Category: TV Dramas (Page 101 of 235)

Heroes 3.17 – Let’s do right or let’s just say we’re through…

Last week’s “Heroes” ended with HRG taking a swig of his drink and, at least to the untrained eye (i.e., mine), his sudden wooziness made it appear that he’d been slipped a fast-acting mickey. Maybe he had been drugged…or, then again, maybe he was under the influence of Matt Parkman’s heavy-duty mental powers. It was hard to tell at the time. Whichever the case, the result was the same: the guy went down, and he went down hard. The next thing you know, he’s being dragged out by Parkman, Mohinder, and Peter Petrelli.

What we learn at the beginning of this week’s episode, however, is how this plan came into being. Unsurprisingly, it’s Matt who’s the mastermind of the goings-on…and, of course, I say “unsurprisingly” because he’s clearly royally pissed off about Daphne being taken down a few episodes ago. I had to laugh at how typically wishy-washy Pete was, though. First, he’s wondering about the issue of drugging him, asking Matt uncertainly, “Can’t you just read his mind and get what we need that way?” But ten seconds later, when Mohinder chimes in about his own issues with the kidnapping aspects, Pete confidently counters, “I don’t like it, either, but this way it gives us answers.” Damn, Petrelli, I’ve heard of getting with the plan, but that’s gotta be some kind of record!

In short, these three stooges (Mohinder, Larry, and Curly?) spiked HRG’s Scotch with a pharmaceutical agent that would enable Parkman’s abilities to penetrate all of Noah’s psychological training and get the answers they want about what’s going on with Nathan’s big governmental crackdown on America’s heroes.

What do they discover? Only the best chapter of the “Fugitives” saga to date…and, I feel comfortable arguing, the most impressive episode we’ve gotten in Season 3, period.

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“Reaper” rumor

I know I’m not the only one amongst the Bullz-Eye staff who regularly frequents TVShowsOnDVD.com, but if you’re a “Reaper” fan and aren’t familiar with the site, then let me tip you to a news brief that popped up there this morning.

David Lambert, one of the regular TVShowsOnDVD.com contributors, offered up this bit of info:

Our contacts in the industry tell us that the plan is for The CW to air all 13 episodes (of “Reaper”) on thirteen consecutive Tuesdays, and after the 2nd season finale airs on Tuesday, May 26th, then Lionsgate will release Reaper – Season 2 on DVD exactly a week later, on June 2nd.

Sweet! We can only hope that the powers that be have utilized the amount of time that’s passed since the cast filmed the episodes – they were working on them in 2008 – to produce better bonus material for this set than they did for Season 1. I’ve talked to three of the primary cast members of the show over the course of its run (Bret Harrison, Tyler Labine, and Ray Wise), and they all love working on and talking about the show, so it’s clear that they’d be willing to contribute if only they were asked to do so.

Battlestar Galactica: Deadlock

After last week’s jam-packed episode, the series downshifted a bit, delving into the minutiae (i.e. the food shortage) that played such a prominent role in the first two seasons. While Baltar and Paula were arguing about food, I was wondering if this was really how we were going to spend the last five episodes. This detail-oriented stuff was interesting when the show was finding its feet, but with all that has happened, it just feels trivial. The major plot points to come out of Baltar’s storyline is that Caprica Six is back in his head (yay!) and that he managed to convince Bill to give him a trunk load of guns to defend their food stock. (I’ll admit that it was funny to see how Baltar picked the prettiest mom to help, resulting in a major eye-roll from Paula. Some things never change.)

It was nice of Boomer to bring Ellen back to the fleet, but their arrival has all sorts of consequences. First and foremost, Ellen is still an annoying bitch. When she finds out that Tigh and Caprica Six are expecting, it throws her into a jealous rage and she tries to manipulate the situation to get back into Saul’s arms. The plan may have worked too, as it could have been the stress of Ellen’s return that sent Caprica’s pregnancy off the rails. Now that the baby is out of the picture, I’d expect Tigh and Ellen to pick up where they left off. (Baltar and Caprica Six may too, for that matter.)

Tory, Tyrol and some of the numbered Cylons suddenly want to leave the fleet, and given what Sam said before his surgery — “Don’t leave the fleet!” — Tigh is more than a little reluctant. Since Caprica lost the baby, the whole Cylons-can-procreate argument doesn’t really hold much water, so they may decide to stick around for a while. Bill’s worried about Galactica’s dependence on Cylon technology, but the lesson (probably) is that humans and Cylons need each other to survive.

Boomer’s return creates another issue — what does Bill do with her? She tried to assassinate him and then defected from the other 8’s to join Cavil in the Cylon civil war. As one of our readers suggested last week, she may have come back to rejoin Tyrol. He’s single and obviously still has feelings for her. This could drive a wedge between Bill and Tyrol, and that’s not good.

Finally, I have to mention a subtle yet hilarious exchange in Bill’s quarters when Baltar was pleading for help…

Bill: The two of you can listen to this.
Lee: Where are you going?
Bill: To the head, to do something constructive. A little project I’ve been working on.

The term “head” of course means the toilet, so Bill is saying that taking a dump is more constructive than listening to Baltar speak. That’s some dry humor there. Great stuff.

Lost 5.6 – 316

If there was ever any question whether “Lost” was the best show on television right now, tonight’s episode surely quieted its detractors. Arguably a weaker episode compared to the others this season, it was still a solid hour that not only answered more of our questions about the island, but also introduced a few new ones that, thankfully, we should know the answer to in a matter of weeks, and not years. While the Islanders have been enjoying their month in the limelight, however, it was only a matter of time before the A-Team became the stars of the show once again. And as we all knew was bound to happen, they’ve finally made it back to the island. Well, Jack, Kate and Hurley, at least, though much like the episode, I’m getting a bit ahead of myself.

46 hours earlier, Jack seemed like the only safe bet to return. His meeting with Mama Faraday probably wasn’t the most encouraging to anyone still on the fence (especially after Desmond’s fervent warning), but I feel like that whole scene was more for the audience’s benefit than the characters. After all, it’s the viewer who cares the most about how this whole world operates (Jack was going to return to the island no matter what), and Eloise quickly proved that she is her son’s mother with a mouthful of scientific gibberish sure to confuse anyone that wasn’t listening carefully.

Lost 5.6

From what I gathered, the strange underground station they were standing in was called The Lamp Post. (Apparently, Dharma had a thing for silly nicknames even before they arrived on the island.) The station is how the scientists originally found the island, what with it being built over a pocket of magnetic energy, much like the island itself. It wasn’t until they stopped trying to find where the island should be and looked where it would be that they actually located it. You see, the island is constantly moving (though I don’t believe she meant through time, like it’s doing now), and in order to get back, the Oceanic Six have to enter through a dimensional window that can only be accessed at a certain place during a certain time. In this case, it’s via a flight from Los Angeles to Guam.

Before Jack heads to the airport, though, he picks up Locke’s body from the butcher’s. Ben was originally supposed to take care of that, but he calls Jack last minute asking him to do it instead. Curiously, when Ben finally did board the plane, all bloodied and bruised, not a single person asked him what the hell happened. Was it Sayid who did the beating, and if not, why was he being escorted by a federal marshal? It all seemed a little suspect to me, but the scenes at the airport were still the highlight of the show. It was really cool to see everyone reunited under some very awkward circumstances, from Kate randomly ditching Aaron to Hurley doing a little damage control by buying up as many seats as he could. (On a side note, I loved that he was reading a Spanish edition of “Y: The Last Man.”)

Hurley was clearly thinking about saving lives when that was the last thing on Ben’s mind. Of course, they probably all thought that the plane was going crash, so when Jack asks him “And the other people on this plane, what’s going to happen to them?,” Ben casually replies, “Who cares?” Some people probably took this as yet another sign of Ben just being Ben, but after Jack, Kate and Hurley suddenly awoke to find themselves on the island without actually crashing, it seemed to me like maybe they were just transported the moment they passed through the “window.” Again, this is something that probably won’t be fully explained until we find out what happened to everyone else. And that includes (a clean shaven) Frank Lapidus, who just happened to be the pilot of Flight 316. You’ve gotta love the “Oh shit” face he gave Jack when he suddenly realized what was about to happen: “Wait a second, we’re not going to Guam, are we?”

What I’m curious to find out is why they must take a plane to get there again. Is that the only way to reach the island, or is that just part of the rules? Eloise explains that they must do everything in their power to make the flight as close to the original one as possible, but if it truly is all about science and not fate, then why do Jack and the others have to trick the island into letting them come back? Additionally, does anyone who’s ever been to the island automatically return (like Ben and Lapidus), or does it only work for those from the Oceanic crash? I’m sure we’ll find out soon enough, but judging from the two new faces sitting with them in first class (one of which happened to be the underrated Saïd Taghmaoui), I’d bet on the former.

Friday night — where good shows go to die

In theory, Fox had a solid idea. Pair Joss Whedon’s new hour-long drama, “Dollhouse,” with “Terminator: The Sarah Connor Chronicles” to create a male-skewing sci-fi block on Friday night. They’ve had success on Friday’s in the past with sci-fi; “The X-Files” flourished there (or at least paid for itself) for several years. But The Live Feed reports that ratings for both shows were a disappointment.

The series premiere of Joss Whedon’s “Dollhouse” was seen by 4.7 million viewers Friday night and garnered a 2.0 preliminary adults 18-49 rating and 6 share. It was beaten in the 9 p.m. hour by ABC’s “Supernanny” (6.1 million viewers, 2.2/7) and is the lowest-rated scripted series premiere on a major broadcast network this season aside from NBC’s now-defunct “Crusoe.”

“Dollhouse” was paired with the midseason return of “Terminator: The Sarah Connor Chronicles” (3.7 million, 1.3/5), which was shifted from its previous Monday post. “Terminator” came in third place in the hour and hit a series low (by like 27%). “Terminator” beat NBC’s “Howie Do It” (3.9 million, 1.2/4), but not by much. Both “Ghost Whisperer” (10.3 million, 2.4/8) and “Wife Swap” (4.3 million, 1.5/5) did better.

I thought “Dollhouse” had a pretty solid premiere, but I was by no means blown away. The premise is interesting — that there’s a business that can reprogram “dolls” to become whatever its clients need. In the premiere, Echo (Eliza Dushku), started out as a party girl meant to entertain a rich playboy, but was reprogrammed to become an expert in kidnapping scenarios. Dushku looks great in a dress, but was a little stiff when she was trying to convince the father of a kidnapped girl that she was the right person for the job. I’m not sure that she’s the right one to carry the series, though future episodes will decide this. Stepping back a bit, I’m not sure how some viewers may react to seeing this pretty girl having her brain wiped at least once per episode. If the heroine doesn’t have some consistent character traits week-to-week, she may be tough to relate to.

I’ve liked “Terminator” all along, and I’m surprised that it is struggling in the ratings. I suppose this has to do with the collective attention span of fans of the movie series. Maybe stringing out a serialized plot over 20+ episodes is just too slow of a pace for those that fell in love with the action-packed “Terminator” films. This is a perfect example of a series that should have a 13-episode season, like many of the series on HBO, Showtime, FX and TNT. Shorter seasons means a compact season-long story arc and no filler, which is the main reason that a series loses viewership. When people get bored they naturally move on.

Another Friday show that is dying a slow death is “Friday Night Lights.” It consistently scored in the 4.0-5.0 range in its first season, and that fell to the 3.0-4.0 range in its second foray. Now, after premiering on DirecTV this fall, the show is garnering ratings in the 2.2-2.8 range as NBC runs the episodes for the non-DirecTV folks. Is this enough to keep this stellar show on the air for another season? Only the big-wigs at DirecTV and NBC know for sure, but given the state of the economy, it would be surprising if it were granted a fourth season.

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