Category: Entourage (Page 5 of 18)

Loose ends

Carlito's Way -- Al Pacino and Sean Penn

I haven’t been paying quite as much attention to the cinephile end of the movie blogosphere as I should lately, so we’ll start there.

*  It’s never too late to check out the Brian DePalma blogathon that wrapped up yesterday at Tony Dayoub’s Cinema Viewfinder.  I’m actually not a member of the DePalma cult that includes everyone from the late uber-critic Pauline Kael to Quentin Tarantino and probably 70% of the male cinephile population. I dig a few of his movies a great deal and the oddball horror/suspense musical satire, “Phantom of the Paradise” has a special place in my heart. On the other hand, I have serious problems with even some of his most well-regarded films including, or perhaps especially, especially “Blow-Out.” There’s a cheapness to his films and tendency to wallow in despair that I can’t support.

Of course, that’s just me and Dayoub wrapped up yesterday in grand style with a fairly personal piece about “Scarface” (vastly overrated by many; I’ll take the Howard Hawks “Scarface” over it any day) and “Carlito’s Way” (which I think is underrated and overall just a solidly good movie). Anyhow, stroll around the site and you’ll see pieces by some of the true superstars of cinephilia.

* Speaking of great film lovers, you won’t find detailed appreciations of DePalma coming from The Self-Styled Siren — nor of Michael Mann or Sam Peckinpah.  Her bailiwick is classic era films (ending roughly around 1965) with an eye towards melodrama and comedy. Though her identity remains a secret, her fans are legion and definitely includes your humble host.

Her latest post is an attention grabber: “Ten Melos the Siren Would Watch Instead of Mad Men” which is exactly what it sounds like. It’s a fascinating list that males who want to expand their minds beyond the usual guy movie obsessions should definitely contemplate. And, yes, there’s a vigorous debate over “Mad Men” in comments, as well as an unsolicited cocktail recipe from me. If you’ve been looking for the inevitable backlash over the acclaimed series, which I personally love as much as anyone, there’ll be no more enjoyable place to find it.

Some news after the flip….

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Entourage 6.9 – Security Briefs

Talk about wasted opportunities. Just when it looked like the writers were cooking up an interesting storyline for Vince involving a potentially dangerous stalker, it turns out to be a rush week prank by a bunch of sorority girls. Turtle is a little surprised that it’s his underwear they were after, but considering he’s dating Jamie-Lynn Sigler, he was bound to start getting more attention from ladies. Unfortunately, that’s only going to spell trouble for Turtle, who will likely find a way to screw up a good thing as Ms. I Only Wear Thongs continues to flaunt herself in front of him.

Getting back to the whole stalker subplot, it really did feel like a big fat waste of time. It might have been different had the storyline been contained to a single show, but the fact that it was drawn out over three episodes really made it seem like they were trying to turn it into something bigger. Perhaps that was the point, and the punch line is supposed to make light of how serious everyone has been reacting to it (namely Drama, who decides to interrogate Vince’s stalker himself), but it just didn’t have as much of an impact as it would have if the stalker really was a threat.

In fact, the only good thing that came of it was a funny little inside joke involving the caller ID on Eric and Drama’s phones. Instead of coming up “Vincent Chase” when he calls, it reads “Rupert Pupkin,” in reference to the lead character of Martin Scorsese’s 1982 film, “The King of Comedy.” For those of you who’ve never seen it, the movie is about an aspiring stand-up comic played by Robert De Niro (and named Rupert Pupkin) who begins stalking his idol (a late-night talk show host played by Jerry Lee Lewis) in an attempt to get his foot in the door. Admittedly, it’s a bit of a sick joke considering Vince could have really been in serious danger, and it’s ultimately going to prove even more troublesome for Eric. Ever since lying to her about Sloan, Ashley has been obsessing about every little thing Eric does. This isn’t going to help matters, as she now thinks Eric was speaking to someone named Rupert Pupkin when he told her he was talking to Turtle and Drama. Oh well, they weren’t going to last anyway.

While the stalker subplot ate up everybody else’s time, some progress was finally made between Ari and Lloyd involving the latter’s impending promotion. After Ari steals Zac Efron away from Adam Davies right in front of his face (well, technically, it was over the phone), Davies decides to fire back by offering Lloyd a job at his agency. Lloyd remains loyal at first, but after Ari goes all Principal Gleason on his ass by tacking on an additional 60 days to his original 100 Days of Hell, Lloyd decides that he’s had enough mistreatment and crosses over to the dark side. Ari can’t blame anyone but himself – he’s been a jerk in the past, but tonight he was a straight-up douche – and he’s already second-guessing his behavior. Can Ari even operate without Lloyd by his side? That’s what he was worried about when Lloyd first brought up the idea of becoming an agent, and it looks like we’ll finally get to see how he handles it.

Entourage 6.8 – The Sorkin Notes

It was only a matter of time before Doug Ellin and Co. slipped up and delivered a bad episode, but considering it’s taken this far into the season for it to happen, it really isn’t worth getting upset about. Still, not a whole lot went down in tonight’s show, and even worse, the filler portions weren’t very entertaining. The only subplot that did accomplish anything was the one involving Andrew Klein’s midlife crisis, but although fans of Ari were no doubt happy to see Jeremy Piven back after his pseudo-absence on last week’s show, this story is really starting to get on my nerves. Gary Cole may have been a great addition to the back-end of Season Five, but this year, they’ve turned his character into a boring mess.

Now that Marlo has locked him out of the house and frozen his assets, Andrew has started crashing at the office, and Babs has taken notice. With his meeting with Aaron Sorkin set to take place later that day, Babs gives Ari an ultimatum: either Andrew signs Sorkin or he’s gone. Of course, when it’s time for Andrew to prove his worth to the agency by reeling in the big fish, he isn’t there because he’s busy trying to get his notes from his home. When Marlo refuses to let him, and then burns said notes for him to see, Andrew absolutely loses it and drives his car through the house. Not a smart move, as it forces Ari to take the meeting in his place. Sorkin, however, hates Ari’s guts, and refuses to even listen to anything he has to say. So when they discover that Andrew has been sent to county jail, they go to visit him, only for Andrew to miraculously sign Sorkin after telling his lame sob story. I can’t say I was happy about that, though, as it only means Andrew is bound to stick around. This was the perfect time to get rid of his character and allow for Ari to get back to business, but now he’s stuck babysitting Andrew for what looks like the immediate future. Le sigh.

Meanwhile, in Other Subplots That Just Won’t Die, Eric and Sloan get together for drinks to try the whole friendship thing again, only for Eric to suddenly bail on her when Ashley comes crawling back. This whole back and forth between Eric and Sloan was always going to play a big role this season, but what was the point of bringing them together for a few seconds only for them to end up exactly where they were before? If Eric was upset that Sloan can’t decide what she wants, then why did he decide to meet her in the first place? It’s a pretty maddening storyline that I hope gets settled soon, because while I’m sure Eric will end up with Sloan eventually, the writers just need to get them together and be done with it.

The other story of the night focused on Vince’s recent break-in after agreeing to meet with Ari’s security friend (played by Peter Stormare) for a demonstration of his services. There didn’t seem to be much to this plotline except for a chuckle-worthy scene where Drama stood in for Vince during a simulation, but the final scene of the episode did open a few doors for the rest of the season. At first, I was going to criticize the guys for even considering paying the outrageous cost for security (after all, the unwelcome visitor only snagged some underwear), but now that they’ve uncovered a possible identity with the driver’s license of a particularly creepy-looking guy named Curtis Tucker, it might be more serious than we were led to believe. That, or the security guy planted the evidence in order to scare Vince into paying their steep fee. I’ll admit that the former offers a more interesting premise, but don’t count my other theory out just yet.

Entourage 6.7 – No More Drama

This year of “Entourage” has been pretty great so far, but one of the show’s biggest weaknesses has always been its tendency to hit the cruise control and coast through the middle of the season. Thankfully, that doesn’t seem to be the case this time around, as tonight’s episode managed to include not just one, but two major storylines, as well as a fun side adventure starring Vince and Turtle. The latter was obviously the most lighthearted of the bunch, but even though the break-in at Vince’s house was handled quite humorously (stolen underwear, really?), there’s a good chance it could become a little darker during the final stretch of the season. After all, celebrity stalkers shouldn’t be taken lightly, and though the guys have clearly ruled out firearms as a form of protection (“Turtle, you will end up like Plaxico and shoot yourself.”), they might want to take Ari’s advice and hire some security on the double.

Speaking of which, where was Ari tonight? With the exception of a short scene with Vince and Turtle, Ari’s only other involvement in the episode was sending Eric a bunch of pizzas as a gift for starting his new job. Ari may still think of him as a pizza boy, but Eric really hit the ground running on his first day, and I think that he’s going to prove to be a bigger asset than he gets credit for. With the exception of Harvey and maybe Billy Walsh, just about everybody Eric has worked with in the past likes him (or at least respects his work ethic), and that includes Bob Saget, who Murray is desperately trying to sign. At the moment, Saget is being pursued by a fellow co-worker named Scotty Lavin (Scott Caan), but when he fails to close the deal, Eric tries to close it for him after he name drops the former “Full House” star in a meeting.

As it turns out, the only way Saget will sign with the company is if he can have sex in Murray’s office. When Eric informs Scott of the strange request, however, he thinks that he’s being played, so Eric takes it to Murray himself and, just like that, bags himself a new client. Murray certainly seemed impressed with Eric’s initiative, and even jokingly suggests he sign Christian Bale by letting him “execute a cinematographer if he wants.” I highly doubt Eric is quite at that level just yet, but once Scotty learns that he’s been beaten to the punch, it’s not going to bode well for Eric. Of course, this impending rivalry is exactly what the show needs, and I can’t wait to see what the writers have in store for Kevin Connelly, Scott Caan, or even Kate Mara, who’s been cast in the incredibly thankless role of Eric’s assistant. Surely they plan on giving her more to do in the future.

That’s all we had time for this week, however, as the rest of the episode was dedicated to Drama trying to make up for his violent outage. With his job in limbo (Lloyd calls to inform him that all his scenes have been cancelled for the day), Drama races to the studio lot only to discover that he’s been banned to even enter. He tries to apologize to his boss by phone, but he only eggs Drama on even more, resulting in yet another threat – this one strictly verbal. So, with no other choice, Drama bribes the security guard at the gate with sweets and literally begs for his job back.

As it turns out, Drama’s job was never really in danger to begin with (Ed Burns granted him a “stay of execution”), but Dan the studio exec decides he’s going to torture him anyways, and I can’t even begin to imagine what that means for poor Drama. There’s a pretty wide variety of things that could happen to him, but since this is “Entourage,” I’m placing my money on his character having some kind of sexual (read: gay) reawakening. If the writers really wanted to turn the story on its head, however, they’d have Drama dreading the new subplot, only to receive a surprise Emmy nomination for his performance. Hey, it’s “Entourage,” it could happen.

Adam McKay talks “The Goods,” “Hansel & Gretel: Witch Hunters”

Anyone who’s a fan of Will Ferrell’s work will recognize the name of Adam McKay. The two have been in cahoots virtually since the day they met…which, as it happens, was the day they were both hired for “Saturday Night Live” (along with David Koechner, Cheri Oteri, and writer Tom Gianis)…and they’ve turned their collaboration on sketches like “Neil Diamond: Storytellers” and the ongoing saga of Bill Brasky into an partnership which has found McKay directing Ferrell in “Anchorman,” “Talladega Nights,” and “Step Brothers.” It’s also led to a successful production company – Gary Sanchez Productions – which has brought us HBO’s “Eastbound and Down,” “The Foot Fist Way,” and, most recently, the used-car comedy, “The Goods: Live Hard, Sell Hard.”

“The Goods” was kinda sorta buried at the box office by the competition, but Roger Ebert describes it as a “cheerfully energetically and very vulgar comedy,” adding, “If you’re okay with that, you may be okay with this film, which contains a lot of laughs and has studied Political Correctness only enough to make a list of groups to offend.” Hey, sounds good to me…and although McKay was doing the press rounds this week in what one presumes was an attempt by Paramount to kick up the buzz for the film a little more, he seems pretty comfortable no matter what the resulting numbers are this weekend.

“Regardless, we’re either gonna be a small little box office surprise or we’re gonna be a cult cable hit,” he said, with a laugh. “It’ll be one way or the other. But it certainly makes us laugh, so we’re happy about that.”

Producer Kevin Messick came to McKay and Ferrell with the script for “The Goods” with star Jeremy Piven already attached, and after giving it a read, McKay couldn’t have been more enthusiastic about the actor’s involvement.

“Oh, my God, if there’s ever a role that you’re going to have him play coming off the success he’s had as Ari Gold (in ‘Entourage’), it’s this role,” said McKay. “And we thought, ‘Well, we can do a rewrite on this, kind of gussy this up, get people we like in it, and sort of approach it through improv.’ Will and I had written a car-salesman script about five or six years before that, which Lorne Michaels tried to get made at Paramount, but it was a weird time over there, and we couldn’t get it made, and it was very frustrating. So we saw this script come through, and we thought, ‘Well, this is perfect.’”

Some may hear about the concept of this film and think, “Didn’t they already do this with ‘Used Cars’?” Although McKay is a fan of the classic 1980 Robert Zemeckis comedy and admits that it’s one of the reasons that the idea of the movie was so attractive to him, he estimates that 8 out of 10 people don’t even remember the film.

“It’s a film-fan movie,” he said. “I love it, of course, but it was so long ago. It’s kind of amazing that there really haven’t been many car-salesman movies since then. There was ‘Cadillac Man,’ but that wasn’t really about car sales. My favorite salesman movies are ‘Tin Men’ and ‘Glengarry Glen Ross,’ and that’s really what got us excited about it. If anything, ‘Glengarry Glen Ross’ was a huge influence on this movie. Even though this movie’s raunchy and absurd and silly, that vibe is still very funny to us.”

And so, by many folks’ estimations, is “The Goods,” although – appropriately, given the subject of the film – your mileage may vary.

McKay is currently in pre-production for his next directorial effort, “The Other Guys,” but that doesn’t mean that he doesn’t have his eye on what project will be next on the horizon. He’s excited at the prospect of branching out beyond his usual realm, and in addition to the sci-fi satire, “Channel Three Billion,” he’s particularly chomping at the bit to get the ball rolling on the intriguingly-titled “Hansel & Gretel: Witch Hunters,” from writer/director Tommy Wirkola.

“I love that movie,” said McKay. “That’s exactly the kind of shit where, like, it almost veers a little more toward Sam Raimi Land. Yeah, our production company, Gary Sanchez, is producing that. We saw ‘Dead Snow,’ the movie that Tommy did first, and Kevin Messick had Tommy come in, and he told us about this ‘Hansel & Gretel’ idea, and we were instantly, like, ‘Oh, my God, we’re doing that.’ And then he wrote an amazing script, so I’m as excited about that as anything we’re doing.”

Be sure to head over to Bullz-Eye.com next week for the full interview with McKay, where discusses the history of his collaboration with Ferrell, the status of “Anchorman 2,” and what we can expect from the second season of “Eastbound and Down.”

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