Category: TV Dramas (Page 132 of 235)

Old Show, New Season: “Gossip Girl”

Ah, “Gossip Girl.” Thank God for your first season coming out on DVD just in time for me to become so sufficiently smitten with the series as a guilty pleasure that I was actually a little bit excited about the second-season premiere…and now that my daughter’s off on a field trip with her nana, I can write a bit about the season opener as well as the two episodes that follow it.

So what did everyone’s favorite teen-aged Upper East Siders do over the summer? Well, despite Blair’s concerns, Serena didn’t just spend her summer sitting around, watching ‘The Closer’ and eating take-out…but nor did she dare to have any sort of rebound relationship. Yes, it’s true: Serena still misses Dan. Blair, meanwhile, tried to spend her summer forgetting about Chuck by starting to date a lad named James…or did she do it to make Chuck jealous? Either way, we still ended up with a moment that confirmed once and for all that creator Josh Schwartz is absolutely out to take this show over the top, when James turned out to be an English lord who had taken on a false identity as a commoner so that he could find a woman who wasn’t just after his title.

Awesome.

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Prison Break: “Scylla” & “Breaking and Entering”

Well, “Prison Break” is back for a fourth season, and it’s sort of a blessing and a curse. There’s no doubt that it’s an entertaining show, and its return marks the beginning of the fall season. But I’ve been using my brain this summer, and it’s hard to turn it off for two hours while “Prison Break” gets set up for this season’s storyline. How contrived is this show? Let me count the ways…

1. Sona burned down and Bellick, Sucre and T-Bag escaped. Think about this for a second. Sona was a big square building with a fence around it. If the building catches on fire, the inmates would just run out into the fenced-in yard surrounding the prison. If any tried to climb the fence, they’d be shot by the soldiers in the towers. So how do not one, not two, but three main characters escape the prison?

2. Lincoln kills a man in Panama. All right, this is a little more believable, but he was right there in public and any number of witnesses (including LJ and Sofia) would have seen the struggle and the eventual accidental murder. He gets 15 years yet Don (played by Michael Rappaport… Michael Rappaport!) is able to “swing a deal” to allow Linc to serve his time in the States.

3. This whole “Ocean’s Seven” thing they have going. Don is working a covert operation and he needs Michael to acquire “Scylla” to take down the Company, and he’s going to give him the manpower to do it. Not trained professionals, mind you, instead he’s going to provide – you guessed it – guys like Sucre, Bellick and Lincoln. These guys have mad skills in covert ops.

4. T-Bag is going to leave his sexy nun because he has a “blood feud” with Michael. T-Bag has $50 K from Luchero and a hottie Panamanian girl that seems to love him despite his handicap and his general creepiness. Why leave all that to pick another fight with a guy who has outsmarted you time and time again? What’s the upside here?

5. Sara is alive. Boy, this one really got me. During the entire run of the third season, I watched and waited for some clue, some tiny little hint that Sara might still be alive. I was slow to accept her death because I believe that her romance with Michael is the real heart of the show. But finally, when no discernable clues or hints ever came, I eventually accepted that she was gone. NOPE, SHE’S BACK! (And luckily I missed the news that Sarah Wyane Callies was returning to the show.) She somehow escaped Gretchen’s clutches and made it back to America in one piece. Now, I have no problem with the thesis that Gretchen faked Sara’s death, but the story of her escape is implausible and the fact that there was no hint that she still might be alive is proof that this is something that the creators came up with during the hiatus (or very late in Season Three). Don’t get me wrong, I’m glad she’s back, but this seems woefully thrown together.

I could go on, but those are the major head-scratchers.

So now what? Once again, “Prison Break” has spun off into a completely different direction. Michael, Lincoln, Sara, Sucre, Bellick, Mahone and some tech genius named Roland have to acquire the six parts of Scylla and break into the Company’s headquarters in order to secure their freedom. Gretchen is still alive (I’m sure there will eventually be some emotional confrontation between her and Sara) and Michael is bleeding mysteriously from his nose.

Oh, and don’t forget, there’s still a lot of money sitting at the bottom of that Panamanian bay. Clearly, the producers are hoping we forget that little fact because surely Lincoln would have collected the loot once the escape was over.

Lastly, one thing I noticed was that the show was quite a bit funnier than last season. Here are a few of the better lines:

Bellick and Sucre getting caught at the hospital…

Bellick: “We’re screwed!”

The group discusses Roland’s background.

Michael: “He’s an identity thief.”
Lincoln: “He’s a douche. Hey, why don’t you sit in the corner and we’ll get you when we need you.”

(By the way, I think “douche” is one of the funniest words in the English language. I want a sound clip of Lincoln saying “he’s a douche” to play every time I get an email. That’s how funny I thought that line was. In fact, I’m still laughing as I type this.)

Mahone catches up to Bellick, who supposedly stole the maid’s bag.

Mahone: “I actually had to slow down not to catch you.”

(Is it just me, or would it have been easier just to have Sara meet the maid at the bus stop again and tell her that she might have accidentally dropped her cell phone in her bag when she was looking at it? No, no, of course not. What am I thinking? The double break-in was totally necessary.)

T-Bag comes across a couple of four-wheeling Americans just after becoming a cannibal.

Dude on four-wheeler: “What’s wrong, man? Eat some bad Mexican?”

Ba-dum-bump-tish!

Greetings to the New Series: “Raising the Bar” (TNT)

For someone who’s contributed so much to television, it’s rather surprising just how quiet Steven Bochco has been for the past few years.

Bochco is the man responsible for executive-producing such classic dramas as “Hill Street Blues,” “L.A. Law,” and “NYPD Blue,” as well as short-lived but highly regarded series such as “Murder One,” “Brooklyn South,” and “Over There.” After 2005’s well-intentioned but sketchily-executed “Commander in Chief,” however, Bochco’s name stopped appearing in the credits for any new shows, and in a 2007 interview with Newsday, he admitted that he had decided to take a step back from the broadcast networks, saying, “I don’t think there’s a big appetite for the stuff I like to do. You’re looking at 400-year-old cops and detectives who are vampires. . . . It’s fine. I don’t have any disdain for it. It’s just not what I do.”

Thankfully, Bochco has found a new home on cable with TNT, who seem to be welcoming him with open arms…and when he’s offering up a series like “Raising the Bar,” why wouldn’t they?

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902whatthehell?!?

Just got this update from the publicity department of The CW:

The CW and our studio partner CBS Paramount Network Television have made the strategic marketing decision not to screen ‘90210’ for any media in advance of its premiere. We’re not hiding anything . . . simply keeping a lid on ‘90210’ until 9.02, riding the curiosity and anticipation into premiere night, and letting all our constituents see it at the same time.

I’m calling “bullshit.” I hear what they’re saying, but given all the controversy over Tori Spelling dropping out of her appearance in the show, can you blame me for being skeptical about this announcement? I could’ve accepted an excuse of the screener not being ready yet before I could accept the claim of “simply keeping a lid on ‘90210.’”

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