Category: TV Dramas (Page 55 of 235)

Mad Men 3.13 – “Do We Vote or Something?”

DAMN, that was good.

Tonight’s season finale of “Mad Men” was one of those blessing / curse episodes: it took threads from throughout the season, tied them together into a happy ending of cheer-worthy proportions, but just as you start to think, “Oh, man, I can’t wait to see what happens next,” you remember that you’re watching the season finale and that your wait is going to last for the better part of a year.

When we first see Don, he’s a goddamned mess. He looks like crap, he’s been kicked out of his own bed, and even worse, his alarm didn’t go off, leading him to show up late for a meeting with Conrad Hilton. Not exactly the best start to a day, and it only gets worse: Connie drops the bombshell that McCann-Erickson is buying Putnam, Powell & Lowe, and since PPL owns Sterling-Cooper…well, so much for the Draper / Hilton partnership. Given his already rough morning, it’s no surprise that Don quickly descends into mouthing off to Connie about his treatment, leading Hilton to snap back with the suggestion that Don’s being a bit of a whiner. In the end, the two shake hands and depart as…not exactly friends, but still on some semblance of friendliness, at least from a business standpoint.

Mad Men - Don Draper in tan suit

It’s after this encounter, though, that the ball really starts rolling, and, man, there are some points where you feel like the ball in question is the boulder that chased Indiana Jones in “Raiders of the Lost Ark.” Seriously, this was about as fast-moving an episode of “Mad Men” as I can ever remember. After we have a quick flashback to Don’s childhood, wherein we see that he has some personal experience to abrupt business transitions, Mr. Draper blows into Mr. Cooper’s office and drops on him the bombshell that he’s learned from Hilton. The result, surprisingly enough, is little more than a shrug. (“It makes sense,” says Bert. “All that short-term thinking.”) When Cooper falls back on his “we’ve got a contract” mentality, Don lashes back and suggests that they try and buy Sterling-Cooper back from the Brits, making for an absolutely fantastic back-and-forth between the two of them, delivered with impeccable timing by Jon Hamm and Robert Morse. The buyback isn’t such a bad idea, but, of course, it involves Don and Roger Sterling having to start speaking again, which would seem to lower the odds considerably…and, yet, it doesn’t. Instead, it leads to a reconciliation between the two of them, though not before Morse and John Slattery get their chance to do some verbal sparring, with Cooper offering his “Join or Die” speech and Sterling openly mocking his tactics. Even after returning to speaking terms with Roger, however, Don still can’t catch a break, returning home only to get the word from Betty that she’s moving forward with her plans to divorce him.

Mad Men - Roger Sterling in a car

The Trio of Power – that’s what I’ve decided to start calling Don, Roger, and Bert – soon reconvene and invite Lane Pryce in for a cup of tea, springing it on him that they know all about the situation with PPL and Sterling-Cooper. He tells them they’re slightly misinformed. Turns out that he’s slightly misinformed, once again getting the shaft from the company to which we’ve consistently seen him giving his all. This time they’ve gone too far, however, and he’s not afraid to let them know it. I gotta tell ya, I almost cheered when Lane began working out specifics with the Trio of Power about a possible partnership. This scene was even more enthralling than the ones which had preceded it, with the Trio more than willing to acknowledge Lane’s worth to them. And as soon as the quartet decided on their new plan of attack – to let Lane fire them and immediately begin working a back-door plan to start their own brand new agency – the tone of the episode officially turned into something not terribly far removed from “Ocean’s 11,” with a “we’re getting the band back together” vibe.

But what do you do when not everybody in the band wants to get back together?

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This Tuesday in TV-DVD – Nov. 3, 2009

* The Rockford Files: Movie Collection, Vol. 1: It’s like I said in my review: if these movies aren’t necessarily up to the standards of the original series – and let’s face it: they often aren’t – it’s so good to see James Garner, Stuart Margolin, and Joe Santos back in their familiar roles that it hardly matters.

* The Shield: The Complete Series Collection: Similarly, I’ll let Jason’s review speak for this set. “From its great ensemble cast and the memorable group of characters they portrayed, to the writing team’s ability to consistently hammer out quality and controversial storylines, ‘The Shield’ is by far one of the best cop dramas ever produced. Nay, one of the best dramas, period. It may not have gotten the attention it deserved during its seven years on the air, but its release on DVD will ensure that the legacy lives on for many years to come. If nothing else, you can expect it to be heavily referenced when the next great cop drama arrives on television, because while ‘The Shield’ may not have invented the wheel, it definitely burned the rubber off the tires enough times for people to take notice.” I have no doubt that he’s right. And one of these days, maybe I’ll even get a chance to sit down and watch it myself.

* Will Ferrell: You’re Welcome, America – A Final Night with George W. Bush: Adam McKay described Ferrell’s one-man Broadway show as “one of those great projects where you really walk in not at all caring about what the critics are going to say.” That’s probably a good thing, given what Jeff Giles, has to say about it. (To be fair, though, even McKay admitted that, although “the director of our special, Marty Callner, did an amazing job, nothing ever matches the live experience. The people who saw it live had a totally different reaction to it.”)

* Mission: Impossible – The Final TV Season: By the time this, the show’s seventh season, rolled around, you needed a formal checklist to cite all of the people whose departure left fans saying that it “hasn’t been the same since.” There’s no Martin Landau, no Barbara Bain…even Leonard Nimoy was gone by this point. But, hey, the big three – Peter Graves, Greg Morris, and Peter Lupus – are still around, with Lynda Day George serving as the season’s predominant femme fatale. Now that the whole series is available, when are we going to get the 1988 revival released on DVD?

* Spin City: Season Three: Shout Factory must’ve blown its whole bonus-material budget for the show on the Season 1 set, because we haven’t seen a single special feature since, but at least the comedy keeps on coming.

* Star Wars: The Clone Wars – The Complete Season One: Your mileage on this show varies by how much you can stand of George Lucas’s prequels, but at the very least, it looks and sounds good.

* Walt Disney Treasures: Zorro – The Complete First Season / Walt Disney Treasures: Zorro – The Complete Second Season: Once upon a time, when Antonio Banderas was merely a twinkle in his father’s eye, Guy Williams was dressed in black and bringing a whole new meaning to the phrase “cutting Z’s.” As usual, you can count on Disney to hook you up with a plethora of classic bonus material.

* Doctor Who: The War Games / Doctor Who: The Black Guardian Trilogy: What the…? Our man Ross has written full-length reviews for both sets? I am shocked. Shocked. Sounds like “The Black Guardian Trilogy” might be pretty good if you just skipped over the middle part of the trilogy. As for “The War Games,” while Ross says it’s “difficult to recommend…to people unfamiliar with it,” it’s a fantastic set for fans, and “the transfer and restoration work are just freaking gorgeous.”

* Fraggle Rock: The Complete Series Collection: Dance your cares away, worries for another day, and let the music play down in Fraggle Rock for as long as you can stand to watch. But given that it’s a Jim Henson production, you can probably stand to watch for a very long time, indeed. Actually, this isn’t the first time we’ve been offered a complete-series set for this show, but as someone who owns the notebook-styled version that came out last year, where the DVDs fall out way too easily, I can assure you that you’ll be a lot better off if you pick up this one instead.

* G.I. Joe: Resolute: I haven’t seen this Cartoon Network series, nor have I seen the new movie, but I don’t think I’m going too far out on a limb to suggest that this might be better than the movie. Or, at least, that’s the buzz, anyway.

Other releases this week:

* Ruby-Spears Superman:
* Here’s Lucy: Season 2:
* The Donna Reed Show: Season 3
* Art 21: Season 5
* Edge of Darkness: The Complete BBC Series

And – ho, ho, ho! – a trio of holiday releases for the kiddies:

* Dora the Explorer: Dora’s Christmas Carol Adventure
* Thomas & Friends: Holiday Express
* Merry Sitcom! Christmas Classics from TV’s Golden Age

Sons of Anarchy 2.9 – Fa Guan

As we draw closer to the end of the season, the Sons continue to be pushed farther apart. Jax and Clay have been at each other’s throats for weeks, Opie and Jax’s friendship is deteriorating, and Tig feels like he’s losing his place as Clay’s right-hand man. To make matters worse, the future of Caracara is put in danger when some of the girls get arrested for prostitution and drug possession after the Sherriff’s Department receives an anonymous tip. Not that Clay cares, because he wishes they never got involved to begin with, and he now blames Jax for Luanne’s death.

Jax, however, doesn’t seem to care about anything Clay says or does anymore, and when he threatens to shut down the porn studio after the latest incident, Jax confronts him in front of the club about Donna’s death. Not officially, mind you, but when you utter the words “You are really going to stand there and lay the guilt of a dead wife on me?” someone is bound to figure out what’s really going on. That person will probably be Bobby, because that look on his face after overhearing Jax and Tig’s discussion seems to indicate that he’s finally put two and two together.

sons_of_anarchy_2-9

What he does with that information is anyone’s guess, but for the time being, he has other club business to take care. He’s sent on a mission along with Jax and Opie to convince an Oakland judge to throw out an INS case involving Henry Lin’s gun dealer, and though it doesn’t look like it’s going to pan out quite like they planned (their “emotional leverage” turns out to be a bust and Opie loses his cool), they eventually persuade the man to toss the case. Meanwhile, David brings Clay evidence that Zobelle is setting up Darby to prove Charming doesn’t need the Sons, and when SAMCRO stops by Darby’s latest meth house to pass on the tip, he runs back to Zobelle pissed that he’s been sold out. Unfortunately for Darby, he was probably always an expendable pawn, just like everyone else.

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“Southland” has been saved

In a delightful screw-you to the programming powers that be at NBC, TNT has saved the day and picked up “Southland.” Although I must, as ever, remind you that I have never claimed to be Nostradamus, I am pleased to say that I did predict that this would be the case when I originally posted about the show’s cancellation by NBC, so it’s nice to see that I can get something right once in awhile. (I’m still smarting over the fact that, in Bullz-Eye’s Fall TV Preview that “Trauma” has been canceled, but I stand by my position: based on their pilots, I can’t imagine anyone would’ve expected “Mercy” to last longer.)

Here’s the official word from TNT on the latest addition to their line-up:

TNT has picked up the critically acclaimed series “Southland,” closing a deal with Warner Bros. Television that will bring the drama from Emmy-winning producer John Wells (“ER,” “The West Wing”) to the network in January. TNT has obtained exclusive rights to air all six episodes that have been shot for the second season, as well as the seven episodes from the series’ first season. “Southland” will air on TNT Tuesdays at 10 p.m. (ET/PT), beginning with the first episode of the series on Jan. 12.

“This is a great win for fans of ‘Southland’ and a perfect opportunity to introduce the series to new viewers,” said Steve Koonin, president of Turner Entertainment Networks. “It’s also another outstanding example of how TNT has established itself as the go-to place for the best dramas on television.”

“We are extremely pleased that TNT has acquired all 13 episodes of ‘Southland,’ giving devoted fans the opportunity to watch a show that they passionately support,” said Peter Roth, president of Warner Bros. Television.

“We’re delighted that TNT has stepped forward to pick up ‘Southland.’ We are all extremely proud of the show,” Wells said.

Of course, if you’ve been following the Twitter feed of “Southland” star Michael Cudlitz since he started making with the obscenities over NBC’s treatment of the series, then this is old news to you, anyway. He reacted to the news minutes after the story broke, thanking everyone in Twitterland and saying, “The reason this happened was because of you. They never would have picked this show up if they didn’t think it had an audience.”

But will the audience make it over to TNT come January…?

Mad Men 3.12 – JFK blown away, what else do I have to say?

It’s impossible to write about the season’s penultimate episode of “Mad Men” without immediately acknowledging the elephant in the room: the JFK assassination. As grim as it sounds, it’s an event we’ve been waiting for since the second episode of this season. You may or may not remember, but there was a shot in Episode 3.2 which pointedly focused on Margaret Sterling’s wedding invitation, of which I wrote at the time, “I’m sure those who know their ’60s dates better than I do offered a sad nod when they saw the date of Roger’s daughter’s wedding, but I had to look it up. Given that the camera pointedly held on the invitation, I figured, ‘Okay, clearly, this is an important date,’ and I was right. Well, the actual wedding day isn’t necessarily important, but the day before certainly will be.”

And so it was, though it was already starting off pretty important for a few folks at Sterling-Cooper even before things went dramatically downhill in Dallas.

Roger’s daughter is battling back against her new stepmother, making ridiculous claims about how Jane’s gotten her so wound up that she no longer wants to get married. This sets Mona, a.k.a. the former Mrs. Sterling, into a rant during which she comes across as about as pleasant a mother as Betty Draper, but it’s clear that, once upon a time, she and Roger really were a match made in Heaven. Roger, meanwhile, has his own problems, and in the midst of his annoyance with Jane’s attempts to forge a relationship with Margaret, she locks herself in the bathroom. She tells him to go away. He snaps back, “Or what? You’ll commit suicide?” That’s dark, Roger, but somehow it’s still funny…well, y’know, unless that’s what she actually did.

We got a brief reappearance of Peggy’s roommate, who seemed to mostly show up for purposes of disparaging the relationship between Peggy and Duck Phillips. Later, she gets completely flustered (and we get a big laugh) when Duck invites her off for a mid-day rendezvous and, when she attempts to slip out surreptitiously, Paul unabashedly calls her out by saying, “I know a nooner when I hear one.” Awesome.

Mad Men office

Aw, look at poor little Pete, asleep on the couch. Rustled awake by his assistant, his first instinct is to criticize the hot chocolate she’s brought him. That’s our Pete! It’s ice cold in the office for some reason (later, Don complaints that it’s too hot, leading me to believe that there’s some intended temperature-related metaphor going on in the background), and it only gets colder when Lane Pryce calls him into his office to give him some “rather disappointing news”: Ken is being made senior VP in charge account services, while Pete will be head of account management. Pete takes in the information with as much stride as he can manage, though you get the impression that he could well go “American Psycho” at any given moment. He bails out of the office and heads home, where a surprised Trudy immediately begins to play Ellery Queen and work her way through Pete’s assurances that he’s been fired before confirming that he’s just being typically melodramatic. A return to the office leads him into a conversation with Harry, but when Harry reaches over to turn down the volume on the TV on his desk so that they can chat in earnest, a familiar CBS News graphic pops onto the screen…well, familiar to someone who’s watched “JFK” as many times as I have, anyway.

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