Category: TV (Page 51 of 595)

Mad Men 4.12 – A Certain Kind of Girl

Sorry for the delay in knocking out this week’s blog, but I spent the weekend attempting to cover the New York Comic Con, and the end result was that, upon flying home and making it into my house at about 10:30 PM, my attempts to watch and blog the show while wearing my spiffy new “Mad Men” button from NYCC – it has an illustration of Roger Sterling, along with the words, “When God closes a door, he opens a dress” – were interrupted by my complete and utter inability to stay awake.

So here we are on Monday morning, and although I’m still pretty freaking tired, I’m at least slightly better rested than I was last night.

Guess I picked the right button: it’s another episode directed by John Slattery. Things kick off with Don having an off-the-record meeting with a guy from Heinz, trying to get a feel for whether or not the company might be willing to hook up with Sterling Cooper Draper Pryce. It’s clear that he respects Don and his work (though he may just be saying that because Don’s behind his premise that beans don’t have to be funny), but they’re on different timetables. There are two people at that table, but only one of them has any real confidence that SCDP will be around in six to eight months, and, frankly, you can’t blame Heinz for wanting to make sure that they’re working with an ad agency that’s going to have some sort of staying power.

Mad Men - Don Draper with Pete Campbell

Geoffrey Atherthon lays the state of SCDP on the line, using dating metaphors to make his point, and since “tobacco is your ideal boyfriend,” he’s helped provide the firm with a meeting with Philip Morris about their new cigarette line for women. “We will listen more than we will speak,” says Bert, matter-of-factly. “Like a good girlfriend,” smirks Atherton. Immediately after the meeting, everyone begins to break into small camps: Bert and Roger discussing what sort of clients they should be pursuing, Harry and Ken mostly just trying to figure out where they stand in the firm, and Pete and Lane talking about the state of the office and Don saving the day. Meanwhile, Don and Faye are chatting as well, but it’s work-related, so the conversation ends in a handshake, a decision which clearly bemuses Don. I’m guessing it probably wasn’t a coincidence that the shot was framed in such a way that Megan appeared to be between them.

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Family Guy: Partial Terms of Endearment

Between the piecemeal volume sets and the “Star Wars” parody episodes, Fox has made a mint screwing over the fans of “Family Guy.” You know, the ones that helped bring it back from cancellation? And apparently, they’re not afraid to admit it, because it takes pretty big balls to release a 23-minute episode on DVD just because it never aired on TV. The episode in question, “Partial Terms of Endearment,” was supposedly deemed too controversial by Fox and pulled from their schedule. But after watching the episode – which finds Lois agreeing to be a surrogate mother for a couple, only to consider abortion after they’re killed in a car accident days after conception – it’s really not as bad as you’d think. In fact, I wouldn’t put it past Fox to have created the media frenzy themselves just so they could put out a DVD.

It’s hard to imagine anyone paying $10 for a single episode (especially when they could have easily included it in the next volume set as a bonus), which is too bad, because it’s one of the funnier episodes in years, with an awesome Road Runner/Wile E. Coyote gag and lines like “Wow, thanks a lot for 9/11, abortion enthusiasts!” The addition of extras like an audio commentary, a live table read, and “Seth & Alex’s Almost Live Comedy Show” is supposed to make you feel better about the high price tag, but it won’t. Rent it from Netflix or, if you absolutely must, find it online for free.

Click to buy “Family Guy: Partial Terms of Endearment”

“Terriers” is getting good

I had high expectations for FX’s new series, “Terriers,” which was created by Ted Griffin, the writer of “Oceans Eleven” and “Matchstick Men.” It stars Donal Logue, whose work I enjoyed on “The Knights of Prosperity,” “Grounded for Life” and “The Tao of Steve.” He’s a talented actor who can play both the lovable protagonist and the arrogant asshole. He plays a former cop (and recovering alcoholic, sigh) Hank Dolworth who now works as an unlicensed private detective. His partner in crime is a former thief (played by Michael Raymond-James, who first hit my radar as the serial killer Rene on “True Blood”) and the two work together on shady cases in Ocean Beach, California.

The first couple of episodes were just okay, as Logue’s character spent a lot of time worrying about his ex-wife, her new fiance and their old house that was up for sale. The writing wasn’t terribly tight, either. After he ‘bought’ the house, he was able to move in before escrow even closed, which definitely doesn’t happen in real life.

Anyway, I stuck with the series, and in the fourth installment a previous job reemerged and took over the storyline for two more episodes, getting the investigators in some deep doo-doo in the process. The arc felt an episode of “The Shield,” where Vic Mackey had to spend two hours trying to clean up a mess that he created…if it were written by Elmore Leonard.

Like “Oceans Eleven,” the show moves at a fast pace and I enjoy how it camps out in the grey area of life with a serialized format — like the rest of FX’s stable of shows (specifically “Rescue Me,” “The Shield,” and “Justified”). This isn’t a story about a man in a white hat taking on a bad guy in a black hat. Just like Tommy Gavin, Vic Mackey and Raylen Givens, Hank Dolworth is a complicated man, and it typically takes him more than an hour to work out his issues.

So if you elect to give “Terriers” a shot, or if you already gave up after the first or second episode, stick around until the end of the fifth episode, and then make up your mind. Other than “Boardwalk Empire” and “The Event,” the fall season doesn’t seem to have much to offer in the realm of new dramas, but “Terriers” deserves consideration.

Hell’s Kitchen: they can’t send all the crazies home, can they?

Last week after Raj was eliminated from “Hell’s Kitchen,” the next logical thing to happen was to kick off Sabrina, the mouthy red teamer who seems to know how to cook but can’t for the life of her get along with anybody. But last night’s two episodes sent two different contestants home. Here is how it played out:

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The Biggest Loser: still no chance to slack

I am digging this new format on NBC’s “The Biggest Loser.” Let’s fact it, the show was beginning to grow stale, as some of these reality shows do, but the producers decided to make it so that the contestants have no margin to slack from week to week. Everyone is in danger of being eliminated every week, and that’s how it should be. But they have taken things a few steps further, and it makes for a much more intriguing and enjoyable watch right now.

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