Category: TV (Page 283 of 595)

TCA Tour, Jan. 2009: “Z Rock”

I admit it: I didn’t give “Z Rock” nearly as much love during the summer 2008 TCA tour as I should have.

There are a lot of ad-libbed or loosely-scripted comedy series around nowadays (or, at least, more than there used to be), but this is definitely one that’s close to my heart, given its premise of a hard rock band who makes ends meet by working as a kids’ party band by day. Music-related jokes are all over the place, as you’d imagine, but the show makes room for cameo appearances by famous rockers like Dee Snider, Sebastian Bach, and Dave Navarro (who raises his hand at one point and asks, “Who here has banged Carmen Electra?”) as well as comedians like Gilbert Gottfried and Dave Attell; similarly, both John Popper and Joan Rivers play themselves, doing so repeatedly throughout the first season.

Now that Season 2 of “Z Rock” is on the horizon, IFC has wisely decided to try and maintain the show’s momentum by bringing the trio – David Z, Paulie Z, and Joey Cassata – to the TCA Press Tour, along with Mr. Popper and Lynn Koplitz, who plays Dina on the show.

One thing that a lot of people don’t realize about Z Rock is that they’re actually a real band called ZO2. This isn’t 100% autobiographical, but they’re still out there writing, recording, and performing music, and they really did do the kids’ band circuit in their day…though there’s very little chance that they’ll be doing it again anytime soon.

“Only if we had to,” said Paulie. “If we were desperate. And that’s obviously the point of the show. It’s, like, we did it because we had to. It was the best-paying gig we can get at the most flexibility time-wise, so, yeah, if everything else fell through, we would go back.”

“They’ve talked to me about this before, and I think it’s a huge mistake,” said Popper. “Because you’re creating an audience about 10 years from now, 20 years from now, then you’re sort of seeding the next generation.”

“What we did was at the parties, we were slipping ZO2 CD’s under their beds,” Paulie explained. “Like, the three-year-old kids. So we’re hoping in, 15 years, they’ll be, like, ‘What’s this?’”

“By the reunion tour, they’ll be coming out,” said David, confidently.

The cast loved the opportunity to work with their guest stars, but they were particularly honored by the presence of Joan Rivers.

“Joan’s amazing,” said Paulie. “Everyone knows she’s talented, but when she came on, it was, like, we knew we were getting someone who was just a professional, but she was so down to earth. I think that, for us, is what made it even better. We fed off of her jokes and stuff like that. But then, in between the takes, she was, like, ‘Come over and just talk to us,’ and she would be able to do like a fart joke, and we would be like, ‘What? Joan Rivers…?’”

“A lot has to be said for the guest stars that we have and the co-stars,” said David, “because we weren’t actors, we were musicians. So it’s easy to play off of people when they’re so good at it, and they’re so good at your craft, it looks like we know what we’re doing, and because they’re so funny, we kind of just play off of what they said and we’ll react to what they said and kind of throw in a line here and there.”

But if you’re not a music fan and therefore figure you won’t find the show funny, Paulie thinks you’d better think again. “It’s not just for rock and roll people,” he assured us. “I mean, obviously it’s a music show, but you don’t have to be an actor to watch ‘Entourage’ and enjoy that show. It’s like, yes, obviously musicians love it because they say, ‘I know what they’re going through.’ But if you really just think about it, it’s for anybody who struggles to do something in their life who has a dream. If you have a dream to be an astronaut, you have a dream to be whatever it is, you’re going to have to sacrifice things, and there’s always that temptation of ‘I can go the safe route or I can starve.’”

“It’s like Rocky in the ‘Rocky’ movies,” said David. “You see him start from nothing and struggle. So we say we’re the Rocky of rock and roll.”

To close, I’m offering up my first back-and-forth exchange of the tour, since – as you may recall from previous tours – I try desperately not to break any rules of the TCA, and they very much frown on the old copy-and-paste. Sometimes, however, there’s just not a better way to show how a particular moment from a panel went down…like, for instance, when one of the critics asked the guys who would win in a throw-down between Z Rock, Flight of the Conchords, and the Jonas Brothers.

Paulie Z: Us, Jonas Brothers and the Conchords?
John Popper: Is the Jonas Brothers’ security there? I think I could take them. They’re pretty small.
Paulie Z: Do they have weaponry, or is it just music?
Critic: Hand-to-hand combat.
David Z: I have a ring like the Jonas Brothers’, but it means a very different thing.
John Popper: Always take out the bass player first, because he has the biggest thing to swing with, so if you take the bass player down…
David Z: We’re not talking about my, uh…
Paulie Z: Don’t forget, guys, we grew up in Brooklyn, New York. All right. So you know what I mean? I think the only band we probably couldn’t take would being like Lemmy. Motorhead would probably kick our butts.
John Popper: On behalf of Blues Traveler, we’ll throw down at any time.
Paulie Z: We’ll take you down. You crazy?
Joey Cassata: You have a bum leg. We’ll kick you…
Paulie Z: What are you talking about? I’ll take your cane away and you’re down.
John Popper: We’ll settle this outside, you guys.
Paulie Z: There’s going to be a big fight after the panel, by the way, if anyone wants to watch.

The second season of “Z Rock” premieres later in 2009 on IFC, but no specific date for the premiere has been announced as of yet.

TCA Tour, Jan. 2009: “Bollywood Hero”

With all due respect to the star of “Corky Romano,” it would in no way surprise me if you were to react with shock at the news that Chris Kattan is going to be doing a rather intelligent comedy miniseries for the Independent Film Channel. And to be fair, my impressions of “Bollywood Hero,” the miniseries in questions, are based solely on a trailer that was made solely for promotional purposes and that they haven’t actually started filming “Bollywood Hero” yet. But from that trailer and the description of the concept, I have to admit that I’m really, really looking forward to seeing the final product…eventually.

The concept, since I’m sure you now wondering about it, is thus: fed up with Hollywood’s inability to recognize that he is leading-man material, Chris Kattan decides to prove his acting mettle in Bollywood, India. The problem, however, is that he really has no idea what he’s getting into.

“It’s a fish-out-of-water show,” says Kattan. “It’s human-based. It’s grounded. It’s about real people, but it’s obviously going to be funny. It’s not a slapstick sitcom kind of a show, and that’s what appealed to me the most. It was…it’s like a ‘Curb (Your Enthusiasm),’ I would say. It has a great story, as opposed to a lot of television now. It has strong cast and situations, but this has a strong cast as well as a great storyline to it. And IFC has been great about letting it be protected. A lot of network television…nothing against them, obviously, but there’s always a lot of voices that don’t necessarily protect what we want to do, how we want to have fun and have a great time.”

So what made Kattan decide that he was up to the challenge of playing an exaggerated version of himself? Actually, the idea is one that’s appealed to him for quite some time.

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TCA Tour, Jan. 2009: “Green Porno”

I considered starting off this posting with something titillating, but given that I’m already a little worried about what sordid types will accidentally pull up this link because of the inclusion of the word “porno,” I should probably just jump into the matter at hand: Isabella Rossellini’s strange but amusing Sundance Channel series, “Green Porno,” which soon begins its second season.

What is “Green Porno,” you ask? Well, not that it will probably help clarify things a great deal, but here’s a photo from the show, courtesy of Sundance:

Okay, here’s the deal: Ms. Rossellini decided that she wanted to do a series about the sex life of different animals, but to avoid the issue of not actually having footage of the beasts in mid-coitus, she provides a re-enactment herself with the assistance of costumes which offer, shall we say, a slightly artistic interpretation of the momentous event.

“I don’t want to be like documentary filmmakers, in a hole in the cold for five months, waiting for that squid to mate,” she says. She does, however, writee the scripts and storyboards the episodes herself, doing all the requisite research to make sure everything’s up to snuff, including a recent trip to Patagonia.

“I’ve read about animals since I was a child,” she said. “I wasn’t good at school, but if I had been good at school, I would have been a biologist. Or I would have been Jane Goodall. That’s who I wanted to be.”

Now, you’d think it might get to be a bit of the same-old same-old after a few episodes, but you’d be wrong: some of methods of reproduction are, in Ms. Rossellini’s words, “scandalous.”

“You know, some of them are hermaphrodites, some of them change sex during their lifetime,” she explained. “Things that if we would do it as human beings, we would be arrested, but they do it naturally. It’s the variety that anything is impossible, the unthinkable. You think you can think of something really scandalous in your mind? Well, the animals are going to do more that you can imagine. A lot of fish are sometimes born female and become male or born male and become female. That I didn’t know. I was surprised, even simple animals like shrimp, that we eat all the time, we don’t know that he does that. Earthworms, that we all know, we find in our garden, they are hermaphrodite and they mate in the 69 position with the head and the tail like that.”

At this, Rossellini smiled.

“So you wanted something scandalous?” she asked. “There it is.”

Season 2 of “Green Porno” will launch on May 5th on Sundancechannel.com.

TCA Tour, Jan. 2009: “American Masters: Hollywood Chinese”

As a profoundly white male, I watched the trailer for “American Masters: Hollywood Chinese” and listened to the actors on the panels discuss their respective careers, I couldn’t help but cringe at the treatment that the Chinese have received on television and in the movies.

Look at James Hong, for instance. The man has been a working actor since the 1950s, but when you check out his resume, the number of cliched and stereotypical roles is highly disconcerting. He played Charlie Chan’s son on TV, turned up as Hop-Sing’s cousin on “Bonanza,” has portrayed more waiters than you can imagine, and although it’s not technically a bad thing to play a wise old Asian, it’s a rarity for those sorts of roles to be particularly meaty.

Memorable, yes. But definitely not meaty. Hong worked on the pilot for “Kung Fu,” and he recalled the mindset of the industry at the time, which necessitated that a white guy – David Carradine, of course – play the Chinese lead character.

“As I recall, back in those days and even now, the producers would say the Chinese leads are not marketable, so that is the key sentence,” said Hong. “That means that there would not be enough audience watching the TV that will tune in on a Chinese playing the lead. They were just not accustomed to that. In a sense, they said, ‘Well, what should we do?’ I think what they did, and correct me if I’m wrong, they made the role sort of like a Euro-Asian person so that would bring David in to play the role. In that sense, I find it very pathetic that the producers were shortsighted not to cast one of the Asians to play that role because, like you saw, it is an Asian lead. That is only back during those periods, but it’s still being carried nowadays, because you don’t find many Chinese or Asian Americans playing any leads in TV series, a few in movies and so forth, but very far and few between, just a handful. I find that, after 55 years in this business, this still exists.”

Nancy Kwan, best known for her roles in “Flower Drum Song” and “The World of Suzie Wong,” had her own “Kung Fu” story, though it was in connection with the actor who was originally considering a role on the series.

“Bruce (Lee) and I were in Hong Kong at the time,” she said, “and we were having lunch, and Bruce said, ‘Nancy, I want to do this series called ‘Kung Fu.’” I said, ‘You are?’ He said, ‘Yeah. Yeah. I’m waiting to hear.’ I said, ‘I don’t know, Bruce. I don’t know the timing.’ David was actually a friend of mine at the time. We had worked together on another film. He said, ‘No. No. I’m going to do this.’ So I looked at him and I said, ‘Bet.’ He said, ‘Okay. How much?’ I said, ’10 bucks.’ All right. And I had to collect my 10 bucks.”

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TCA Tour, Jan. 2009: “Great Performances: ‘Chess’ In Concert”

Remember “One Night in Bangkok”? Good ol’ Murray Head. Everyone thinks of him as a one-hit wonder in the States, but he’s really a two-hit wonder, having scored a top-20 single back in ’71 with “Superstar,” from “Jesus Christ Superstar.” Possibly not coincidentally, both singles featured lyrics from Sir Tim Rice, though a lot of Americans don’t realize that “One Night in Bangkok” is from a musical as well…not that anyone would blame you, given that the show from which it originates – “Chess” – was a gargantuan flop when it made its Broadway debut.

Most would argue, however, that the problem lay not with the musical itself but, rather, with the decision to change “Chess” from its original West End set-up by changing the story, adding different settings, characters, and plot elements, re-ordering the score, and redesigning the set to make it all more cinematic.

Certainly, Sir Tim is less than complimentary when discussing the Broadway production.

“To be honest, it was not good,” he said. “A huge book was added in, and I’m not criticizing the writer of the book particularly, but it was already too long, and to stick in a whole new play on top of it…? It went on. You know, it was a long show: thermos, flask, and a razor. It was just…it was not right. And it flopped on Broadway, but there’s a huge interest in the show, because the songs were…you know, if I may be immodest, the songs were very good. And it kind of went out and every director said, ‘Well, I can improve on this.’ And I’m not sure…well, they probably improved on the Broadway version, but they didn’t really get back to what it was.”

Who better to finally succeed at doing so, then, than Sir Tim himself?

PBS will be airing “”Great Performances: ‘Chess’ In Concert,” and although it will probably still never quite be perfect in the eyes of its creators (Rice wrote the lyrics, Björn Ulvaeus and Benny Andersson – late of ABBA – wrote the music), it’s certainly a lot closer than it used to be.

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