Category: TV (Page 324 of 595)

The Next Food Network Star Is…..

It began eight weeks ago and just like that, reached its finale. “The Next Food Network Star” was like a whirlwind because, well, it was. And instead of torturing us with a two-hour finale like many other reality shows do, last night’s one-hour show was just enough. And they also kept us on the edge of our seats the entire time, because none of us really could guess accurately who was going to win.

After a lot of recapping the season, it was down to business, and the final challenge, which was to create their own pilot in Rachel Ray’s studio. Each contestant had to brainstorm what they wanted their actual show to be, and were able to work with producer Gordon Elliot, who appears to be able to extract the best out of everyone he works with.

Lisa began, and her theme was beautiful basics. As she did at the start of the season Continue reading »

Comic-Con 2008: Day Three – Dollhouse

Of course, the “Dollhouse” event was a love fest. Actually, a mega-love fest.

That’s absolutely no surprise if you know anything at all about the kind of admiration (both lusty and talent-wise) aroused by star Eliza Dushku (“Tru Calling,” “Bring it On”) and the Bono-esque stature of multi-hyphenate series creator Joss Whedon (“Buffy, the Vampire Slayer,” “Firefly“) across a huge swath of Geektopia — a swath recently made even larger by the net-success of his second acclaimed genre-blending musical, “Dr. Horrible’s Sing-Along Blog.” Add to that the appearance of Dushku’s excessively handsome costar, Tahmoh Penikett of “Battlestar Galactica” (a show with a few gazillion ardent fans of its own) and you have fanboy and fangirl critical mass.

And, indeed, the first three quarters of the panel was loaded with silliness, over-the-top praise, jokey-silly putdowns (a Whedon trademark) and flirtatious asides between the three folks onstage as well as with the audience. Topics early on included the peripatetic Ms. Dushku’s trips to such locales as Iran, where she survived a “terrorist attack” from some errant Persian rugs.

Moving to a Q&A, the first question was about the source of the premise of “Dollhouse,” in which Dushku will play an “active,” a sort of human blank slate who is downloaded with a new personality and skill set for each new assignment, with jobs that range from from pre-tailored love/sex object to hyper-skilled operative. The show appears to take place in a world much like our own, and this sort of thing sure sounds highly illegal, not to mention extremely immoral, and BSG’s Pennikett will play a cop wondering just why this beautiful woman he keeps meeting never seems to be the same person twice. The show is currently set to premiere this January.

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Comic-Con 2008: Day Three – The Simpsons

As mentioned near the start of this panel, “The Simpsons” has pretty much beat every other prime-time television show in terms of longevity, number of episodes, etc. — except for “Gunsmoke” and “Lassie,” which also makes it the all-time king of sitcoms with a reservoir of goodwill able to withstand more than one below-par season. This appearance by the show’s main creative team was a predictably relaxed and mirthful affair in which creator Matt Groening and writers Al Jean and Matt Selman did most of the talking — quieter panelists included director David Silverman, who helmed “The Simpsons Movie,” and writer Carolyn Omine.

Before the official start of the panel, Groening introduced some clips from next Fall’s “Treehouse of Horror” episode, including a brief segment involving Homer Simpson and a particularly violent form of vote rigging that goes well beyond the worst imagingings of Diebold-fearing liberals, as well as a spot on parody of “It’s the Great Pumpkin, Charlie Brown” with a Linus-like Milhouse accidentally tricking the supernatural pumpkin into a form of vegetarian cannibalism. (It’s complicated.)

Wasting no time, the event was immediately thrown open to questions. The first young questioner asked if the long-suffering Marge Simpson, tiring from her numerous attempts to get the permanently obese Homer to lose weight, would start gaining weight herself. The writers’
response was they would promptly steal the idea and that it would likely show up in a Simpsons comic book, if not the actual show.

Another question referred to a recent episode parodying the comic book world featuring an appearance by mad comic writing genius Alan Moore (“Watchmen,” “V for Vendetta,” “From Hell”) and a joke about an animated “Watchmen Babies” series. Writer Matt Selman expressed his own intimidation at working with the artistically and personally imposing Moore, who apparently got the joke but also stipulated that the gag itself was also an example of an evil corporation (this is Fox, after all) debasing one of Moore’s creations.

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Comic-Con 2008: Day Three – Heroes & Lost

Guests: Creator Tim Kring and cast / Co-creators Carlton Cuse and Damon Lindelof and star Matthew Fox

I’ve already mentioned several times that Paramount’s decision to not bring anything to Comic-Con this year left many fanboys upset, but if there’s any good that came out of it, it’s that, for the first time ever, Hall H campers were treated to panels for two of the geekiest shows on television: NBC’s “Heroes” and ABC’s “Lost.” Though my colleague Will Harris already blogged about Carlton Cuse and Damon Lindelof’s visit to the annual TCA event last week, they still disclosed a few nuggets about the new season that I figured were worth mentioning here.

* The island didnt’ travel when the hatch imploded in season two.

* Fans will definitely see more of Rousseau’s story in the coming years, but not necessarily in flashback form.

* Kate will see Sawyer again, and while Cuse would prefer that Kate end up with Jack when all is said and done, he admits that the love triangle is far more dynamic.

* Faraday’s notebook will play a big part in the new season.

Unfortunately, the “Heroes” panel wasn’t quite as enlightening, but that’s more to do with them running out of time than the cast members being willing to speak. In fact, unlike Matthew Fox’s solo appearance with Cuse and Lindelof, every single series regular from “Heroes” made the trip down to San Diego, and the occasion was made even more special with a screening of the entire first episode of the third season. I’d like to talk more about what I saw, but I simply don’t want to ruin the experience. All I’ll say for now is that it is mind-blowing, and it’s exactly what the series needs after season two was interrupted by the strike. Some cliffhangers are explained and others aren’t. New characters with powers are introduced, while older characters reveal new powers of their own. And perhaps most importantly, it’s all done with a comic flair that was sorely missing from last year’s mini-season.

Secret Diary of a Call Girl: Season One, Ep. 6

Belle/Hannah (Billie Piper) goes for a meeting with Stephanie (Cherie Lunghi) at a swank-looking restaurant, and notices some of the other girls are giggling at a laptop screen. Turns out Belle has been given a terrible online review by a client – a review that ends with “the word frigid comes to mind.” She laughs uncomfortably and says “Who listens to the critics anyway?” But then she nervously looks at the viewer, which seems to tell us something else. Sure enough, her business begins to suffer, which results in Stephanie sending her a rather odd client late one night.

At first Lewis (Kevin Doyle) seems fairly normal, but almost as soon as Belle closes the door, he begins acting strange. When she goes to make a usual business call to Stephanie, he becomes cold and demanding. It’s a very strange scene for this series, but realistically isn’t at all out of place. It almost looks as if things could get violent when Belle all but throws him out of her apartment. She’s left alone, shaken and confused. Who else can she turns to but buddy Ben (Iddo Goldberg)? He’s closing up the bar where he works when she shows up. He rambles on about his upcoming wedding to Vanessa and her insistence that the napkins should look like doves before even noticing that something might be wrong with Hannah. She tells him what just happened with the client and he, of course, becomes immediately overprotective. Stephanie calls and Hannah goes off on her, questioning why she would send her such a client. Turns out, he’s someone that another girl no longer wanted to deal with and she thought Belle could “handle it.” Belle accuses her of being nothing more than a pimp these days and hangs up. Then to the audience she says, “What a difference a year makes.”

Flashback to her first meeting with Stephanie. The woman asks her about her A-levels, and Hannah rattles off a list of her scholastic achievements, and Stephanie replies, “What I meant was, do you do anal?” Groan! What a godawful joke. Would anybody actually ask such a question using the phrase A-levels? Stephanie tells her, “I’m going to keep you safe. I’m going to be your best friend Hannah – a best friend who takes 40% and doesn’t tell you her real name.” Back in the here and now, Ben suggests that maybe she should take a break from her job – just for a while. In fact, he bets her that she won’t miss the job.

Apparently taking a break from being a whore means spending your days sitting on park benches watching “normal” people live their lives – as if Hannah never noticed what other people do before now. All the while some really goofy music plays in the background. Go figure. Of course, out of boredom she calls Ben for lunch – a repetitive moment that again exposes how few people Hannah has in her life on this show. Hopefully next season the show writes a few more characters into the mix. Anyway, Ben cannot meet her since he’s consumed with work and wedding planning. She decides to take the opportunity to go shopping for a wedding present and meets a clerk named Tim (Matt Smith). She takes a sort of liking to him and ends up bringing him back to her place and sleeping with him, and then he simply won’t go away. Hannah’s not used to people not going away. At one point he discovers her collection of oils and such in the bathroom, and deduces that she must be a masseuse. She awkwardly says that she doesn’t like telling people because most assume a masseuse is also a whore (a word she cannot bring herself to use…ha, ha.) Eventually Ben comes over claiming to be her fiancé and the guy quickly exits. The two friends converse and she insists that she won the bet. Being “normal” just isn’t her thing. He says that the least normal thing about her is her love for marmite(!). For the record, marmite, a yeast extract the Brits spread on toast, is actually pretty tasty.

Belle gets a call from Stephanie saying she’s once again in demand as someone wrote a sparkling review of her online. She tells the agent she’s ready to go back to work, but more or less threatens her business if she ever pulls anything like that again. (Could Belle ever really be a threat to Stephanie?) As the episode draws to a close, we see it was Ben who wrote the review for Belle, a scene that brings to the forefront the biggest problem with this episode: Why didn’t Belle just get online a write a new review (or even several) after the bad one? The answer is that we then wouldn’t have an episode, or at least we wouldn’t have this episode. Overall, this really seems to be the weakest entry thus far and it really doesn’t do much of anything other than further strengthen the friendship between Hannah and Ben, which could’ve been done dozens of other ways. The rest of it, Belle embracing her inner Hannah was really pretty weak, unless the goal was to show that there no longer is a Belle and a Hannah, but just one woman. Maybe that was the point, and maybe I missed it. (Or not, since I just mentioned it.) In any case, the tone was all over the place, going from dark and disturbing to light and airy. If someone tuned in to the show for the first time and saw this, they likely wouldn’t tune in again.

(This recap was very late. Apologies to regular readers, but the good thing about Showtime is that this series plays over and over throughout the week…and then there’s always Showtime On Demand. In fact, as I type there’s a “Call Girl” marathon going on on one of the Showtimes!)

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