Category: TV Comedies (Page 98 of 154)

The Office: “Goodbye, Toby”

You may (or may not) have noticed that I didn’t blog “The Office” the last couple of weeks. This is due in part to a relative lack of things to write about. With Jim and Pam getting along swimmingly, there really wasn’t a “will they or won’t they?” vibe going on anymore and I found myself simply scribbling down my favorite lines and transcribing them for you. It is much easier to blog a serialized drama where there are obvious things to talk about – season-long storylines, cliffhangers, mysteries to solve, etc. – but comedies can be tough. (I know, cry me a river, right?)

But tonight’s episode definitely warrants a post. It was the season finale, and the writers didn’t let us down. Once Pam and Jim got together, I was worried that the show would lose that heartwarming feel that offsets some of the mean-spiritedness of some (or most?) of its characters. But this season has been just as funny, and one of the season-long story arcs was Jim’s decision to propose. This almost came to a head tonight, but Andy beat him to the punch. I wish I could say that I was surprised, but they sort of hid Andy for most of the episode, and as soon as I saw him sitting there at the party with that big, goofy grin, I knew he was going to ruin Jim’s moment.

I didn’t like the fact that Pam was a little upset (or was it disappointed?) with the fact that Jim didn’t propose. Does it not run through her mind that, once Andy makes an ass of himself, Jim may have wanted to propose but couldn’t because Andy just stole the show?

A while ago, I pondered (on this blog) about the reason why Michael hates Toby so much and I hoped that they’d eventually reveal the back-story. A reader wrote that he thought it was simply because Toby is the HR guy and his role is to tell Michael when he’s crossed the line, essentially sucking the fun out of working at Dunder-Mifflin (as far as Michael was concerned). I honestly thought that there was more there, but tonight’s episode revealed no new information on that front, so I guess I was wrong. I will say that Michael’s song parody of Supertramp’s “Goodbye, Stranger” was pretty cool. (And I’m aching to hear “Beers in Heaven” as well, even if it is a bit sexy.)

But back to the romance angle, it was a disappointing episode for Michael, who finally found a girl that seemed to like him for him. By the way, Holly, the new HR rep, was played by Amy Ryan, who recently finished up her role as Beadie on “The Wire.” She also has a burgeoning film career, with recent roles in “Gone Baby Gone” and “Before the Devil Knows You’re Dead,” as well as “Dan In Real Life,” in which she co-starred with Steve Carell. Was that how she came to be on “The Office”? Hmmm.

Anyway, there I am, rooting for Michael not to mess it up with Holly, and Jan rears her ugly head. Don’t get me wrong, I think Jan is hilarious, but how she manages to rope Michael back into her life after refusing to use his sperm to get pregnant is beyond me.

As we look forward to next season, I wonder if Holly will be a recurring character and if that romantic triangle will be a season-long storyline. If so, I think it has potential.

In other news, it was great to see Jim messing with Dwight at the beginning of the episode. I think there should be a rule that every other week, the show has to open with Jim playing some sort of prank on Dwight. That’s great stuff. I also enjoyed Kevin the Mentally Challenged Accountant. Holly’s interaction with him was hilarious.

Lastly… Moes!

Now, for a few great lines:

Michael: “I should make you a mix.”

Ryan: “Congratulations. Congratulations on doing your job. Now enter the order on the website.”

(By the way, it was hilarious to see the cocky Ryan being escorted out of the DM HQ in handcuffs.)

Michael: “I think I love her.”
Jim: “You can think that, but you don’t say it out loud and you definitely don’t tell her.”

Pam: “Don’t tell him this, but I always thought that Toby was kind of cute.”

And then, of course, the tag…

Dwight and Angela hooking up in the office!

Drew Hastings: Irked and Miffed

Like a less feminine, metrosexual Charles Nelson Reilly with a shag cut, Drew Hastings is an odd bird, and his concert video, “Irked and Miffed,” is impressive in how it makes his oddness so normal. More of a storyteller than a joke teller, Hastings spins lengthy, humorous yarns about Missouri animal parks, his experiences as a farmer, and his three-day one night stand with a gasper (she was into erotic asphyxiation). The farm bit was the most enlightening, because he masterfully blends his big-city sensibilities (eye masks, silk kimonos) with finite details of life in rural Ohio (camouflage wallets, surly barn cats). Some of the jokes have been done before – Blake Clark told the camouflage wallet joke 20 years ago, and his bit on Viagra has been done by, well, everyone, but mainly Ron White – but Hastings’ delivery is unique and his playful banter with audience members is barbed without being mean-spirited. Most pleasant of all is his tendency to stay away from topical humor. A comedian that doesn’t bash the government; how refreshing.

Click to buy “Drew Hastings: Irked and Miffed”

“Reaper” renewed for second season

“Reaper” fans can breathe a sigh of relief. The CW is bringing the show back for another season.

“Reaper” will return for 13 episodes midseason and will likely be paired with “Supernatural” on Thursday nights after “Smallville” concludes its run.

The network made the decision Monday, going down to the wire on whether to pick up the series before the CW’s “upfront” presentation to advertisers the next day.

“Reaper,” which stars Bret Harrison as a young man who’s a bounty hunter for the devil, has a devoted fanbase but has struggled in terms of ratings. Most recently the show averaged about a 1.0 rating among adults 18 to 49. The show initially impressed critics with its strong pilot directed by Kevin Smith (“Clerks”), then seemed to stumble creatively. Recent episodes, however, have fans saying the show is back on track with a more serialized storyline and sharper wit.

The article is dead on. After a quick start, the show floundered a bit midseason and fell into a “freak of the week” routine. That, combined with the constant tease of Sam and Andi’s relationship (as well as Sam’s decision to keep Andi in the dark about his second job), made some of those midseason episodes predictable and a bit frustrating. But over the course of the last six or eight episodes, the writers have changed the landscape of the show and introduced a serialized storyline to keep things moving from week-to-week.

The nice thing about being on one of the smaller networks (like CW, USA, FX, etc.) is that those networks aren’t going for a home run in ratings. They’re happy with a single here and a single there, so good writing will generally get you another season to build your audience. (R.I.P. “Journeyman”) With veteran shows like “Smallville” and “Supernatural,” along with newcomers “Gossip Girl” and “Reaper,” the CW keeps hitting singles.

Twelfth Night

This little-known 1970 TV production of Shakespeare’s comedy is a real find. For you non-English majors, “Twelfth Night” is one of many of the Bard’s lighter works built around mistaken identity and gender confusion. This is basically a two-tracked story, one a rom-com involving a shipwrecked woman (Joan Plowright), pretending to be a male (a eunuch, technically) and falling in love in the process; the other involves drunken noblemen Toby Belch (Ralph Richardson) playing a cruel practical joke on Malvolio (Alec Guinness), a puritanical buzz-kill of a head servant. Helping Sir Toby along are various miscreants, including Feste (Tommy Steele) — a sort of clown or jester.

This somewhat shortened, fast moving production zips along joyfully, and the joy is largely thanks to its amazing cast. Dame Plowright, still a familiar face to PBS and BBC-America viewers and best known as the last wife of Laurence Olivier, gives a sensitive and funny performance in the lead — actually a kind of triple role. Alec “Please Don’t Call Me Obi-Wan” Guinness, one of history’s best and most understated actors, cuts loose and steals the show in one of the broadest performances of his career. He’s not quite Sir Alec, but it’s nevertheless Tommy Steele — a strong performer who began his career as England’s answer to Elvis Presley, or perhaps Bobby Darin — who gives this production a slightly off kilter late sixties edge, providing a contemporary, not-quite hippiesh, spin to his puckish character by performing folk-pop settings of Shakespeare’s songs. Steele gets the musical last word here, and it’s very nice.

Click to buy “Twelfth Night”

Get “Spaced” or get out!

When we American fans of British comedy fell in love with “Shaun of the Dead” and “Hot Fuzz,” there was little question that the folks at the BBC would eventually take advantage of the growing cult surrounding the work of Simon Pegg and release his early series, “Spaced,” on DVD. And, really, how could they not? After all, look at these raves from famous people who are, by virtue of their fame, better than you:

Spaced

* “Watching ‘Spaced’ is kinda like watching a Kevin Smith film if Kevin Smith had any real talent.” – Kevin Smith

* “I watch and re-watch ‘Spaced’ from time to time to remind myself how good television comedy can be.” – Matt Stone

The best thing out of England since Winston Churchill.” – Seth Rogen

I laughed hard, and I hate comedy.” – Judd Apatow

“Annoyingly good.” – Eddie Izzard

‘Spaced’ is a to-be-envied, to-be-cherished blend of pop culture heartbreak and genuine human hilarity. It’s also a foolproof Idiot Test. Here’s how it works: if someone ever tries to duplicate, replicate, or otherwise re-do this one-of-a-kind show, they’re an Idiot! Aren’t we all lucky to have such a thing in our world?” – Patton Oswalt

Innovative. Witty. Hilarious. ‘Spaced’ is the show we American comedians watch and say, ‘How the hell did they get away with this?!’ Buy this and you can officially be cool.” – Bill Hader

Of course, some of us couldn’t wait for the domestic release – cough-cough Jason Zingale cough-cough – and had to buy a British copy of the set to watch on their region-free DVD player, but we’re guessing those people will still be ordering this set – due for release on June 17 – if only because of the special features.

All two seasons and 14 episodes of “Spaced” will be packaged within the set, of course, but there’ll also be new exclusive commentary with director Edgar Wright, Simon Pegg, Jessica Hynes (nee Stevenson), and guests Quentin Tarantino, Kevin Smith, Bill Hader, Matt Stone, Patton Oswalt and Diablo Cody, an exclusive Spaced On Stage reunion Q&A recorded at the National Film Theatre, London in October 2007, and “Skip to the End,” an exclusive feature length documentary. There’ll also be outtakes, deleted scenes, raw footage, a photo gallery, newly updated cast and crew biographies, but something particularly eyecatching is a feature that the “Gilmore Girls” sets could’ve used: an Homage-O-Meter, an onscreen feature that tracks each pop-culture reference.

“Spaced.” You know you want to buy it. Too bad it’s not on Amazon for pre-order yet…but it will be.

Oh, yes: it will be.

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