Category: TV (Page 466 of 595)

Prison Break: “Wash”

Really? We’re going to have this huge buildup to the Magical Tape that can make everything right in the world, but we don’t even get to hear what’s on it? I spent the rest of the hour recovering from the letdown.

This episode did move pretty well, and touched on all of the storylines. Of course, the whole Cooper Green switcheroo was pretty silly. I can’t find the actor’s name, but the guy who played the fake Green always plays a bad guy, so my spidey sense was tingling from the get go. Moreover, the “my inhaler is in my jacket” and the “my cell phone is running out of juice” bits were also pretty lame, but at least the boys hooked up with the real Cooper before the episode’s end, which sent the series off in another direction. On a side note, Mahone once again displayed some superior policing skills when he figured out how all the sight lines in the park led to the hotel. I wouldn’t want that dude chasing me – no way, no how.

Was anyone surprised to see a rope when C-Note opened up the package? I guess the background music was meant to reflect his personal shock, but the only thing surprising about the rope was that it was already tied into a noose. On that note – no pun intended – we didn’t exactly see C-Note die. He just stepped off the bed when the episode ended; so don’t count him out just yet.

T-Bag seems to be finally getting down to the business of being a multi-millionaire, and his haste to get out of Alabama (to Bangkok) somehow has him on a flight to Mexico. Wait a second, it’s the same flight as Bellick? I’m confused. Quick, honey, press the button. No, the one that says, “Suspend Disbelief.” Ah, yes, that’s much better, thanks. Moving on…

Am I crazy or was T-Bag intending to take three million dollars in cash through security? The bundles of hundreds are literally spilling out of the bag, but this deviously intelligent individual plans to take it through airport security! Honey! Honey! Yeah, I need you to press it again! No, I really can’t reach it!

Thanks, babe.

What were we talking about?

Can Jimmy Fallon fill Conan O’Brien’s shoes?

“The Barry Gibb Talk Show” may soon be a permanent feature on NBC’s late-night lineup…at least if Jimmy Fallon gets his way.

The former SNL star is reportedly in talks with NBC to take over Conan O’Brien’s 12:30 a.m. time slot in 2009, once O’Brien takes over for Jay Leno on “The Tonight Show.” However, no deal has been completed as yet, and NBC’s current 1:30 a.m. host Carson Daly has gone on record as saying that he too would be more than happy to take over for Conan.

While Fallon is certainly no Conan, he definitely brings more personality to the table than former TRL host Daly. And, while it’s true that the limited track record of former SNL cast members as late-night talk show hosts is less than stellar (Chevy Chase, we’re looking in your direction…), in this instance the overall humor equation would appear to work in NBC’s favor, as outlined below by our crack mathemeticians over at Laughington University:

If CHIN=bland, desperately unfunny, lowest-common denominator “Tonight Show” host; and
RED=bitingly clever former “Simpsons” writer and recent Emmys host who’s more than ready for a more high-profile gig; and
BEDHEAD=Coiffure-challenged SNL cast member who represented one-half of one of the strongest “Weekend Update” anchor pairings in the show’s history; and
SNORF=the total humor value of NBC’s late-night schedule…

Then SNORF [CURRENT LINEUP-CHIN+RED+BEDHEAD] > SNORF [CURRENT LINEUP]

There you have it, scientifically proven by the experts: Leno sucks. Whatever NBC decides to do with its late-night lineup will be an improvement as long as The Chin Man is sent packing.

Battlestar Galactica: “Dirty Hands”

Between last week’s plunge into space and this week’s labor episode, the Chief is getting a ton of face time. He feels compelled to fight for the little guy and he definitely had a “Norma Rae” moment when he shut down the line. At the time, I was a little confused as to why he decided to go on strike. He had already convinced the powers that be that there should be a lottery to rotate workers in, and one of those new workers was just seriously injured. That’s not exactly the most solid ground to stand on. “You implemented one of my ideas and it backfired. Want to hear some more?”

Speaking of the injury – that scene with Danny under the belt was cringe inducing. It was so obvious he was going to get hurt.

Meanwhile, Baltar is writing his memoir in his cell. The fact that he’s supposed to be from one of the “worker” colonies really came out of left field. Have we seen anything in his character that would reflect a tough, hard-nosed upbringing? Just the opposite – he’s been a sniveling, whiny brat. Even though I enjoyed James Callis’ acting as he went from one dialect to another, proving his heritage, I can’t help but think that the revelation is totally whack.

Lastly, we met a guy named Figurski this week. After three seasons of sci-fi sounding names (Adama, Tyrol, Thrace, Baltar, Agathon, Dualla, etc.), suddenly there’s a Polish guy on Galactica?

This was the third episode in a row where the main storyline wasn’t even touched on. So far, I’m not that impressed with the 2007 content. There are only four episodes left this season, so they better get a move on.

Major shakeup in latest edition of Bullz-Eye’s TV Power Rankings

Since the dawn of creation — well, the creation of this feature, anyway — Jack Bauer sat atop Bullz-Eye.com’s TV Power Rankings, owning the #1 slot for better than a year and a half. Some would say it was only a matter of time, but now that it’s finally happened, the sudden fall from grace of Fox’s hit show “24” is actually a lot more embarrassing than it is depressing. But the real-time thriller isn’t the only major shakeup in the winter 2007 edition of the rankings. HBO’s “The Wire” makes its grand (and, forgive us, long overdue) debut, while NBC experienced a big surge thanks to its fresh fall lineup. Of course, HBO still came out the big winner with five shows emerging in the Top 10 (four in the first six), proving once again that it pays to, well, pay for quality television.

Here are a few entries from our list:

11. Scrubs (NBC): It shouldn’t surprise anyone to see that “Scrubs” has dropped so low in the rankings. Coming off one of the best years since its debut, expectations for the show were certainly higher than usual – especially when it was called up to the big leagues and given a spot in NBC’s highly coveted Must See TV lineup – but no one could have guessed that the sixth season would start out on such a sour note. Whether it was the accelerated progression of J.D. into adulthood (he’s got a baby on the way, with guest star Elizabeth Banks, no less) or Carla’s all-too-brief post-partum depression (a subplot added to accommodate Judy Reyes’ real-life hip injury), the first five episodes of the new season were particularly somber. Things were looking so bleak, in fact, that fans of the show were preparing to concede that the medical comedy was finally showing signs of wear, but with the much-publicized musical episode creatively rejuvenating everyone involved with the show, things are finally getting back on track. And as long as things remain this kooky and fresh (read: Kelso getting his own episode, or the Janitor using a stuffed rabbit as a salt and pepper shaker), we don’t see any reason why “Scrubs” won’t being making a triumphant return to the Top 5 in the very near future. ~Jason Zingale

17. Deadwood (HBO): Well, despite all the rumors, “Deadwood” isn’t quite dead…yet. Last year, HBO decided not to extend the options of the terrific ensemble cast, making a fourth full season unlikely, but the network and series creator David Milch agreed to produce two two-hour telefilms to wrap up the show’s loose ends. Season Three contained a myriad of intertwining storylines, but focused on the growing influence of businessman/asshole George Hearst, which put former adversaries Al Swearengen and Sheriff Seth Bullock in an unlikely alliance. “Deadwood” features stronger language than any other HBO show, and with “The Sopranos” and “The Wire” on the network’s roster, that’s saying a lot. The truth is that everything about the show – the language, the acting, the story, the sets and the costumes – is colorful, and whether or not HBO wants to admit it, they’re going to miss “Deadwood” once it’s gone for good. ~John Paulsen

Check out the full list here.

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