Category: TV Dramas (Page 14 of 235)

Mad Men 4.12 – A Certain Kind of Girl

Sorry for the delay in knocking out this week’s blog, but I spent the weekend attempting to cover the New York Comic Con, and the end result was that, upon flying home and making it into my house at about 10:30 PM, my attempts to watch and blog the show while wearing my spiffy new “Mad Men” button from NYCC – it has an illustration of Roger Sterling, along with the words, “When God closes a door, he opens a dress” – were interrupted by my complete and utter inability to stay awake.

So here we are on Monday morning, and although I’m still pretty freaking tired, I’m at least slightly better rested than I was last night.

Guess I picked the right button: it’s another episode directed by John Slattery. Things kick off with Don having an off-the-record meeting with a guy from Heinz, trying to get a feel for whether or not the company might be willing to hook up with Sterling Cooper Draper Pryce. It’s clear that he respects Don and his work (though he may just be saying that because Don’s behind his premise that beans don’t have to be funny), but they’re on different timetables. There are two people at that table, but only one of them has any real confidence that SCDP will be around in six to eight months, and, frankly, you can’t blame Heinz for wanting to make sure that they’re working with an ad agency that’s going to have some sort of staying power.

Mad Men - Don Draper with Pete Campbell

Geoffrey Atherthon lays the state of SCDP on the line, using dating metaphors to make his point, and since “tobacco is your ideal boyfriend,” he’s helped provide the firm with a meeting with Philip Morris about their new cigarette line for women. “We will listen more than we will speak,” says Bert, matter-of-factly. “Like a good girlfriend,” smirks Atherton. Immediately after the meeting, everyone begins to break into small camps: Bert and Roger discussing what sort of clients they should be pursuing, Harry and Ken mostly just trying to figure out where they stand in the firm, and Pete and Lane talking about the state of the office and Don saving the day. Meanwhile, Don and Faye are chatting as well, but it’s work-related, so the conversation ends in a handshake, a decision which clearly bemuses Don. I’m guessing it probably wasn’t a coincidence that the shot was framed in such a way that Megan appeared to be between them.

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“Terriers” is getting good

I had high expectations for FX’s new series, “Terriers,” which was created by Ted Griffin, the writer of “Oceans Eleven” and “Matchstick Men.” It stars Donal Logue, whose work I enjoyed on “The Knights of Prosperity,” “Grounded for Life” and “The Tao of Steve.” He’s a talented actor who can play both the lovable protagonist and the arrogant asshole. He plays a former cop (and recovering alcoholic, sigh) Hank Dolworth who now works as an unlicensed private detective. His partner in crime is a former thief (played by Michael Raymond-James, who first hit my radar as the serial killer Rene on “True Blood”) and the two work together on shady cases in Ocean Beach, California.

The first couple of episodes were just okay, as Logue’s character spent a lot of time worrying about his ex-wife, her new fiance and their old house that was up for sale. The writing wasn’t terribly tight, either. After he ‘bought’ the house, he was able to move in before escrow even closed, which definitely doesn’t happen in real life.

Anyway, I stuck with the series, and in the fourth installment a previous job reemerged and took over the storyline for two more episodes, getting the investigators in some deep doo-doo in the process. The arc felt an episode of “The Shield,” where Vic Mackey had to spend two hours trying to clean up a mess that he created…if it were written by Elmore Leonard.

Like “Oceans Eleven,” the show moves at a fast pace and I enjoy how it camps out in the grey area of life with a serialized format — like the rest of FX’s stable of shows (specifically “Rescue Me,” “The Shield,” and “Justified”). This isn’t a story about a man in a white hat taking on a bad guy in a black hat. Just like Tommy Gavin, Vic Mackey and Raylen Givens, Hank Dolworth is a complicated man, and it typically takes him more than an hour to work out his issues.

So if you elect to give “Terriers” a shot, or if you already gave up after the first or second episode, stick around until the end of the fifth episode, and then make up your mind. Other than “Boardwalk Empire” and “The Event,” the fall season doesn’t seem to have much to offer in the realm of new dramas, but “Terriers” deserves consideration.

Sons of Anarchy 3.5 – Turning and Turning

There’s been a lot of debate recently over the validity of Father Ashby’s conduct regarding baby Abel, but if he truly is planning on using the kidnapping as a way to get rid of Jimmy O, then the pieces are starting to fall into place. Maureen’s phone call to Gemma has already stirred the pot, and although Jimmy’s right-hand man, Luke, ensures the club that Abel isn’t in Belfast, Jax promises him that if he’s lying, he’s going to personally track down Jimmy and beat the truth out of him. And if I were Jimmy, I’d probably start looking for a good place to hide, because it isn’t long because Jax hears back from Maureen confirming that Abel is in Belfast.

On a side note, I’m really curious to learn more about Maureen in these coming weeks. Though she has obvious ties to the IRA due to her brother’s involvement, her loyalties seem to lie more with SAMCRO – not only because she’s married to the Belfast chapter president (McGee, who might just have the coolest beard on TV), but also because she seems to have a secret history with John Teller. When Jax first brought up Maureen’s name at the hospital, Gemma and Clay shared this telling look of concern. And then, after he had left the room, Gemma declared her apprehensions about Jax going to Belfast because “stones [would] get unturned.” Or in other words, Jax would learn something that Gemma doesn’t want him to know.

sons_of_anarchy_3-5

Unfortunately, Gemma can’t do much to stop him as she’s currently stuck in the hospital recovering – not from a heart attack, but her arrhythmia. Plus, she’s under the custody of the Feds after she agreed to turn herself in to Agent Stahl in exchange for a deal that would remove the death sentence from the table and give her weekly visits. But when Stahl informs her that the deal has been denied due to some silly technicality, Gemma’s future seems even more uncertain than everyone thought. And to make matters worse, she blames Tara for Abel’s kidnapping, claiming that she didn’t do enough to save him because he wasn’t her child. It’s a pretty cruel thing to say to anyone, and I don’t think she would have said it were it not meant to transition into one of the night’s big reveals: Tara is six weeks pregnant, and she’s keeping it a secret from everyone, including Jax. How Gemma knew is beyond me, but I guess we can chalk it up to mother’s intuition.

Gemma may know about Tara’s pregnancy, but she has no idea what Jax is about to do to save her from going to prison. And if anyone at the club finds out, they’re not going to be too happy about it, either. This isn’t the first time that Jax has considered turning rat in order to save the club, but now that the deck is so stacked against him and his family, he really has no other choice. It’s a pretty good deal too: Jax gives Stahl the bust of a lifetime by informing on major players in the IRA, and Gemma gets her name cleared and SAMCRO is given a reduced sentence on the assault charges. And as a sign of good faith, Jax has even delivered Luke and a van full of illegal guns on a silver platter to prove that he’s serious. It’s the kind of game changer that not only affects this season, but will have long-term ramifications on the series as a whole, and I just hope it doesn’t prove to be too much of an obstacle for the writers, because it’s risky storytelling like this that makes “SOA” one of the best shows on television.

Mad Men 4.11 – Too Little, Too Late

When I saw that this week’s episode was entitled “Chinese Wall,” I found myself overwhelmed by a sudden wave of deja vu. “Now, wait a minute,” I thought. “I know damned well that phrase has been utilized before, because I posted the video for Philip Bailey’s ‘Walking on a Chinese Wall’ when it happened.” And, indeed, that was true: Faye made the reference back in Episode 4.9.

If you’re not familiar with the term, it’s an expression which, according to the never-fallible Wikipedia, means “an information barrier implemented within a firm to separate and isolate persons who make investment decisions from persons who are privy to undisclosed material information which may influence those decisions.” In this case, the wall in question has been constructed by Roger, and he’s put everyone else on the other side of it.

And, now, on with the episode!

Hey, look, Peggy’s hanging with the lesbian from Life and her pals, including the guy who pissed her off with his writings a few episodes back. I guess all is forgiven now that he’s asking permission to quote her, since she immediately brings him back to her pad (I was disappointed, though, that Peggy’s reference to her roommate didn’t result in an appearance from Carla Gallo), and a good night evolves into an even better morning. We’re seeing a whole new Peggy, people!

Mad Men - Ken Cosgrove

Ray Wise in the house! Ken Cosgrove and his fiancee are having dinner with her parents – yep, Mr. Wise is her dad – when he gets word that Lucky Strike is moving out of business with Sterling Cooper Draper Pryce. As you can imagine, this information scares the heck out of him…so much so, in fact, that he rushes out of dinner and into the waiting room at the maternity ward, where Pete is waiting for Trudy to have their baby. Pete’s immediately on the phone to Don, and although he interrupts his makeout session with Faye to take the call, the topic of conversation instantly puts a damper on his libido. The next thing you know, everyone who’s anyone – minus Lane, of course, though it’s acknowledged that he’s been duly informed – is at the office, ready to pounce on Roger the second he walks in. He claims it’s an impossibility and immediately calls Lee, except we know from his comments that he’s clearly not talking to him.

Don heads back to his place and immediately starts drinking, and you know that ain’t a good sign. He acknowledges that he’s more or less dreaded this possibility for quite some time, but although Faye tries to remind him of how valuable a player he is, Don dismisses her level of concern, saying, “I’m not at that point yet.” Clearly, he’s not going to go down without a fight. Pete’s father-in-law, meanwhile, is almost immediately dismissive of any chance of the firm’s survival, basically saying, “Ah, well, you had your fun, now back to the real world.”

Should I feel sympathetic for Roger? Well, I did, at least a little bit. It’s not his fault that Lucky Strike decided to pull out, and I can’t blame him for not wanting to admit the loss to the firm, but at the same time, he’s clearly getting in over his head with this chicanery, getting a highly warranted smackdown from Joan for keeping his mouth shut when something could’ve been done to save the situation. After she once again relents and lets him swing by her pad, they share a sweet embrace, but even though he’s pretty pitiful when he departs from the premises, she’s seriously disappointed the next day by the fact that he’s continuing to weave his web of lies, and the awkwardness between them is palpable. I don’t think she’d betray him to them, mostly because it’s not like they could save the account at this point, anyway, but his actions are putting her job in jeopardy, too, and I think it’s pretty well established how much she enjoys her niche at the firm. For his part, Roger seems to have been temporarily swayed by the arrival of his book. Maybe he’ll be inspired to become the ad man he once was…?

Mad Men - Peggy

After Bert and Don give the State of the Union address, the feeling on the floor is that everything’s more or less under control, but Don’s not pulling any punches when he sits his team down. The best moment, though, came when it was just him and Peggy. They’ve definitely got their own special relationship now…if, uh, not quite as special as the one she had last night, which has put her in a stellar mood. Unfortunately, it’s pretty transparent to everyone around her, which results in Stan being an Alpha Male to the Nth degree. What a jackass that guy is. Still, even his minor-league attempt at getting revenge on her for her rebuffing of his advances didn’t do any damage: it takes more than a little lipstick on the teeth to stop the creative force that is Peggy Olson!

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Boardwalk Empire 1.3 – Feet of Clay

So where were we? Oh, right: the blood-covered guy in the woods.

The lone gunshot victim is being hustled into the emergency room, having somehow managed to survive for several days in the woods. How he managed to do this, however, remains a mystery…or, at least, it does to Eli, anyway. “He’s fat?” suggests Eli. “He’s insulated? I don’t know. How should I know? I’m not a doctor.” Nucky’s pissed off about the whole situation, but he’s particularly angry at Jimmy…and, really, can you blame him? Nucky tells Eli to take care of the situation, and he certainly gives it his best shot, but attempts to smother the poor bastard with a pillow fail, though it’s not clear whether it’s because Eli’s a bad smotherer or if the guy just has really good lungs. Either way, it’s a minor miracle that Eli manages to quickly set aside the pillow just before Van Alden and his boys swing in to the question the fellow.

Catching the tail end of Nucky’s charitable phone call served as yet another piece of evidence that he’s had his own issues with a child at some point in his past. As ever, it was nice to see as much of Lucy’s body as possible – little did we know how much more we’d be getting later – but when she started talking about the possibility of having a baby, I thought the way she said “mommy” was highly disconcerting. I know some guys get off on baby talk, but hearing her talk that way while half naked and seconds away from giving a blow job, all I could say was, “Ew.”

Wow, I knew Nucky was a big shot, but when you’re big enough to get Eddie Cantor to play your private party, you’re really something. Eli pops ’round to tell Nucky about the situation at the hospital, but when Nucky tries to give him shit for not having stayed at the hospital to protect their patient, Eli – otherwise distracted by Cantor’s goo-goo-googly eyes, basically says, “This ain’t my problem, go be pissed at Jimmy,” and to echo my statement from a few paragraphs back, can you really blame him?

Speaking of Jimmy, when they put the focus on his fascination with how his wife could keep their son still long enough to take his picture, followed by him flipping through the photo album, I thought it was simply to offer a sense of how depressed he was with the lost time between him and his family and how different he and his wife have become. I didn’t anticipate that it would lead to that scene with Jimmy and Tommy ending up at the photographer’s studio. I can see why he would’ve been suspicious of the photographer at first, based on the scandalous shot of his wife baring her shoulder, but once Jimmy had met the man and his wife and seen how comfortable Tommy was around both of them…I dunno, I guess I just thought it would dissipate somewhat. Instead, he seemed to get even more jealous, though part of that could simply be because he’s dealing with so many emotions that he just doesn’t know what to feel.

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