Category: TV Comedies (Page 57 of 154)

The Further Adventures of Ari, the Agent

If you’re like a lot of people, myself definitely included, you kind of wish “Entourage” were all about Ari the agent. The lovable a-hole played by Jeremy “insert sushi joke here” Piven.

I’ve got no “in” with the producers of the show, who may already feel they have enough Piven in their lives, but Ari Gold’s famed real-life doppelganger, super-agent Ari Emanuel, has apparently pulled off the kind of power-consolidating coup that would no doubt have his fictional equivalent furious with envy and heaping extra abuse on his long-suffering assistant, Lloyd. The short version is that his agency, Endeavor, has taken over the venerable, but declining, William Morris — once by far the world’s best known agency — and reportedly fired many of its staff while hanging on to most of Endeavor’s.

It’s just slightly like Marilyn Manson staking over Capitol Records. And, oh yeah, one of his brothers runs the White House, whose tough/manic rep could probably be the basis of an entertaining cable series of its own.

I’m an old-school guy who feels that it’s kind of an inevitable travesty that agents like Emmanuel wield as much power as they do, even if it’s now less than what they had not so long ago; I largely blame them, in part and as a group, mind you (I don’t want Ari mad at me!) for the steep decline in the quality of mainstream studio “product” since the early eighties. Of course, it’s not just agents who are behind the “filmed deal” school of moviemaking, it’s also lawyers and producers. Two more widely beloved professions.

Moreover, the references to ex-super agent Michael Ovitz, who maybe did more than anyone to enshrine a new level of douchiness as part of Hollywood culture in his day, don’t warm my heart. On the other hand, at least Ari and I have similar politics. Still, the problem of movies-as-deals rather than movies-as-movies goes back at least as far as original super-agent Lew Wasserman, who as questionable as he often was, was really only filling a power vacuum left by the decline of the studio system, and his work occasionally certainly resulted in some great movies too. (Oh, and by the way, was a purported liberal who wound up helping ex-actor Ronald Reagan to become president. Thanks for all your help to the cause, Lew.) Let’s face it, complaining about agents in Hollywood is a little bit like complaining about L.A. traffic — it’s an inevitable part of existence, an unavoidable flaw in the local ecosystem, until we figure out something better.

There’s much more to be read via Kim Masters, Sharon Waxman, and the New York Times. Anne Thompson also has a very good piece up on last week’s “Produced By” conference, including comments from Clint Eastwood, which I think is sort of related.

Russell Brand in New York City

There are hundreds of genuinely funny people that positively suck at stand-up comedy, which is why the DVD for “Russell Brand Live in New York” sat unopened on this writer’s desk for a couple weeks. Mind you, I found Brand quite funny in “Forgetting Sarah Marshall,” and he pretty much stole “Bedtime Stories” from Adam Sandler. But is he stand-up funny? As it turns out, yes, he is. His approach is extremely British, in both language and timing, but his routine, which originally aired on Comedy Central in March, is wisely focused on all things America, beginning with his disastrous stint as the host of the 2008 MTV Video Music Awards (the opening monologue from the VMAs is included in the bonus features). He even shares the death threats he received afterwards, one of which declares that his monologue proves that he’s a Muslim-loving terrorist (“Bit of a leap,” Brand replies). One of the funniest bits in his routine is relegated to the bonus features, where he has some fun with an overly excited admirer, but soon loses his patience when she won’t keep her mouth shut. A genuinely amusing routine overall, but a quick note to Comedy Central: lose the grainy hand-held camera shots. They’re annoying.

Click to buy “Russell Brand Live in New York”

…And the Winner (Really) Is….

No, this is not a reference to last night’s Tonys. True, the movie-inspired “Billy Elliot” did take the night, continuing a “trend” for B-way musicals that go back to the classic film era, and it’s also true that host Neil Patrick Harris is a winner both for his show-closing/show-stopping musical summation, and because Empire Online has announced a couple of movie gigs for the still up-and-coming Doogie Horrible. (h/t Whedonesque).

However, it seems that the battle for the #1 box office spot discussed on my last post actually had a somewhat different result than we thought. It’s important to remember that those numbers I talk about on Sunday are really only estimates, though they are treated by press-sters as just this side of gospel. The upshot is Variety is reporting that both “The Hangover” and “Up” did better than expected business yesterday, but the former did just a little bit better better business, if you follow me. Sayeth the big V’s Pamela Mcclintock:

Final figures will show that “Hangover” grossed $45 million from 3,269 runs. “Up” should finish at $44.3 million to $44.4 million from 3,818 theaters.

I don’t suppose it really matters that much in the final analysis; nobody’s going broke here. (Well, I can’t speak for degenerate gamblers. Someone, somewhere, just lost a big bet.)

In other box office news I didn’t have time for yesterday, “Angels and Demons” cracked the $400 million mark over the weekend worldwide, sayeth the Finke. “Terminator Salvation” is not doing so badly overseas, actually. “Land of the Lost,” however, may be doing even less well than expected. Critics, you may step up your gloating.

Expansions

Just a couple of items where some more information might be of interest.

* I linked yesterday to a Variety story reporting that James Cameron had signed with mega-agency CAA. Last night, however, ace gadfly muckraker Nikki Finke reported that it was merely a new camera technology developed for Cameron’s upcoming “Avatar” 3-D extravaganza, not Cameron himself, that the agency will be repping. In true Finkean style, she can’t resist taking a swipe at Variety in the process, though I guess it might be earned in this case.

Sigourney Weaver* On a more pleasant and actually interesting note, we have some news about Sigourney Weaver‘s upcoming projects, after discussing her — well, actually, Ellen Ripley — topping Total Sci-Fi’s list of female science fiction icons yesterday. For one thing, I didn’t realize until now Ms. Weaver is one of the stars of the aforementioned “Avatar” (as is Will Harris’s talented Facebook buddy Dileep Rao).

But that’s far from all, JA at The Film Experience is waxing enthusiastic over her possible casting (it’s not truly confirmed yet, I gather) in another sci-fi film, of sorts. “Paul” is to be directed by Greg Mottola of “Superbad” and “Adventureland” and written by and starring Simon Pegg and Nick Frost of “Shaun of the Dead,” “Hot Fuzz,” and “Spaced” fame. Apparently the film has something to do with a couple of British comic book geeks (Pegg and Frost) traveling cross-country from Comic-Con who meet up with Seth Rogen — I gather possibly animated or CGI’d or something — as an alien named, naturally, Paul at Nevada’s Area 51 (at least that’s how SlashFilm’s Paul Sciretta has it). It will also feature Bill Hader, Jane Lynch, Jason Bateman and Kristen Wiig.

Sounds pretty good, but JA was also good enough to mention another comedy casting for Ms. Weaver, this in “You Again,” which will star Kristin Bell, a particular favorite over here. As JA points out, it will re-team the high talented, geek-friendly Bell with director Andy Fickman, who elicited one of her most interesting performances in “Reefer Madness: The Movie Musical” back in 2005. At the risk of going off on a bit of tangent (and, by the way, just happening to mention my lengthy 2007 blog post on Fickman’s entertaining, though highly imperfect, movie), did you know that the former Veronica Mars can, as the Western codgers say, sing purty?

Don’t worry, she gets a lot less wholesome later on

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