Category: TV Dramas (Page 159 of 235)

I feel like a quote out of context…

While I’m psyched that so many outlets have opted – either directly or indirectly – to pick up my interview with “Journeyman” creator Kevin Falls…

* Ain’t It Cool News
* Sci-Fi Wire
* TV Squad
* Abject Conjecture
* Slice of Sci-Fi
* All the Billion Other Moments
* Adventures in a Strange Land
* Televisionary
* The Moving Picture
* Life on the Bubble
* TV Tattle
* The Potato Report
* The TV Remote
* TV Is My Pacifier
* Supernatural News
* Dragon World
* SyFy Portal
* Unreality TV

…I’m a little disappointed that several of them – and I’m not naming names here – have avoided mention of Falls’ repeated comments that the series can still be saved and, instead, have opted to steer toward the suggestion that Episode 12 will be the last episode…if, in fact, it even airs.

Watch tonight at 10 PM, immediately after “Heroes,” and for the next two Mondays in the same timeslot. The show ain’t gone yet, but to use unabashed and blatant blackmail, if you don’t watch, it will be soon.

InfiniteRegress.TV joins the “Journeyman” fight

Paul Levinson, fellow TV blogger and the man behind the appropriately-named Paul Levinson’s Infinite Regress, is doing his part to inspire viewers to tune in to tonight’s new “Journeyman” episode by offering up a copy of his own time-travel novel, The Plot to Save Socrates, to the first person who can correctly answer his trivia question about the episode. (And FYI, even without the contest, there’s a lot of good reading to be had over at Paul’s site, so go check it out when you get the chance.)

A Chat with Kevin Falls, producer of “Journeyman”

If the only names that catch your eye during a television show’s opening credits are those of the actors, you probably aren’t aware that Kevin Falls is the creator and an executive producer (not to mention show runner) of NBC’s “Journeyman.” And if that’s the case, then you almost certainly wouldn’t have been aware that he’s also had a hand in “Sports Night,” “Arli$$,” “The West Wing,” “The Lyon’s Den,” “North Shore,” and “Shark” over the years as well. Given recent rumblings that Falls’ current gig isn’t nearly as secure as “Journeyman” fans would prefer, I jumped into action to give the show as much publicity as possible, starting with an attempt to secure an interview with the man who created the series. Things fell into place quickly, but after the established time of our conversation came and went, I got a little antsy. I needn’t have worried: Falls readily set up a new time for us to chat, and within moments of getting on the line, he had launched into an apology for the delay.

Bullz-Eye: Hello?

Kevin Falls: (Laughs) Hey, Will!

BE: Hey!

KF: I’m all yours! I’m so sorry about yesterday; there was a communication breakdown, and it was my fault. I just totally dropped the ball, so I apologize. But how are you?

BE: I’m doing good. How are you?

KF: Good!

BE: I think we met for about two seconds back in July, at the TCA Press Tour.

KF: Oh, right! I met a lot of people, but I think I do vaguely remember you. But it’s been a wild couple of months!

BE: I’m sure! Well, I’ll start off with some specific questions about the show before I move into the inevitable writer’s strike questions.

KF: Sure! And, hey, I checked out your site today, and it’s really cool! It’s kind of like a “Maxim”-styled website!

BE: Yeah, that’s usually the point of reference we give people, to kind of sum it up in a nutshell.

KF: Hey, man, that’s where I wanna live!

BE: Yeah, the bikini girls pay the bills, but they give us the opportunity to do whatever pop culture stuff we want to tackle on the site.

KF: That’s great! Well, I was flattered that you guys put us in your TV Power Rankings. That was a shot in the arm, and we really appreciated it.

BE: Absolutely. We love the show. Ross (Ruediger) is our resident blogger for the show, but there are several fans among the writing staff, including myself.

KF: Great. Well, that’s nice. Thanks!

BE: Well, when I was at the panel for “Journeyman” back in July, one of the big points of discussion was the comparison to “The Time Traveler’s Wife,” which led you to pointedly declare for the record that you’d absolutely never read the book… (Laughs) …but did those comparisons finally start to die down once critics actually had a chance to watch the show beyond the pilot?

KF: Yeah, I think once they started watching it…you know, certainly, early on, actually, when the issue was more of the domestic problem of time traveling and its impact on the marriage, I think we kind started there ‘cause we wanted it to start with how it would feel to a family, and then get into more of the mythology of it. But once we got deeper into it, all that stuff fell away. And the “Quantum Leap” (comparison) hung around for awhile, and then that fell away, and it seemed like everybody kind of realized it was its own show.

BE: So were you indeed influenced by any specific shows, or just kind of the concept of time travel in general?

KF: No, the whole genesis of the idea came from my agent. Every spring, I would meet with my agent, and he would ask, “What are you going to do for pilot season?” And I said, “I don’t know. I’m just out of ideas.” (Laughs) I didn’t want to a law show or a cop show, and I just didn’t know what to do. And he said, “How about trying something different and breaking into a new genre?” And that’s how we got into time travel. I’ve seen movies I’ve liked, like Malcolm McDowell in…what was that movie called?

BE: “Time After Time”!

KF: Yeah, “Time After Time,” which I thought was really good. And some other shows. And my brothers were the sci-fi geeks in my house, and I was always impressed but never converted. It was, like, my brothers were always smarter than me, so I felt like, “Okay, these guys get it, but I’m not worthy,” y’know? But I’ve always been someone who likes to do things over, whether it’s a bad date or a job or a rewrite. Whatever. But I’m definitely one of those guys who likes to look in the rear view mirror a lot.

BE: Okay, I should probably warn you that some of these questions might come off as a little disjointed, since they’re coming from a couple of different writers.

KF: No problem. I’m in a car on the L.A. freeway.

BE: So you’ve got all the time in the world, then.

KF: Yeah. And I don’t have a job at the moment. So it’s perfect.

BE: Well, there you go. Okay, so what challenges does the time travel part of the show present as far as story and continuity, and how do you go about tackling them?

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Journeyman 1.9: “Emily”

I wondered some time ago when Dan would botch his first job. While he didn’t necessarily screw up this week’s mission, he certainly went off on a tangent that’s going to haunt him next week (and maybe even beyond.)

For the second time in two weeks, Dan traveled into one hell of a party scene – only this time it was an early-90’s rave (boy, did that take me back…). Amidst the club kids dosing on ecstasy and acid, he sees Livia – but it’s Livia from ’92! When he asks her what they’re doing there, she’s blissed out and doesn’t even recognize him. Once he realizes that this a version of Livia that’s never even met him, he moves on to do his token sleuthing. He notices a brick wall that seems unstable due to the thumping rave beats. He quite easily knocks a few bricks out of place and sees a young girl on the other side.

Afterwards, it becomes clear (at least to Livia and the viewer) that the mission is to protect the young girl, Emily, who grows up to be played by Indigo of “Weeds”. It’s Dan’s job to keep her on the straight and narrow. Unfortunately, back in the present, Zack is acting up both at home and at school. In one of the episode’s biggest leaps of faith, we’re asked to believe that Dan in turn acts out on his mission because of the way his son is acting up.

Anyway, Dan becomes convinced that this creepy realtor who holed up Emily will strike again. He enlists Jack in the present in his quest to put this guy away. Livia repeatedly warns him not play outside the Journeyman rulebook. He ignores her by insisting that he can do his mission and right this other wrong as well. He seemingly accomplishes both, but it all comes back to bite him in the ass in the episode’s final moments. In the present, the timeline has been altered: Jack has no memories of helping Dan and the creepy realtor guy has been released from prison and knows where Dan and his family live.

If it all sounds confusing, that’s because my recap didn’t do the episode justice. It played out in as uncomplicated a manner as one could imagine and delivered a true time travel mind fuck ending (although, admittedly, I kinda saw it coming). But certainly critics of the series who wonder about screwing things up in the past and the consequences they might have on the present should feel better after this episode. And the previews for next week – which showed Livia revealing herself to Jack – make “Journeyman’s” future look quite bright indeed.

And no – I’m not speaking of ratings…according to AICN, the show is on the precipice of cancellation (click here for this tidbit).

Keep an eye out here at Premium Hollywood for Will Harris’ upcoming interview with “Journeyman” creator Kevin Falls.

Heroes 2.9 – Aren’t You The Guy Who Hit Me In The Eye?

Let’s just lay it on the line right here, baby: this was the best episode of the season to date…and then some.

Claire’s such a teenager, particularly the way she totally shrugged off her father’s highly valid point that her troubles didn’t really begin in earnest until she and Flyboy pulled their stunt with the head cheerleader, but, really, her melodramatic speech to her winged beau could only have been uttered by someone in their teens. After their encounter, you knew he was going to have a tête-à-tête with HRG; I appreciated the throwaway line from Flyboy about how he didn’t have super strength and wasn’t going to be able to hold HRG for long, along with the incredibly crappy way they landed, which also rang true.

(Sidebar: Right before Claire got snaked by Bob, I discovered just how much of a music geek I am. I’m sitting there, watching a squadron of high school cheerleaders doing a routine, and yet the thing that was first and foremost on my mind was, “Damn, that song they’re doing cheering to is catchy! Who sings that?” How embarrassing.)

I actually rather liked Flyboy this episode…which is definitely a change, since my opinion of him has pretty much ranged from indifference to annoyance…but the scene with him swooping in and knocking the hell out of Elle was pretty awesome, and his delivery of the line, “Hi, Mrs. Butler, it’s…good to, uh, see you again,” was perfect. For that matter, I also liked that small conversation between him and HRG about cars.

So Elle’s Bob’s daughter? No shock there…and no electrical-powers pun intended, either. “He’s adorable! Can I keep him?” God, I love Kristen Bell. Way to work that straw, baby.

HRG once again came through as a guy who, for as dark as his soul might be, really and truly does love his daughter. I loved the way he growled, “No-one’s taking my little girl,” though it ended up being superseded as my favorite line of the episode at the precise moment he looked into the camera and sneered, “Stings like a bitch, doesn’t it?” Hey, it’s nothing compared to taking a bullet in the eye from Mohinder Surersh! Whether you figured HRG was gonna get a transfusion from Claire or not (as I must admit that I did), it didn’t change the sunset beauty of how that whole death sequence played out; Bob’s expression was more pained than I would’ve expected, but the look on Mohinder’s face was just right. Just because you know you’re doing the right thing doesn’t mean it’s easy to live with the repercussions…especially when, in this case, the guy you’ve just killed is now back from the dead and has rarely been known to keep a cool head when it comes to extracting revenge.

Hiro going back in time to try and save his dad? Not too surprising. I mean, really, has anything ever happened that Hiro didn’t try to go back and fix? For such a sci-fi nerd, he really doesn’t seem to grasp how much trouble he’s potentially causing by mucking with the space-time continuum so often. George Takei seemed like he was about a hairsbreadth away from telling Hiro, “With great power comes great responsibility,” on several different occasions, but it was still a nice moment in the end, when Hiro asked his pops to tell Mom “hi.” It also wasn’t terribly surprising to find that Adam had been Mr. Nakamura’s killer, but maybe we were just supposed to appreciate Hiro’s shock at the revelation.

So after all the mental issues Molly’s suffered through over the past few episodes, what does Matt do? Test his newly enhanced mental abilities by forcing her to eat cereal. Once he used them to make his boss change his mind, I realized that, yeah, this might explain why he was so dark in that alternate future we saw back in Season 1. I was a little surprised that he actually got a fair amount of answers out of Mama Petrelli (along with that great line, “Our generation mortgaged our souls to protect yours!”), but I’m as curious as I’m sure everyone else is to find out who this mystery woman from the picture is…though by episode’s end, we did at least know that her name was Victoria Pratt. That was a very subtle thing at the end, with the post-it quietly but noticeably now on the photo above her face, but it means that Matt crossed the line, and all bets are off.

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