Category: TV (Page 395 of 595)

Prison Break: “Call Waiting”

Aptly titled, this episode was mostly about Michael’s goal to get Sara on the phone. I liked the juxtaposition of Linc trying to rescue Sara and LJ, though the throw-them-in-the-white-van-and-drive-off was a little too clean of a getaway, wasn’t it? At what point does Linc decide to rent a car? It would really help if he had his own wheels.

So that leads us to the box – what’s in it? It’s a perfect size for a head, bringing the final scene of “Se7en” to mind, and the fact that the bad guys have two hostages makes one of them expendable, but a decapitated head of a main (and good) character seems to be a little much for “Prison Break.”

Inside the prison, it looks like Mahone and Bellick are starting to realize that Michael is a train on its way out of town, and if they ever want to get out of Sona, they had better hop on. To that end, they need to put Michael in a position where he has to agree to take them with him, which isn’t an easy task. Bellick’s search for a shoe (while a pretty funny Spanish version of “We’ve Got to Get Out of This Place” played in the background) allowed him to conveniently overhear Mahone and Micheal’s conversation about Whistler, so he’ll surely be more involved in the coming weeks. Sucre also made a couple of cursory appearances, but it seems like the series is just touching base with the character so he can be used later on.

Another nice twist: Michael’s decision to blackmail T-Bag with his own history. It looks like T-Bag may be too distracted by undercutting Luchero’s henchmen to bother with Michael. Speaking of Luchero, he now has a line on Linc, who would be wise to get rid of that cell phone. But the words “Linc” and “wise” aren’t often used in the same sentence. (He did do a nice job of figuring out the “3 o’clock” bit, however.)

Heroes 2.2 – Back on the Attack

Here’s a comic-book-movie analogy for you: if last week’s “Heroes” season premiere was “Spider-Man,” where we got all the back story and set up out of the way, then this week’s episode was “Spider-Man 2.” Or, in other words, it dispensed with all the boring crap and just set straight to kicking ass and taking names.

Note to self: if I ever get amnesia and end up tied up in the back of a bar in Dublin, remind me to answer all of my captor’s questions so I don’t get a fierce arse beating. Still, Peter managed a nice comeback right around the half-hour mark of the episode. And, y’know, it was right around then that I noticed something else: did Peter reform himself after he exploded and give himself a better build, or did Milo Ventimiglia just spend the summer working out? Either way, dude looked downright musclebound when he swaggered out of the back room. The whole “Peter’s identity in a box” thing seems odd, but I’m willing to wait and see how it plays out.

For one shining moment during this episode, you could almost believe that the Bennet family was normal…well, until Claire drove off to school, anyway. It was back to business when HRG and the missus started chatting about the death of Hiro’s dad. Looks like the search for the seven remaining Isaac Mendez originals is going to be an ongoing plot thread throughout this season. By the way, I couldn’t believe that Mrs. Bennett actually got a funnhis season that didn’t involve her being eccentric; I grinned when, after Claire reached into the boiling water to retrieve the wedding ring, she said, “We do have a colander, dear. No need to be flashy.”

It seems so weird that Ando and Matt have never before, given that we’ve watched a year’s worth of “Heroes” episodes involving both of them, but it looked like we weren’t going to get much in the way of development on the whole “who killed Mr. Nakamura?” storyline this week…but, then, there was the great scene when Mama Petrelli realized that Matt was reading her mind and promptly “yelled” at him, which was followed by our first official “oh, shit” moment of Season 2, courtesy of the unexpected attack on Mama Petrelli. The sudden cuts back and forth between the attack and Matt and Nathan running to try and stop it made for a highly disconcerting effect.

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Q&A: Joe Lawson, producer of “Cavemen”

If there’s one thing Bullz-Eye and Premium Hollywood readers alike know about me by now, it’s that I’m way too polite for my own good…but even *I* couldn’t find anything more polite to say about “Cavemen” in my Fall TV preview than lines like this…

“Given how people reacted to the mere idea of transforming a series of Geico commercials into a 30-minute sitcom, you’d think that the producers would’ve set their sights on being the best damned comedy of the new season. Instead, they’ve got a heavy-handed and horribly-failed attempt at poking fun at the foolishness of racism, one which will almost certainly have the NCAAP foaming at the mouth.”

…and this:

“Any series which falls back on a parody of ‘Baby Got Back’ in 2007 deserves whatever horrific fate may befall it. If ‘Cavemen’ lasts more than a few episodes, it’ll either be because the writers have figured out what went so horribly, horribly wrong, or, more likely, because people are perversely fascinated by how incredibly bad it is.”

Do I feel bad about making these statements? No, because, hand on heart, the pilot really was that bad. But after having the opportunity to speak to Joe Lawson, who wrote and created the original GEICO commercials that inspired “Cavemen,” I was surprised to find that I was actually kind of looking forward to seeing more of the series…and, honestly, I didn’t necessarily expect that. I’ve got a pretty open mind, and I was planning to keep it open while watching the premiere episode (which, you may have heard, will not be the pilot episode that most of us critics ripped to shreds), but was I actually looking forward to watching it? Not so much. But as you’ll see from this conversation between Lawson and myself, he manages to explain away the pilot without actually defending it, which is a pretty impressive accomplishment in and of itself, while also coming across as a guy who really does think he’s got a good sitcom on his hands.

We’ve only got one thing left to mention in the preface, and that’s that a few quotes from this piece have already appeared in an article for The Virginian-Pilot, since the only reason Lawson and I came to chat in the first place was because of his connection to the Hampton Roads area of Virginia…but The Pilot only wanted 300 words, and since I had just much good stuff left over, it seemed like a shame to waste it!

Okay, read on…!

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Quicktake review: “Dirty Sexy Money”

I caught the pilot of “Dirty Sexy Money” and I really enjoyed it. Peter Krause (“Six Feet Under”) has an intrinsic watchability about him and he’s proven he can be the centerpiece for a compelling series. He plays Nick George, a lawyer who unwillingly replaces his deceased father as the legal counsel for the super-rich Darling family in New York City. Nick grew up with the family, so he has history with each and every member of the family. The show is quite funny, but there is an underlying darkness to it (which is readily apparent by the end of the pilot) that gives it a certain depth. With so much history and so many secrets, the writers have a lot to work with, so I think the show has loads of potential.

For those that missed the pilot, ABC.com is streaming at their website.

The Office: “Fun Run”

Well, the big cliffhanger at the end of last season was Pam and Jim finally going on their first date, and although they tried to hide it for a while, they are in fact a very happy couple. The scene where the mockumentors showed them the footage of their kiss was a pretty funny way for them to tell the world.

(I do find it strange that Karen left without a whisper. It didn’t seem like a fitting way for such a good character to leave the show.)

Anyway, as is oftentimes the case when unrequited television love is finally requited, the worry is that the show will lose it’s umph. There is certainly a noticeable lack of romantic tension, but I think viewers will be in a honeymoon haze for a while before it’s missed. The show has enough humor and such a great ensemble cast that the writers still have a lot to work with.

In fact, a little of that romantic tension has been taken on by Dwight and Angela, who are going through some serious issues because he decided to euthanize her sickly cat, Sprinkles. This promises to be the “will they/won’t they” relationship, at least in the short term.

This hour-long episode also dealt with Michael’s guilt over hitting Meredith with his car and the resulting Rabies Awareness Fun Run. Sorry, but I didn’t feel like writing down the entire name of the race. I did, however, jot down several of my favorite moments of the episode:

Michael: “I took her to the hospital. And the doctors tried to save her life. They did the best that they could…and she is going to be OK.”
Stanley: “What is wrong with you? Why did you have to phrase it like that?

Dwight’s face when Angela was giving him instructions for how to take care of Sprinkles, including the application of fungal cream at the “base of her tail.”

Stanley: “You can’t be serious. You ran a woman over this morning.”
Michael: “Everyone inside the car was fine, Stanley!”

Kevin clapping (all by himself) for the nurse who reattached the IV in Meredith’s arm after Michael’s balloons unhooked it.

Kevin trying to hit Meredith’s fist when the gang said goodbye.

Angela: (crying because her cat died) “I thought she had more time.”
Dwight: “Nope.”
Angela: “Did she…when you saw her, how was she looking?”
Dwight: “Really dead. Like a dead cat. So…”

Dwight: “Cats do not provide milk. Or wool or meat.”

Micheal: “Is there a God? If not, what are all these churches for?”

Michael’s speech about “oldentimes.”

Dwight: “Wait, this money is going for bat birth control, right? That’s what you told me when I contributed.”

Pam: “’5K’ is for five kilometers, not five thousand miles.”

Darrell feeding a squirrel a peanut.

Angela: “Cat heaven is a beautiful place, but you don’t get there if you’re euthanized.”
Dwight: “I know a great taxidermist. I’ll pay to have her stuffed. Well, he’s not great, but he’s pretty good.”

What did you think of the premiere? Now that Jim and Pam are a couple, is it going to hold up?

One suggestion to the writers – we need to see more of Ryan.

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