Category: TV (Page 298 of 595)

The Shield 7.12 – Possible Kill Screen

If there’s one conclusion to “The Shield” I never thought possible, it was Vic Mackey receiving a Get Out of Jail Free card for all the crimes he’s committed in the past. Death? Sure. Jail? Why not? Heck, I’d even expect Vic to run away to Mexico before the feds ever agreed to give him full immunity, and after the events of this week’s episode, I still don’t think that’s how it’ll end. Of course, I have to start at the beginning first, as so much happened tonight that it felt epic compared to most weeks.

After Shane and Mara’s last robbery failed to yield the kind of cash they were hoping for, the fugitive couple has hit a dead end. Mara physically can’t take anymore, and she’s not doing so well mentally either after killing two people in an attempt to save Shane from a robbery gone wrong. With her shoulder busted and her pregnancy in its final stages, she begs Shane to throw in the towel and take her home. Shane isn’t doing so hot (he might have a big of drug problem and he nearly kills Tina when she tries to bring him in), but he isn’t about to give up any time soon. Unfortunately, I don’t think Shane has much of a choice. The presidential motorcade that will allow them to make their escape is less than 24 hours away, but with Mara hurt and no car to get around, it’s only a matter of time before Shane either gets arrested or killed.

Sure, they’ve got Corrine working to find them a new mode of transportation (which Vic agrees to take care of), but when the meet is compromised when Vic smells a trap, it pretty much guarantees that Shane and Mara are screwed. It also means that Corrine has to be arrested and thrown in jail to give Vic the impression that she wasn’t in on the set-up, and now, all Vic can think about is saving his annoying traitor of a wife. Luckily, Olivia has managed to secure Vic a job at ICE, as well as full immunity as long as he is able to successfully take down Beltran and his drug ring. When he discovers that the deal is only for him, however, and not Ronnie as well, he quickly turns it down.

That is, until he hears about Corrine’s arrest, at which point he promptly goes back to make the deal. As part of receiving immunity, Vic must confess to every crime he wishes to be protected from, and before he’s even finished with his first statement (the murder of Terry Crowley), Olivia is appalled. Her boss couldn’t have put it any better when he says, “He’s our bastard now.” It was an award-worthy performance by Michael Chiklis for sure, but the look on Claudette’s face when she arrives to find out that Vic has just been exonerated of every bad thing he ever did was absolutely priceless. Claudette takes her anger out on Dutch by firing him, only to realize that it’s the lupus that’s making her act that way. I think it was a given that Claudette would no longer be sitting in the captain’s chair by the end of the series finale, but this more or less confirms that she’ll be gone, and Dutch, most likely, will take her place.

As for Vic, well, he’s put himself in quite the predicament. Not only has he just screwed over Ronnie (who deserves this about as much as Lem getting a grenade dropped in his lap), but Olivia as well, who must now live with the fact that she set a guilty man free, and even set him up with a sweet three-year gig that brings in just over $60,000 a year. I’d hate to think that Vic doesn’t have some kind of contingency plan for Ronnie, but who knows at this point? One thing’s for sure: when Vic finds out about Corrine’s betrayal, it isn’t going to be pretty. That is, unless Ronnie (or God help him, Dutch) decides to strike back at Vic first. Should be an interesting season finale.

Prison Break 4.11: “Quiet Riot”

With the news last week that “Prison Break” was having its filming schedule extended by two episodes, the Hollywood Reporter speculated that these episodes could be used to give the series an appropriate ending. I’ve been saying for the past two seasons that it was probably time to wrap the show up, and if this speculation is true, it’s good to hear that Fox is allowing the creators to end the series on their terms, instead of having the rug pulled out from underneath them.

After all, based on tonight’s episode, the writers still have a few tricks up their sleeves. The scene where Michael, Lincoln, Mahone and Sucre had to break into the Scylla vault without making a sound was pressure-packed throughout, and I especially enjoyed Michael’s MacGyver-esque decision to build a suspended ladder to get past the room’s security system. This was easily the best part of the episode and it really took the show back to its Fox River roots.

“What? Oh, the wall looks great, fellas. I’m just going to get back to my game of ‘World of Warcraft.’ I’m about to level up.”

Prior to the break-in, we were treated to a scene where Gretchen was mysteriously dressed up as a Catholic schoolgirl. If I were the General, and I received that picture on my phone, my first question would have been – who the F took the picture? Clearly, someone (T-Bag) was in the room to take the picture, which means Gretchen is probably up to no good. Instead, the General went to the room, amping up the creepiness of the relationship to a completely different level. It turns out that the General is the father of Gretchen’s daughter, and that’s why he let her go. Woo-hoo.

Meanwhile, T-Bag keeps trying to get Trish Ann to take off her jacket. You’d think that a FBI agent might read into his intentions a little more and maybe it would occur to her that he might be on to her, but apparently Trish Ann isn’t the sharpest tool in the shed. She and Don walk into an obvious trap sprung by Feng, and given his demeanor, they are (seemingly) a long shot to see another day.

The episode ends with Michael (unknowingly?) setting off a Scylla alarm and the General racing down to the vault to stop him. So we’ve got Michael in the Scylla room, Don and Trish Ann tied up in an abandoned house, T-Bag and Gretchen waiting to ambush the gang once they do get Scylla and $125 million loaded up into a truck. I wonder how this is all going to end.

Terminator: The Sarah Connor Chronicles 2.9 – Pleased to meet me

Is it wrong of me to think Sarah Connor’s doomsday nightmares are awesome? Seriously, is there anything cooler than a T-1000 cactus? Or Cameron breast-feeding a tortoise? If that is wrong, then I don’t wanna be right.

As the producers of the show continue to treat the story arc like their private garden, planting seeds here and there – Cameron’s constant talk about her sensory perception, Sarah’s walking nightmares – they used this week’s main plot to explore two concepts of time travel that I’m not sure can peacefully coexist. Jesse captures a “Gray” (machine-assisting human) named Charles Fischer (Richard Schiff in a bit of inspired casting), but Derek doesn’t remember him. Jesse explains the relentless interrogation techniques Fischer used on his prisoners, and finally makes the big reveal that, dunt dunt duuuuuuunh, she knows this because Fischer used those techniques on Derek in the future, and Derek told her all about it.

Here’s where it gets tricky.

“All right, tell me right now what it’s like to win an Emmy. Tell me, damn it!”

Derek seems to think that the reason he doesn’t remember this is because the future she left behind is now different than the one he left behind, and he attributes the change to the various things he’s done in the present to undo Skynet’s evil scheme. It’s an interesting concept, but riddled with holes – does this mean his memory is just randomly erased when the future changes? – and leads me to think that there are two, far more likely explanations: either Derek has blocked the memory as a defense mechanism – Fischer did admit shortly before Jesse killed him that he knew who Derek was, and wondered how Derek didn’t recognize him – or Jesse is lying. Actually, both could be true.

Now here’s the part I’m having a reeeeeeeeaally hard time with. Future Fischer breaks into Present Fischer’s place of work and does all kinds of nasty computer stuff that lands Present Fischer in the slammer. Future Fischer explains, like some sufferer of Stockholm Syndrome, that he never would have survived Judgment Day had he not been in prison when it happened, implying that it is the return of Future Fischer that puts Present Fischer on the path to that prison cell to begin with. But is that even possible? The Connors change people’s futures all the time, but only certain aspects of it; the rest is still up to the individuals. Can someone travel back in time and put himself on the path to evil? And while we’re talking about the case against Present Fischer, are there no security cameras at this supposedly data-sensitive company where he works? Jeesh.

One last stating-the-obvious story problem this week: how the hell did John and Cameron not think to check Ellison’s trunk when they were looking for Cromartie? Heck, they didn’t even need to knock on the door. Just pop the trunk, take the body, and go. Surely Cameron would have thought of that, right? Sigh. I hate it when characters do everything but the one thing they’re most likely to do in real life.

Heroes 3.9 – It’s Coming…But Is It Something Good? (Could Be! Who Knows?)

Aaaaaaaand we’re back in the present again. But was it worth the trip?

Well, as goofy as they were, I have to admit that I enjoyed the breeziness of the segments with Hiro and Ando, though to do so required me to set aside my uncertainty about what the hell had happened to Hiro in the first place. I mean, we’ve seen Brother Voodoo make with the mind wipe maneuver, but based on the way Hiro was screaming, I figured Papa Petrelli was all but ripping his brain to shreds, and when he announced that he thought that he was 10 years old, my presumption was that Papa had wiped out everything he’d known prior to that age. But given Ando’s conviction that he can trigger Hiro’s memories to return, I guess we’re supposed to presume that Papa now has the ability to inflict hysterical post-traumatic amnesia…? Well, fair enough, then. It’s not like it’s the most ridiculous conceit I’ve had to buy into with this series. The scenes in the bowling alley were silly fun, and as a geek of the highest order, Hiro’s rant about the changes in comic books was very much of the “it’s funny ’cause it’s true” variety for me.

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A Colbert Christmas: The Greatest Gift of All

Colbert seems to have been trying to recapture the feel of every old network holiday variety special from the ’70s and ’80s — and he succeeded, at least insofar as A Colbert Christmas: The Greatest Gift of All consists of 45 minutes of cheesy sound effects, cheesier visual effects, and a nonsensical parade of seemingly random guest stars strung together by a plot that sounds like the product of a 64-gallon jug of brandy eggnog. It isn’t entirely without laughs — and may actually be worth purchasing if for no other reason than the chance to see Elvis Costello dressed up as the Nutcracker, a clown, and a bear who has eaten Elvis Costello — but the overall effect is similar to a bad episode of The Colbert Report. It’s a shame, because there really aren’t very many bad Report episodes, and Colbert is one of the funniest people on TV, but A Colbert Christmas swings feverishly back and forth between gratingly nonsensical and unexpectedly funny with exhausting speed. One consistent highlight, however, is the musical portion of the program, which includes an explosion-laced Christmas carol from Toby Keith, an plea for mankind to not “bogart love” from Willie Nelson, and an ode to nutmeg from John Legend. All told, any holiday special that ends with Santa in a knife fight with a grizzly can’t be all bad, but it’s nowhere near as funny as it should have been.

Click to buy “A Colbert Christmas: The Greatest Gift of All”

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