Category: TV (Page 404 of 595)

These are two of my favorite things…

Fans of “Veronica Mars” that are still sore over its cancellation can take some comfort in the knowledge that its star, the lovely, spunky Kristen Bell, will be joining the cast of “Heroes” this season.

Former Veronica Mars actress Kristen Bell is set to join the cast of Heroes for the upcoming season. Bell, 27, had been rumored to be considering a role on Lost since the cancellation of Veronica Mars in the third season earlier this year, but chose Heroes instead. She will play Elle, a woman with mysterious links to two characters’ pasts, according to trade magazine Variety.

This should be good.

I’m back in the New York Groove

It’s official: the “Entourage” we all know and love is back. What, you don’t believe me? Well, how about Ace Frehley, whose “New York Groove” was proudly playing behind the end credits? Yeah, that’s what I thought. After weeks of going nowhere and silly subplots involving Drama and Turtle, “Entourage” is back on track with a two-episode trip to Cannes and Vinnie’s next big project.

Let’s not get ahead ourselves, though, as Vinnie’s prospects looked dim as usual after Walsh turned in his script for “Lost in the Clouds” into the studios. Of course, the script wasn’t quite the adaptation that everyone was expecting, but rather a completely original idea that Ari describes as “a sci-fi thriller set on a farm in 2075.” If it sounds crazy, it’s probably because it is. Then again, that’s Walsh, and after Ari makes a surprise visit at his house to discuss the consequences of breaching contract, it’s made quite clear that Walsh couldn’t care less. Neither can Ari after Walsh fires him because, well, they guy’s not going to work another day anyways, so what’s the big deal, right?

Wrong. Vince likes the script so much that he gives Ari the difficult task of selling Dana Gordon and her new boss on the new idea. Since “Lost in the Clouds” is temporarily screwed without a writer, director and star, they agree to the other Walsh/Chase collaboration, which Dana so eloquently describes as “Blade Runner” meets “Field of Dreams.” Not bad for someone who hasn’t even read the script.

Eric, meanwhile, is left completely out of the loop for the entire episode because he’s off catering to Anna Faris in a far off part of town that doesn’t seem to have any cell service. Actually, it’s Anna’s obsessive boyfriend who’s the real problem. Not only does he have incredibly bad taste (he wants Anna to pose in different animal positions for her new photo shoot), but he also thinks Eric is looking for more than a professional relationship. Okay, so what if he is? The guy’s a douche and that’s that. It’s just too bad that Vince thinks Eric is ignoring him because he’s too involved in Anna’s relationship. I’m sure it won’t cause any bad blood between the two (does anything?), so it’s nice to see Eric’s new business finally taking off. The question now is: will it last?

Hell’s Kitchen: Rock Solid

Last night’s finale of “Hell’s Kitchen” prompted my wife and I to both say, almost in unison, that we’re glad the season is over. Why? Because it’s been a pretty boring show this year. They took a lot of strange characters (remember Aaron and Eddie?) and many that had zero experience in restaurants like Hell’s Kitchen (Julia, Bonnie). But more on that later. Last night it was the final square-off between Rock and Bonnie.

Before last week’s non-episode ended, the teams were reunited, Bonnie with Julia, Jen and Melissa; and Rock with Josh, Brad and Vinnie. Each finalist had to prepare their signature dishes for Chef Ramsey to grant his approval, and he only made minor tweaks to each of them. Bonnie’s main course was a fettucine with shrimp while Rock’s was ribeye steak. As far as the decor on each “side” of the restaurant, I’m going to plead ignorance here….I’m a dude, and I could care less about decorations….but my wife said both were boring, so I’ll agree with her.

In the kitchen for the dinner service, Rock and Bonnie had their challenges, as Rock had to deal with Josh’s ineptitude as a chef, and Bonnie kept getting lip from Julia, who clearly thought she deserved to be a finalist. But Bonnie also made the crucial mistake of running out of fettucine, and then running out of shrimp.

In the end, the dinner service was completed and Ramsey said it was the best dinner service in Hell’s Kitchen, ever. One thing worth noting is that every time they showed a customer receiving food, that customer was raving about it. So Ramsey said he would read over all of the customer comment cards, consider his own opinions, and make his decision.

With their families, fellow contestants and chef Ramsey waiting (as well as me, my wife, and the other handful of people watching), Bonnie and Rock stood behind the magic doors, one of which would open and one of which would not. The person whose door opened was Rock, and it was absolutely the right decision. Bonnie went further than anyone thought she would, showing an assertiveness and a knack for cooking, but Rock had the experience and appeared to be more skilled as a chef. And props to Bonnie for telling Rock he deserved to win, and seeming genuinely happy for him.

So that’s it…Rock gets to run the restaurant at the Green Valley Resort in Las Vegas, and Bonnie goes back to being a nanny…or maybe she gets a chef’s job somewhere just from being on the show. Hell, she might even get a gig as an actress in some cheesy made-for-TV movie.

But back to this show…there is going to be a fourth season, since they are already accepting applications. But can I offer FOX some advice? Please choose people who can cook instead of characters who just offer ratings fluff……I am still a bit baffled by how the likes of Aaron, Eddie and Josh made it onto the show.

It’s been a fun ride this summer, and for those of you who need your Gordon Ramsey fix, he’s got a new show airing this fall on FOX, “Kitchen Nightmares,” where he helps real restaurant owners get their failing restaurants back in order. I’ve seen this show on BBC, and it’s really good…..especially when F-bombs fly out of Ramsey’s mouth.

See you next season, or whenever “American Idol” starts up again.

Down time

Okay, so maybe I blew things a bit out of proportion last week when I suggested “Entourage” might be building to a big season finale, but while the pieces haven’t quite fallen into place yet, I am confident that the final two episodes (which I accidentally read about while researching the new season) will leave fans wanting more. Let’s just say that it’s probably going to be very reminiscent of season two’s Sundance episode.

Getting back to this week’s show, however, it’s become crystal clear that the extended third season (which aired the second half of its episodes only weeks before) has greatly hurt the quality of season four. Stretching out the “Medellin” storyline has left the writers with little to talk about until the movie premieres at Cannes, and while the subplot involving Eric’s decision to take on other clients (more on that later) has definitely helped his arc as of late, the rest of the characters have been left scratching their asses.

Nevertheless, it looks like Eric will finally land his first client (besides Vince) in rising star Anna Faris, whom he met on his way to Vince’s new house. After running into him (literally) on the road (and in only a towel, no less), Anna accidentally gives Eric a fake number to call her at in order to exchange insurance info. Mildly pissed off that she would do such a thing, Eric heads over to her house to confront her, only to discover that it truly was an honest mistake. Personally, I’m not so sure it really was a mistake, but after witnessing Eric’s determination (and his good manners), Anna invites Eric out for dinner. Of course, Eric thinks it’s much more than dinner, but after Anna receives a call from her boyfriend mid-meal, it becomes quite apparent that she’s interested in a different kind of relationship. By the looks of next week’s previews, though, it doesn’t look like the new business venture will be a match made in heaven. Anna is obviously a very needy girl, and that’s simply not going to cut it with Vince around.

As for the rest of the gang, well, not a whole lot happened. Ari threw a jealous fit when his wife was invited back for an episode of “The Young & the Restless,” and Vince, Drama and Turtle just sat around all day smoking weed. Not exactly the kind of story development I was hoping for, but it was still a very nice treat to see Mrs. Ari skimp down to her skivvies. I don’t care how old she is – Perrey Reeves is smokin’ hot – and I could definitely live with seeing more of her in the very near future.

Further into the final frontier – “Star Trek: Year Four”

As we wait with bated breath for every single development – no matter how small – on J.J. Abrams’ new motion picture take on “Star Trek,” the folks over at IDW Publishing have given us something to keep us occupied: a new comic series which explores in the fourth year of the U.S.S. Enterprise’s five-year mission. (You know: the one immediately after the original TV show got cancelled?)

I picked up the first issue, and…well, I’m still on the fence. I’m both a Trek geek and a comic geek from way back (though I’ve found that it’s not exactly something that’s healthy to bring up in social settings), so I’ve read just about every excursion that Kirk, Spock, McCoy, and company have taken within the pages of the comic-book medium, so maybe I’m just spoiled from having read their adventures as written by such sci-fi luminaries as Peter David, Howard Weinstein, and the like. This first story, though, really feels thin to me…though I think that may be because writer David Tischman has tried so hard to reproduce the feel of an original episode of the show down to the very last detail. On that level, he’s unquestionably successful.

There’s definitely fun to be had by flipping through the pages and seeing backdrops (courtesy of artist Steve Conley) which recall the matte-painting landscapes of the show, and, by the 7th page, a red-shirted crewman has bit the dust, which, tragic or not, will still inspire a chuckle from longtime fans; on a similar note, the inclusion of “Trek” animated series figures into the mix – stand up, please, Lieutenants M’Ress and Arex – will bring a knowing grin to the faces of those who recognize them. I may have even laughed out loud when Tischman gave Kirk the following line: “Even amidst all this scientific wonder, I’ll always appreciate the company of a beautiful woman.” (Get ‘er, Jim!)

Despite all of these moments, though, when you reach the end of the 22-page story, I couldn’t help but feel that a filmed version of the tale wouldn’t have lasted more than about a half-hour. I think that might be the result of Conley opting to go for a widescreen effect with his panels rather than making them into smaller blocks which could’ve included more dialogue. Your mileage on this part may vary, but, personally, there’s just not enough spoken interaction between the characters for my liking. (Informal conversations between the crew are invariably my favorite moments of any “Trek” episode or film; it always feels as though they flesh out the characterization, no matter how well we may feel that we know these people.)

Of course, I’ll still pick up the second issue of “Star Trek: Year Four,” anyway, but I had hoped to be a bit more enthused by reading the first of these heretofore-unrevealed “Trek” tales; by the end of this issue, I was admittedly entertained, but I wasn’t nearly as impressed as I’d hoped to be.

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