Category: TV (Page 405 of 595)

Hell’s Kitchen: I’m Bored

The season finale of “Hell’s Kitchen” is now six days away, but before that they did something really cruel last night in the next-to-last episode: they bored the crap out of all of us.

First, after getting to spend a few minutes with their families, finalists Rock and Bonnie were told that the restaurant would be divided and they would each get to decorate it how they like, and plan their own menus for the final dinner service.

They showed Rock and Bonnie chilling in the dorm, and Rock trying to play mind games with Bonnie to psyche her out (um, dude, it ain’t happening).

Then Ramsey flew them both to Vegas, where they got to see their possible future employer, the Green Valley Ranch and Resort. But a curveball was thrown as Ramsey made them each cook their signature dish for a panel of judges in the final challenge of the season. Rock made his fried chicken and crab, and Bonnie made a pasta with seafood. The judges included various Vegas chefs, Robin Leach (that was mildly entertaining) and the winners of the last two “Hell’s Kitchen” seasons, Michael and Heather. Bonnie won the challenge but we still don’t know what that means yet. Maybe she’ll get to kick off from the 40-yard line.

Finally, the last six chefs that were eliminated came back to form teams for Bonnie and Rock. Julia started crying in the dorm, still bummed out that she didn’t win. Um, that chick made out pretty good, with Ramsey sending her to cooking school. Anyway, it was anti-climactic, as Bonnie chose all women and Rock chose all men. Back to red against blue. But that was it. Nothing more to last night’s episode at all. Geez, throw me a freaking bone.

But that does set things up for a grand finale that will include a dinner service and a final elimination.
I’d say my money is on Rock, but Bonnie has this really strange way of hanging in there, and she could hang in there all the way to the very end. We’ll see. But meanwhile, thank you Fox for boring me last night.

The HBO Voyeur Project

Those looking for entertainment during the lean months of summer TV might want to check out the HBO Voyeur Project:

Welcome to the HBO Voyeur Project – a multimedia experience that gives you a peek into what happens behind the countless windows we pass everyday. Whether you choose to experience it online or on HBO on Demand, the HBO Voyeur Project illustrates the underlying truth that sometimes the most revealing stories are the ones you weren’t meant to see.

You can see the project at HBO.com and HBO On Demand. Basically, it’s a collection of silent films (with pretty good music) that capture the intertwining stories of everyday life. In one area, you can watch eight Manhattan apartments all at once, or zoom in on one or two apartments to see the goings on. To catch all the action, you might want to watch the whole film more than once. (It only runs five minutes, so it’s not a big deal.) There are also a few other apartments around the city that all have fairly creepy storylines. The other apartments appear to be online only; I couldn’t find them in HBO On Demand.

HBO has always been on the forefront of creative television, and this project is no different. It’s an interesting experiment, to say the least.

Movin’ right along

I’m rarely ever successful when trying to predict the future of my favorite television shows, but I sure am glad I was right about this week’s episode of “Entourage.” Dumping the Eric-Walsh feud for something a little more interesting earned both my respect and my attention, and it looks like the series is building to something before the end of the season. Plus, everyone likes celebrity cameos, and tonight’s show had three pretty big names, including Mary J. Blige, Peter Jackson and the return of Gary Busey.

With the decision to act solely as Vince’s manager, Eric has decided to expand his horizons by renting an office, putting out an advertisement in Variety magazine, and going after some deals of his own. The new digs aren’t meant exclusively for landing more jobs for Vince, but his first order of business is finding his best pal a way to make some quick cash. For those who don’t keep track of the video game industry, Academy Award-winning director Peter Jackson (along with a few other bigwigs like Steven Spielberg) is making the best of his talents by working on a new video game based on the popular “Halo” franchise.

In the world of “Entourage,” however, he’s simply working on a new video game, but Eric wants to get Vinnie involved. Unfortunately, no one has a clue who the fuck Eric Murphy is, but he gets some much needed help from Shauna (yeah, you remember her?) when she directs him to a friend at Variety who will do a profile of him for free. The article doesn’t end up quite how Eric had expected – she basically calls him out for using Vince as a launching pad for his own career – but it lands him an interview with Jackson nonetheless. Could this be an exciting new time for Eric, or is this just another Saigon detour that will be eventually left in the dust?

Meanwhile, Ari is prepping for one of the biggest days of the year – Mary J. Blige’s annual visit to the agency – when he’s forced to deal with feuding co-workers at the office. Actually, they’re twin brothers, which makes the situation that much stranger when Ari hears all the details. Jeff has just discovered that his brother Jim slept with his wife, and wants Ari to fire him. Unfortunately, Jim just so happens to bring in six times as much money as brother, and so Jeff is the one that’s let go. Not exactly how Ari would have handled things had the tables been turned (despite constantly making comments about cheating on his wife, Ari is one faithful dude), but when it comes to business, numbers are numbers. It’s unlucky for him, then, that Mary J. Blige just so happens to like the guy he fired, and as a result of her leaving the agency, Ari promptly fires Jim as well. Not exactly gripping material, but still one of the better subplots that have been shoved his way since the beginning of the fourth season.

Hopefully that’s all about to change, because if I have to watch Johnny Drama make an ass of himself one more week, I may just go crazy. First, it was getting high in his trailer. Then, it was having sex in a pink bunny suit. And now? How about letting Gary Busey paint on his body in trade for an office desk? Sure, it was meant as a gift for Eric, and yeah, it’s cool that it once belonged to Robert DeNiro, but who in there right mind spends $42,000 on a freaking office desk, antique or not?

Busey has cameoed before, but this was certainly his weakest appearance. I do love the fact that he intimidates Turtle so much (“It’s the reflection in the mirror that scares you”), but the subplot seemed much too forced for his personality. Plus, we’ve already seen the whole crazy artist persona before. It’s not that I don’t like the guy, but when you’ve got Gary Busey at your disposal, and the dude is so batshit crazy that you could practically ask him to do anything, well, you ask him to do anything. Maybe he can guest star on an episode of “Five Towns,” or maybe get stranded somewhere with Turtle. I’m having thoughts of a “Brokeback Mountain” parody as we speak, but that’s for the writers to figure out and for us to enjoy.

ABC’s “Masters of Science Fiction”

I swear, it’s just coincidence that the last several postings have been sci-fi related, but even with that being the case, I’d still like to talk for a few moments about ABC’s new summer replacement series, an anthology called “Masters of Science Fiction.”

I’d heard a little bit about it from the show’s publicist before I headed out to the TCA Press Tour in July; it sounded interesting (although, obviously, tempting me with a science-fiction concept is akin to shooting fish in a barrel), and it had a phenomenal list of contributing actors (Malcolm McDowell, Anne Heche, Sam Waterston, Judy Davis, Terry O’Quinn, Elizabeth Rohm, Brian Dennehy, and John Hurt are just some of the folks involved), so, naturally, when the publicist offered up a review copy, I was ready to roll. Unfortunately, it didn’t arrive before my departure to L.A. for the tour, so I didn’t get to check it out until my return…and even more unfortunately, by the time I returned, I was already a bit iffy on checking it out, thanks to the words of no less than ABC’s president of entertainment, Stephen McPherson.

During ABC’s executive panel, someone asked McPherson about the origin of the series, he responded, “It was a low-cost initiative that we tried. We did this series of movies to see if there was a way to spark something different at a really low cost point. You know, I think there is some good work done there, but it’s very unseen. So it’s just been…it’s been a little bit problematic.”

Okay, now, to be fair, he’s acknowledging the “good work” inherent somewhere in the series, but his suggestion that it’s “very unseen” is a little disingenuous; after all, there were six episodes made for “Masters of Science Fiction,” and as the network’s president of entertainment, I have to think he might’ve had something to do with the fact that ABC is opting to only show four of them. Also, come on, he’s saying this stuff to critics before the series has even aired…? Way to get behind it, man!

From my perspective, however, I can now tell that you that I’ve seen the four episodes that will be airing on Saturday nights at 10 PM for the next few weeks…and, wow, if that timeslot of death doesn’t instill you with ABC’s definitive opinion of the show, I don’t know what does…and it’s nothing but a stone cold shame that they’re burying this thing. “Masters of Science Fiction” harks back to classic dramatic anthologies like “The Twilight Zone,” “The Outer Limits,” and the like. The budget might not be through the roof, but the performances are top-notch, and that goes beyond the acting; the show brings in directors like Mark Rydell (“On Golden Pond”), Michael Tolkin (“The Player”), and Jonathan Frakes (“Star Trek: First Contact”), and features adaptations of stories by Robert Heinlein (“I, Robot”), Howard Fast (“Spartacus”), and legendary sci-fi writer Harlan Ellison, who adapts his own story, collaborating with Josh Olson (“A History of Violence”).

Some folks have been dismissive of the fact that the show was done in connection with Starz, but don’t lump “Masters of Science Fiction” in with “Masters of Horror”; the latter is more about blood, guts, and cheap scares, while this is intelligent and thought-provoking drama, done with the occasional – but far from constant – wink at the viewer. Take, for instance, “The Awakening,” which stars O’Quinn (you know him as John Locke from “Lost”) as a former military man who’s called back into service when it’s suspected that aliens may be landing on Earth. The situation is sufficiently grim that the President of the United States is brought into the loop…and who plays the President? William B. Davis, a.k.a. the Cigarette Smoking Man from “The X-Files.” There’s something darkly funny about that, and you can bet that the producers were completely in on the joke. It’s also mildly amusing that the show is narrated by Professor Stephen Hawking…and, yes, I know, there’s really no way to know that it was actually Hawking doing the narration, but let’s give him the benefit of the doubt, shall we?

“Masters of Science Fiction” is quality stuff, and, honestly, I don’t see anything here that couldn’t, if given the opportunity, draw an audience, especially given the amount of familiar faces involved. Why bury it on Saturday nights at 10 PM…? I mean, I’m not telling you to blow off any existing plans you may have, but if you’re home, it’s well worth watching…and if you’re not home but you’ve got TiVo, I do recommend that you grab it and check it out later.

Oh, and if you like it as much as I did, don’t be afraid to send a nasty E-mail to Stephen McPherson and ask him why he couldn’t be bothered to set aside one of ABC’s reality show for a few weeks and give this series a halfway-decent chance at success…

A bit more sci-fi geekery for you all

“Battlestar Galactica” has announced that its upcoming fourth (and final) season will find Lucy Lawless – the once (and future?) Xena – reprising her role as D’Anna, the religious Cylon zealot who broke away from the collective voice of her people and began dissention within their ranks.

But arguably even cooler (relatively speaking) is that the Sci-Fi Channel’s new interpretation of “Flash Gordon” has scored a major, major casting coup in the form of…wait for it…Sam J. Jones.

Who’s that, you ask?

Well, here’s Alex Ross’s interpretation of him, if that helps at all:

That’s right, the man that children of the ’80s know as Flash Gordon will be making an appearance on the new Sci-Fi Channel series. He’ll be playing Krebb, a seedy prisoner who reveals surprising information about the fate of Flash’s long lost father.

Well, *I* thought it was cooler, anyway.

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