Category: TV Sci-Fi (Page 4 of 81)

RIP Roy Ward Baker

It’s a blissfully slow movie news week so far, after last week’s frenzy, so far (unless I missed something…I’m busy!).

In any case, it’s time to catch up on the passing last week at age 93 of one of the most reliable members of the Hammer Films horror and science fiction stable of the sixties and seventies, as well as the director of the some of the coolest British TV of that time, Roy Ward Baker. Aside from starting his career as Alfred Hitchcock‘s assistant director on the spy-comedy-suspense classic, “The Lady Vanishes,” being one of the main directors on the legendary season of “The Avengers” that featured Diana Rigg as the immortal Mrs. Emma Peel, aside from directing “A Night to Remember” (about the Titanic, but without Jack and Rose), as well as the racy “The Vampire Lovers” and the gender bending “Dr. Jeckyll and Sister Hyde,” he also made one of my favorite pieces of British film science fiction. We Americans call it “Five Millions Years to Earth” but to the rest of the world it’s….

The 10 Most Memorable Reasons to Mourn Stephen J. Cannell

I had thought about suggesting that TV fans turn their sets off for an hour tonight as a tribute to the legacy of Stephen J. Cannell, who passed away yesterday as a result of complications associated with melanoma, but since I don’t think it’s possible for an hour to go by without one of his shows airing somewhere on your dial, I’m sure he’d much rather you watch his work than mourn his loss. It wasn’t until I was in my twenties that I sat back and took stock of just how much Cannell had contributed both to my childhood and my teenage years. I mean, my God, you hate to overuse the word “ubiquitous,” but if you look at how many times his name turns up in the credits of series which are considered to be staples of the 1970s and 1980s, you realize that you couldn’t turn around without hitting a series that he had either created or co-created.

Here are the 10 series from Stephen J. Cannell’s body of work that I’ll continue to enjoy ’til…well, ’til I join Stephen J. Cannell. If I’ve left out one of your favorites, be sure to cite it in the comments section.

10. Baa Baa Black Sheep (1976 – 1978): Based on the experiences of USMC flyboy Pappy Boyington and his “Black Sheep Squadron” during World War II, I couldn’t have cared less about this series when it was originally on the air, but it was required viewing for my father. Later, I realized that the man who played Pappy was the same guy who’d been kicking ass as James T. West on “The Wild Wild West” – Robert Conrad – and decided to give the show a chance. I don’t know if it was as historically accurate as it was probably supposed to be, but it proved that Conrad could even make WWII cool.

9. Baretta (1975 – 1978): Obviously, Robert Blake’s subsequent shenanigans in his personal life has tarnished his reputation as an actor, especially since there’s now an entire generation who only knows him for his work on Court TV, but in his day, Baretta was a full-fledged bad-ass…and so, for that matter, was his theme song.

8. Hardcastle and McCormick (1983 – 1986): The only thing that screams “the ’80s” more than McCormick’s car is the theme song, but Brian Keith and Daniel Hugh Kelly had good chemistry, and Keith helped set the decade’s industry standard for curmudgeonly characters.

7. Tenspeed and Brownshoe (1980): So, wait, which one’s Brownshoe again? You won’t believe how young Jeff Goldblum looks in this show, but if you’ve ever wondered where he honed the neurotic characteristics that have come to define his performances, look no further. Again, Cannell had an eye for chemistry. Who else would’ve imagined that Goldblum and Ben Vereen would work so well together?

6. Riptide (1983 – 1986): It’s the robot, right? Chicks dig the robot. Cody and Nick were cool, sure, but looking back on the show now, Tom Bray’s performance as Boz helped to define the concept of “geek chic.”

5. 21 Jump Street (1987 – 1991): A lot of people only think of “Jump Street” in terms of having been the show that really gave Johnny Depp his start, but let us not forget that, thanks to Richard Grieco, we were also blessed with the awesomeness that is “Booker.” Okay, actually, maybe we should just focus on Johnny Depp.

4. Wiseguy (1987 – 1990): The first season is nearly untouchable. Too bad we’ll probably never get the opportunity enjoy a non-bootleg version of Season 2’s “Dead Dog Records” storyline, which featured Tim Curry, Debbie Harry, and Glenn Frey. Damned music rights…

3. The Greatest American Hero (1981 – 1983): God bless William Katt, but the real heroes of this show were Robert Culp – Bill Maxwell is the FBI agent that actual FBI agents wish they could act like – and Joey Scarbury, who crooned the most insidiously catchy theme song of the decade.

2. The A-Team (1983 – 1987): Personally, I kinda liked the movie. But you can’t go wrong with the unbridled cheesy action of the original series.

1. The Rockford Files (1974 – 1980): Half-credit, of course, goes to co-creator Roy Huggins, whose success with James Garner on “Maverick” no doubt helped convince him to do the series in the first place, but there are virtually no one-man detective series on television today that don’t owe some degree of their success to the road paved by Jim Rockford. It might not be the single best show of the 1970s, but there are precious few from the decade that hold up as well.

And, of course, there’s no other way we could possibly close this piece:

A Chat with Michael Rooker

To my knowledge, the adjective “Rooker-esque” has yet to take off in any significant fashion, but when Michael Rooker calls you and says that he’s in the midst of driving across the country to get to his next job…I don’t know, it just sounds like exactly the sort of thing you’d expect him to be doing. Although he’s played many a crazy mofo in his career as an actor, Rooker still manages to possess the sort of everyman quality that makes it very easy to accept that he’d take a pass on a plane ride in favor of spending a couple of days taking in the scenery on a cross-country drive. Premium Hollywood had the chance to chat with Rooker in conjunction with the release of his latest film, “Atlantis Down,” directed by Max Bartoli, but we also got a bit of insight into his character on AMC’s “The Walking Dead,” learned about his experiences working on “Mallrats,” “Sea of Love,” and “Slither,” and heard him sing the praises of “JFK.”

Bullz-Eye: So how’s the drive going?

Michael Rooker: Actually, quite good. I’m in a little thunderstorm right now, but I’m just fine. I’m about to get back on the road and have a little chat with you.

BE: Where are you right now?

MR: I’m in Texas, near Odessa. I’m on the 20. I was on the 10, but then 10 and 20 split, and I’m heading basically up toward Dallas. Through Odessa and Midland, and then I’ll get into Fort Worth and Dallas.

BE: I told my wife there was something very Rooker-esque about that fact that you were on the road, driving to your next assignment.

MR: (Bursts out laughing) I do this all the time, and it’s kind of crazy, but I just do. My better half is sort of always wondering, “Why don’t you just fly?” But, you know, it’s nice and relaxing. It helps me get ready and prepare for the job, and then afterwards it helps me defrag on the way home.

BE: Sounds like the perfect combo.

MR: So far, so good. It’s worked thus far…and I’ve got about 280 thousand miles on my vehicle to prove it! (Laughs) I think by the end of this trip I’ll have another 10 thousand on it, so it ought to hit 290 thousand.

BE: I’ve got over 150 thousand on my Hyundai Elantra, but I’m pretty sure I haven’t seen half the things you have.

MR: (Laughs) Still, you guys must do some traveling, huh?

BE: Well, we did a lot more of it before our daughter got here.

MR: For sure, man!

BE: So how did you first get hooked up with “Atlantis Down”? Because I know it’s certainly a labor of love for these guys.

MR: Dude, this was, like, a last-minute phone call…for me, anyway. It was really quick. I was working on a movie, I think it was down in the Wilmington area, and I got the phone call. Then I got the script, and it was kind of cool. But it was really fast. But I just said, “Yeah, you know what, I’m here, I’m on the east coast, and I think I can do it.” I snagged a couple of friends, who read lines with me, and I drove up, did my role all in one day, and came back.

BE: Wow.

MR: (Laughs) It was really quick…and painless, really. It was just a very quick little job that was kind of crazy. I’ve never accomplished my entire role in one day before. It was nuts! I don’t want to do that too often, but it was a crazy experience, and I’m still friends with everyone involved, like Max. Like you said, the whole thing was a labor of love, and I was honored to be a part of it.

BE: Can you speak a little bit about your character in the film without giving too much away?

MR: Well, you know, my guy is… (Hesitates) I’m an alien. I’m an alien being that is having a joyous time playing around with these human creatures, basically. (Laughs) I don’t want to say too much more, so that’s kind of about it, really. I just give ‘em hell. I goof around with their brains and mess around with their thought patterns, what they think they see and what they don’t see. So it’s kind of freaky and weird for them. And, of course, for my character, I obviously didn’t have a lot of time to prepare, so I just went and did it. I learned all the lines real quickly, and then I got there, and Max said, “Ah, forget about the lines. Just say what you would normally say.” And I’m, like, “What?” (Laughs) “Uh, okay, Max, okay…” So, basically, the entire role is improv. We improvised the whole piece. Having the lines as my base, I riffed on them and changed them, thought of new ways to say stuff, used new patterns of putting things together, and…we did it all in one night. It was crazy, dude. Crazy! I still don’t know how the hell we got it…

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A Chat with Robert Carlyle of “Stargate Universe”

To the world at large, Robert Carlyle is best known for his roles in “The Full Monty” and “Trainspotting,” though James Bond aficionados likely remember him more fondly for his villainous turn as Renard in “The World Is Not Enough.” Since 2009, however, sci-fi buffs have been thrilling to Carlyle’s work on “Stargate Universe,” where he plays the ever-scheming Dr. Nicholas Rush. Premium Hollywood had a chance to chat with Carlyle just as the series returns for its second season, and in addition to offering up a few ideas of what we can expect to see from Rush in the near future, he discussed his opportunity to direct an “SGU” episode, which actor on the show he’d like to work with more often, and what led him to venture away from motion pictures and take this gig in the first place.

Stay tuned for…

Robert Carlyle header image

Premium Hollywood: Hello, Robert, how are you?

Robert Carlyle: Very well, thanks.

PH: It’s good to speak with you again. You and I chatted briefly a few years ago when you were at the TCA tour.

RC: Oh, right, okay!

PH: Well, you’ve been talking up Season 2 of “Stargate Universe” since Comic-Con in late July. You’ve got to be glad it’s finally here!

RC: Yeah! You know, it’s one of these things where suddenly it’s upon you! You get in the middle of it up there in Vancouver, and then it’s, like, “Okay, we’re on!” (Laughs)

PH: I’ve read some of the reports about your panel there. It sounded like you guys had a good time.

RC: Yes, absolutely! But, I mean, I enjoy everything about this. I really, really do love everything about this job. There’s nothing at all that’s upset me so far, or else I’d be gone. I wouldn’t be here. (Laughs) I’d be off doing something else. But this is all good .

PH: Do you enjoy the Comic-Con experience?

RC: Well, you know, you’re supposed to say that you don’t. Actors are supposed to say, “Nah, I hated it.” To be honest with ye, the first time ‘round, the first year, was a wee bit strange. It’s a strange, strange world. This time, I really enjoyed it. I really began to understand it a little bit more, what the convention’s about, and understanding that a lot of these people, the fans that come to these things, they meet each other at other conventions, and there’s kind of like a little community…and I felt kind of honored to be part of that this time. So I enjoyed it. I sat beside my wife one night, and the zombie parade came past…like, a thousand zombies came past the table. That’s not something you’re going to see every day, you know? (Laughs)

PH: Plus, you’ve got zombie street cred, thanks to “28 Weeks Later.”

RC: Well, you know something? I’m sitting there, I’ve got my shades on and my beard, but there were still zombies who stopped to shake my hand as they walked past. (Laughs) I thought, “My God, you’re real fans of that genre, aren’t ye?”

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Mubarak ho, Mr. “Robot”-o

Though there’s been some bombshell television news today, it’s been a blissfully slow news 48 hours regarding the movie world. True, Mike Fleming had a couple of scoops yesterday. His short list of possible “Superman” directors is fun — I’ll take Duncan Jones please, though Matt Reeves would be okay, too.  Also, though I remain impressed by her work, having just seen another terrific performance by Chloe Moretz at a screening last night of “Let Me In,” the fact that she’s got another nice gig as “Emily the Strange” is interesting but not exactly earth shattering. So, I’ll forgo the end-of-week movie news dump.

Instead, we’ll spotlight what have to be the trailers of the day, if not the week. According to Anne Thompson, it apparently started from a tweet by the very busy former “Lost” showrunner Damon Lindelof, who’s heading to India and will be checking out what has to be one of the most lavish Bollywood films ever in terms of effects. It’s a superheroic science fiction tale involving, well, a robot, a giant snake thing, an enormous number of guns, and, of course, big time musical numbers! Here’s the short trailer and some brief TV spots Thompson ran.

Also, just about the time Thompson put up her post, I was alerted by friend-of-the-blog-and-blogger Randy R. to a another, slightly more musical comedy oriented trailer that was running on the site of Ms. Thompson’s comics counterpart, Heidi MacDonald.

Gotta love Bollywood: something for everyone.

Just for the record, “Robot” is directed by Shankar (though it’s such a common name I’m not 100% sure if this is the same Shankar who crafted the hugely popular  “3 Idiots,” though it seems like a reasonable bet) and stars Aishwarya Rai and Rajnikanth who I gather is known as simply Rajni and is a superstar. The music is by A.R. Rahman who is easily the best known composer of Bollywood music here in the West for his terrific work on “Lagaan” and also as the double-Oscar winning composer of the music for “Slumdog Millionaire.”

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