo asked Tony if he could retire to Florida with his wife and kids, living off the $2 million he’d just inherited from his dead aunt. Tony denied his request and Gene, a childhood friend of Tony’s, wound up hanging himself. This week’s final scene, with Tony sitting next to the pool and watching the wind blow through the trees, tells me that he’s giving in to this notion that he’s part of something bigger, and he’ll soon come to the realization that he’s not happy doing what he’s doing. It’ll be a gradual change, with the rest of the season shaping up to be one massive internal power struggle which could very well lead to the “Tony gets whacked” finale. But Chase would be taking a very intriguing route to get there, with Tony’s spiritual transformation sparking the conflict rather than some tired dispute over money or territory.

So who would be the in-house candidates to off Tony? Vito’s way too obvious – I think he’s dead long before he gets a chance to do any real damage. It’s obvious that Sil would have very little interest in running the family after his disastrous run on top while Tony was in the hospital, and besides, I think he’s too loyal. Christopher would make a lot of sense, especially since he told Tony two episodes ago that he thought T owed him after the whole Adriana situation. Chris has always been a hothead and he’s already made it known just how much he hates Phil, which means he’ll be pissed that Tony caved on the Barone sale.

Then there’s Paulie. He’s about to cause some major trouble. After learning this week that his mother was actually his aunt and his aunt was his mother, Paulie snapped. I kept waiting for him to send his mom/aunt through a window (he tossed her $2,000 flat screen TV out the window instead), and he’s been unhappy with Tony for a while now – remember last season when Tony threw Paulie’s painting in a dumpster? Again, this week’s final scene was very telling: Paulie, consumed with jealousy after watching Mrs. Barone beg Tony to protect her son, takes a pipe to Jason’s knees, demands Jason pay him $4000 a month and warns him not to tell Tony anything. Then, while Tony sits next to his pool peacefully, watching the wind in the trees, Paulie walks back to his car, a stiff wind blowing in his face. That clearly places Tony and Paulie in opposition. Now, we’ll have to see how that plays out.

This is what happens when Patton Oswalt meets the secondary cast from “Mr. Show”…

…but David Cross and Bob Odenkirk aren’t around to keep the geeks from running the asylum.

And I’m not just talking your garden-variety, ordinary geeks.

No, sir, these are full-on Super Nerds.

This was a failed pilot for Comedy Central, starring Patton Oswalt…

po

…and Brian Posehn.

bo

The former works at a comic book store, and the latter is his buddy who just hangs out there and reads comics. In this, the pilot, we meet the owner of the store – a Russian, played by John Ennis – and we also witness Patton’s character meet up with a girl who went to high school with him…and who has a crush on him. You’d like to think it’s an alternative universe, since the girl is played by Sarah Silverman…but if she’ll fall for Jimmy Kimmel, you can just about buy that she’d fall for Patton Oswalt.

Anyway, long story short, this is a geek’s paradise and incredibly accurate in its representation of uber-geeks (and, believe me, I know of what I speak; only now that I’m married and have a child can I comfortably admit to having attended a comic / sci-fi convention in my time)…but in no way will you be surprised that didn’t get picked up as a regular series. Not when Patton is uttering put-downs like, “You Jar-Jar loving buttnut!” (Actually, that IS kind of funny…)

Still, they could’ve put it on Friday or Saturday nights. Its target audience would invariably have been home to watch it.

Just because the comic strip is going on hiatus…

…doesn’t mean you can’t still enjoy “The Boondocks.” The not-as-controversial-as-you’d-expect animated series, based on the comic strip by Aaron McGruder, is coming to DVD on June 13.

TVShowsOnDVD.com reports that there are scheduled to be 7 audio commentaries from McGruder, as well as animatics and a behind-the-scenes featurette…but it also says “subject to change.”

C’mon, now, Aaron! You’re already stickin’ it to the man by taking a vacation; the least you can do is not backpedal on the special features…!

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