Category: TV (Page 137 of 595)

TV of the 2000s: The Top 10 “Doctor Who” Stories of the Decade

There has been no better decade to be a fan of “Doctor Who” than the ‘00s. The show, once considered a punchline for jokes made by Trekkies, has risen from the ashes of the ‘80s and been reborn as a serious sci-fi/fantasy force with which to be reckoned. It’s managed to generate two spinoffs in the form of “Torchwood” and “The Sarah Jane Adventures,” as well as open up the entire 26 previous seasons to a whole new generation of fans. Yeah, it’s a good time to be a “Doctor Who” fan, because more than ever, people are less than likely to look at you “that” way when you tell them it’s your favorite series. With that in mind, here’s an entirely subjective list of its crowning achievements since the new series started in 2005; it’s just a shame I’ve not yet seen David Tennant’s two-part finale, “The End of Time,” so it could warrant possible inclusion. In any case, here’s to, at the very least, another full decade of time and space travels inside the TARDIS.

10. “School Reunion” – There are other stories that from a plot standpoint are much better written than this one, and thus more deserving of being in this Top 10, but I’ve an enormous fondness for this outing simply because it not only brought Lis Sladen’s Sarah Jane Smith back into my life, but it did it in such a way that left me a sobbing mess. If, like me, you grew up watching Doctor #4 (Tom Baker) and Sarah Jane battle the evil Morbius on Karn, defeat the diabolical Sutekh on Mars, and kill the giant Krynoid at the estate of Harrison Chase, then seeing her character – as well as her relationship with the Doctor – hit a poignant and dramatic high note of finality was most definitely a strong cup of tea. It’s a bit of a shame Sarah Jane has her own series now, because everything about her that’s come since has somewhat eroded what was beautiful about this story in the first place.

9. “The Waters of Mars” – It’s entirely possible I’m riding a “Who” high at the moment, and that in time “Mars” won’t seem quite as perfect as it does at present. Further, since it won’t play on BBC America until Dec. 19th, it would be wrong to discuss it in any great detail. Nevertheless, it’s got an intricate premise from Russell T. Davies and Phil Ford, deft direction from Graeme Harper, creepy monsters, outstanding set design, and one helluva complex performance from David Tennant, that’s clearly aimed at setting up “The End of Time.” The last 20 minutes are frenzied and game-changing; this is Davies pulling the rug out from under the Time Lord and redefining everything we thought we learned about him over the past four seasons. It’s fucking glorious, and even if the big finish doesn’t quite live up to the buildup, I’ll know they made a damn good go of it.

8. “The Impossible Planet/The Satan Pit” – Here’s another story that might leave a reader or two scratching their heads, but it’s a tale that holds an immense amount of nostalgia for me. See, my kid was 13 at the time it premiered, as were his friends. For the second season of new “Who,” the fates conspired so that he and his buds gathered at the house nearly every weekend to watch the latest episode with me, and the otherworldly goings-on at Sanctuary Base in particular had all of us riveted. “Don’t Turn Around!” became the catchphrase for a good long while around my casa, and further, this was the story where Tennant “became” the Doctor for me. The scene where he was being lowered into the Satan Pit, talking of how the specifics of the creature didn’t fit his “rules” was the defining moment. If I’d had even a vague vibe that he might not be precisely the right actor for the role before this, any such thoughts were dashed immediately after viewing that scene. Beside, the Doctor meets Satan? Hot diggity damn! This two-parter also unleashed the Ood, who have clearly become one of the defining alien races of the new series; they returned for the aptly named “Planet of the Ood” in Season Four, and will be returning again for Tennant’s finale.

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Welcome to Japan, Mr. Tarantino

A number of bloggers have been running Mr. Tarantino’s Japanese TV appearances and commercials. No reason PH readers should miss out on the fun.

Most of what you see below is in Japanese, but no need to fear if you understand the international language of otaku (geek) chic.

More after the flip, including a cooking show, or something, with Brad Pitt.

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TV of the 2000s: 15 Sci-Fi Series That Deserved A Longer Run

It’s always been a rough go on network television for series which require viewers to think and suspend their disbelief at the same time, but despite this, many brave producers and writers have tried to capture the imaginations of couch potatoes. Sometimes it works, as evidenced by the long runs of such shows as “Battlestar Galactica,” “Lost,” “Smallville,” and “Supernatural,” but more often than not, it doesn’t, which is why IMDb is littered with listings for sci-fi series that lasted for only a single season. Looking back at the decade (which, if you hadn’t noticed, is what we’re doing with all of these TV of the 2000s features), you can also find way too many shows which survived into the second season, proved that their first season wasn’t a fluke, sometimes even improving on it, and then got canceled…and, man, does that hurt. Heck, I even included three- and four-season wonders in this list, one because it had scored such a huge upswing in quality, the other mostly because it seemed like such a gyp when it got the axe. But, then, you could say that about all of these shows, really…

WARNING! LIST CAVEAT! – To be included within this list, the show cannot have started at any point prior to Jan. 1, 2000. Without that caveat, you can bet that “Angel” would’ve been included…and, yes, probably “Farscape,” too. But definitely “Angel.”

15. Masters of Science Fiction (ABC): As an anthology series in the 2000s, it’s not like it ever had a chance in Hell of surviving, anyway, which is why it comes in at the bottom of the list. Still, it deserves mention here, partially because it was really good, but mostly because it got an even bigger shaft from ABC than “New Amsterdam” got from Fox.

Masters of Science Fiction

Get this: during ABC’s executive panel during the TCA Press tour of summer 2007, someone asked Stephen McPherson, the network’s president of entertainment about the origins of the series, and he responded, “It was a low-cost initiative that we tried. We did this series of movies to see if there was a way to spark something different at a really low cost point. You know, I think there is some good work done there, but it’s very unseen. So it’s just been…it’s been a little bit problematic.” Okay, now, to be fair, he’s acknowledging that there’s “good work” inherent somewhere in the series, but to put these comments in a better perspective, they were made before the show had even premiered. And how did he decide to remedy this problem of the series being “unseen”? By premiering it at 10 PM on Saturday night. Hey, way to get behind your programming, Steve!

In fairness, I’m sure no one, not even the series creators, ever expected “Masters of Science Fiction” to be anything other than a short-lived midseason entry, but it’s not like it had to be. The series harked back to classic dramatic anthologies like “The Twilight Zone,” “The Outer Limits,” and the like, and while its budget might not be through the roof, the performances – including turns from Malcolm McDowell, Anne Heche, Sam Waterston, Judy Davis, Terry O’Quinn, Elizabeth Rohm, Brian Dennehy, and John Hurt – were top-notch. But, then, that’s what happens when you bring in directors like Mark Rydell (”On Golden Pond”), Michael Tolkin (”The Player”), and Jonathan Frakes (”Star Trek: First Contact”) to helm adaptations of stories by Robert Heinlein (”Starship Troopers”), Howard Fast (”Spartacus”), and legendary sci-fi writer Harlan Ellison, who actually adapted his own story, collaborating with Josh Olson (”A History of Violence”). If any of this sounds like it might be up your alley, you can at least take comfort in the knowledge that the entire series is available on DVD, including two episodes that ABC couldn’t be bothered to air.

14. Dark Angel (Fox): Nowadays, it’s best remembered for the fact that it introduced the world at large to the assets of Jessica Alba (which, by the way, look damned good in black leather), but when “Dark Angel” premiered, its high profile came from the fact that it was the first thing that it was produced by James Cameron. What not nearly as many people remember, however, is that the show also starred Michael Weatherly, who would get a much longer running gig a few years later when he took on the role of Anthony DiNozzo in “NCIS,” and Jensen Ackles, now better known as Dean Winchester on “Supernatural.”

Dark Angel

But I digress. The slightly-futuristic (it took place in 2019) “Dark Angel” was predominantly about Alba’s character, Max Guevara, a genetically enhanced super-soldier who has escaped from the government that created her and is using her job as a motorcycle courier to cover for the fact that she spends most of her time searching for her brethren, i.e. the other 11 super-soldiers who escaped with her. She does this with the help of Logan Kale (Weatherly), a.k.a. cyber-journalist “Eyes Only,” whose unparalleled computer skills go a long way toward making up for the fact that he’s paralyzed from the waist down. The series looked great, and having John Savage serve as one of its primary villains (Colonel Donald Michael Lydecker) was inspired, but trying to get the general public to embrace the cyberpunk movement – even the highly diluted version of it that “Dark Angel” offered – was a lost cause. Truth be told, we’re probably lucky that we got as much of the show as we did. If Cameron’s name hadn’t been on it, it probably would’ve been over at the end of Season 1.

13. Kyle XY (ABC Family): Ironically, I’m writing this mere moments after getting word that a copy “Kyle XY: The Final Season” has just been sent my way. Even if you aren’t familiar with the series, you’ll nonetheless have deduced from the appearance of the word “final” in the set’s subtitle that this isn’t a show that came and went within the span of a single season. Yes, “Kyle XY” actually lasted for three seasons, but it was still going strong creatively when ABC Family decided that it just didn’t match up well enough with their other content, like “Greek” or “The Secret Life of the American Teenager.” Now, look, I dig those shows as much as the next thirtysomething who wants to vicariously relive his youth through semi-realistic TV characters, but is that any reason to kill off a great sci-fi melodrama like “Kyle”? No, sir, it is not.

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“Flight of the Conchords” bows after two seasons

“Flight of the Conchords,” one of the most inventive comedies of the past decade, is not coming back for a third season. The reason why remains unclear. While the duo’s website suggests exhuastion, Variety reports that HBO cancelled the series. I remember reading a while back that the network was willing to give Jemaine Clement, Bret McKenzie, and co-creator James Bobin an indefinite amount to produce another season. Considering its rabid fan base, the final decision likely came from the “Conchords” camp.

One can understand their creative fatigue. Besides constructing the story and script, the pair also wrote two complete songs per episode. And these songs aren’t just throwaways — they’re actually quite good. Although the total product of “Flight of the Conchords” only amounts to 11 hours (22 episodes), I’ve enjoyed every minute.

Of course, a movie is already rumored, but I’d expect a concert tour before they hit the big screen.

Top Chef Las Vegas: huh?

Last night was the finale of the finale of “Top Chef Las Vegas” on Bravo, and the three remaining chefs–Kevin, Michael and Bryan–had a lot of creative leeway this time around. The final challenge of the season would be to make a 3-course meal at Cyrus Restaurant in Napa Valley. The first course would be using specific ingredients in a box–and all three chefs had the same items. The second course was anything they wanted to make based on what was on hand, and the third was a dessert, also using what was on hand in the kitchen.

But first the other 14 contestants from this season were brought back, and each finalist would draw two knives to find out who their sous chefs would be. Kevin drew Preeti and Ash; Bryan picked Jen and Ashley (Ben Folds); and Michael drew Jesse and Eli. Then as they were working on their ideas back in their suite, the chefs had a surprise visit–from their moms. After hanging with them and getting pep talks, the chefs made their way to Cyrus, where they were greeted by head judge Tom Colicchio. Tom informed them that they would be making one additional dish to start out–a dish inspired by their moms or something that brought to mind their childhood memories.

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