Category: TV Sci-Fi (Page 58 of 81)

Picard to engage…the TARDIS?

Earlier this week, U.K. tabloid The Sun reported a delicious “Doctor Who” rumor that will hopefully turn out to be more than scuttlebutt: Patrick Stewart taking on a guest-starring role in the series alongside his “Hamlet” co-star David Tennant. The scoop claims he will be playing the Meddling Monk, a fellow Time Lord who appeared only once in the classic series. The Sun is often correct with their “Who” rumors, but once again their report contains some dubious statements, such as the claim about the next series (season) screening next year, when it’s a well-known fact that Season Five won’t be unveiled until 2010, under the guidance of Steven Moffat. There will be four specials unveiled throughout 2009, but nothing’s been said publicly about any of them comprising a two-parter or that the Daleks will return. In any case, many a sci-fi nut will no doubt have their fingers crossed in hopes of this turning out to be true, as it would somewhat fulfill a major geek fantasy of seeing the two greatest TV sci-fi franchises crossing over (in a sense).

In the meantime, why not take a gander at ”The Time Meddler,” which was recently released on DVD? It features the one and only appearance of the Meddling Monk (played by Peter Butterworth), who isn’t quite as evil as the Master – he’s more of an intergalactic shit disturber. The story takes place in 1066, and sees the Doctor (William Hartnell) meeting another Time Lord for the first time in the series (although their race isn’t explicitly named – that didn’t happen until Patrick Troughton’s final story). The Monk is involved in an elaborate scheme which will ultimately change the outcome of the Battle of Hastings. Make no mistake, this is “Who” from 1965, which is a far cry from rapid fire adventures of Tennant, but this still makes for a weird little slice of TV history. (And if you’re really the sort of person who needs a star rating to consider something, then let’s call this one a three-star affair, shall we?)

Terry Pratchett’s Discworld Collection

After giving “Terry Pratchett’s Hogfather” a positive review earlier this year, I was eager to check out the latest release of video fodder from his Discworld universe. “Terry Pratchett’s Discworld Collection” encompasses two different tales from his oddball universe of magic and mysticism, only this time in animated form. “Wyrd Sisters” is the story of the orphan boy of a murdered king, and how the child comes to be in the care of a trio of witches (two of which are voiced by Jane Horrocks and June Whitfield of “Absolutely Fabulous”), all while the king’s ghost wanders around his castle, irate and perplexed by his offing. “Soul Music” tells the story of Buddy, who puts together a band to play a new type of sound – “music with rocks in.” (Get it – rock music?) As is often the case with Discworld, Death plays a pivotal role in both tales, voiced here by Christopher Lee. No doubt hardcore fans of Pratchett will be amused and delighted by these very faithful adaptations (the running times are 140 and 175 minutes respectively), but they may be the only ones. The animation is unfortunately something of a challenge to get through. Think of drawings a few steps below some of Ralph Bakshi’s older work and you can sort of guess what the style looks like – pretty but not fluid; colorful but lacking grace. However what these stories may lack in the visual department, they more than make up for in the realms of wit and imagination.

Click to buy “Terry Pratchett’s Discworld Collection “

Greetings to the New Show: “Life on Mars”

It’s time to lead off with another one in my seemingly endless series of shameful admissions, but for such an avowed Anglophile as myself, this one really hurts: I’ve never seen a single episode of the original British version of ABC’s new series, “Life on Mars.” And, frankly, I’m really, really embarrassed about it, because, boy howdy, is it a show that’s right up my alley.

Here’s the premise of the British version: Sam Tyler, Detective Chief Inspector with the Greater Manchester Police, is hit by a car in 2006…and when he wakes up, he’s in 1973. Not only that, but he’s a Detective Inspector with the Manchester and Salford Police Criminal Investigation Department. That’s right: he’s still Sam Tyler…and people in 1973 know him as such. So the question at hand is whether or not he’s traveled in time or if this is all just an elaborate fantasy concocted by his mind while he’s in a coma.

Totally awesome concept, no? I don’t know how I missed out on it, especially since it also takes its title from a David Bowie song, but on the up side, it means that I can appreciate the American version a lot more, since I won’t be constantly comparing it to the British version or complaining that it’s a word-for-word Xerox, problems which kept me from latching onto “The Office” right away.

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Heroes 3.4 – In The Future When All’s Not So Well

Although most of this week’s highlights came from the future, we did get a few interesting moments in the present. Mohinder tried to get a handle on his new abilities, only to find that his control over them isn’t what he hoped it might’ve been. What the hell is he doing to his neighbor, cocooning him? Despite how it may have seemed to many of us, Tracy discovered that she’s actually a triplet, but did you notice how Herr Doktor referenced that the triplets were named Tracy, Nikki, and…Barbara? The sequences with Nathan Petrelli and Mr. Linderman are very interesting, if only because I’m now totally uncertain about whether or not the latter does indeed continue to exist in some manner that allows only the former to see him. And Matt Parkman’s new buddy sent him spiraling into a white-eyed vision, which brings us to…the future.

Even with all of the advances in special-effects technology, it’s clear that we will never successfully reach a point where an actor can perform a scene with himself and not have it feel cheesy…or maybe it’s just because the only difference in Milo Ventimiglia’s PresentPeter and FuturePeter voices was that the latter was a tiny bit more growly. Either way, while the scene of the two Peters chatting with each other worked surprisingly well when they were interacting in the crowd, as soon as they headed down the alleyway and the focus of the scene was solely on them, I was very much in “gimme a break” mode. Fortunately, FutureClaire put a couple of caps in FuturePeter before I had to worry about it too much.

I liked the way FutureMohinder was couched in shadows, hissing his words, but what I really liked was that transition from the present to the future, with Mohinder’s voice slowing down on the tape recorder as it suddenly gained a coat of dust and a cockroach running over top of it. A small moment, but an awesome one. It was also good to see Molly again (kids grow up so fast these days), and the relationship between Parkman and Daphne is an intriguing one, to be sure.

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Old Show, New Season: “Pushing Daisies”

If the pilot for “Pushing Daisies” wasn’t the single best hour of television to emerge in the 2007 – 2008 fall TV season (and it wasn’t, because I still say that honor belongs to the pilot for “Reaper”), then it can at least be said with some confidence that it was the one which made the greatest visual impact, courtesy of its gorgeous colors. It also had a pretty damned unique premise, involving Ned (Lee Pace), a guy with the ability to bring dead people back to life – but only for a minute at a time, lest their return to life result in the death of someone else – who splits his time between making pies, solving crimes, and pining for Chuck (Anna Friel), a girl he can never touch. Oh, right: it also had a script that was sweet, sentimental, unexpectedly dramatic, and very, very funny.

Hmmm. Suddenly, I’m beginning to wonder if I need to go back and re-watch the “Reaper” pilot. Maybe I got this one wrong.

Nah, just kidding…but “Pushing Daisies” is a great show, and after having re-watched the entire first season on DVD, I found myself geared up to see where things were going to go with the series, especially after that bombshell they dropped in the season finale: that Aunt Lily (Swoosie Kurtz) is actually Chuck’s mother.

Season 2 kicks off with a considerable amount of catch-up, which only makes sense, given not only how complicated the series is but also how long it’s been since the show was last on the air. This is a good thing if you’ve heard lots of great stuff about the show but were concerned that you couldn’t possibly get into it at this late date. Believe me, this is about as good a summation as you could hope to receive…and while it’s stuff that the regular viewers will already know, they’ve managed to slide in a few new scenes here and there to keep it interesting for everyone.

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