Category: TV Comedies (Page 44 of 154)

NBC takes us behind the scenes for the new season of “Parks and Recreation”

It’s still undeniably in the shadow of “The Office,” but Amy Poehler’s “Parks and Recreation” really started coming into its own during its first-season run this year — and if we’ve learned one thing from creators Greg Daniels and Michael Schur, it’s that even if their shows take a little time getting up to speed, they make for appointment viewing once they hit their stride. In other words, the best is yet to come — and with season two set to premiere September 17 at 8:30, we don’t have to wait long to see it.

And actually, you don’t even have to wait until September 17, thanks to NBC’s behind-the-scenes peek at the upcoming season, which we’ve helpfully embedded below. Have you missed Leslie Knope, Tom Haverford, and Ann Perkins? Hit “play” on this clip and whet your appetite for more uncomfortable situations, awkward pauses, and laughs!


SNL adds two cast members

SNL

Saturday Night Live has decided to continue its quest of relieving Kristen Wiig from being the only funny female on the show. Last season, SNL added Casey Wilson, Michaela Watkins, and Abby Elliott. The public didn’t seem largely receptive to any of the new females, whether it’s because of the amount of air time received, the quality of the writing, etc. Still, that isn’t stopping the historic sketch program from bringing in Nasmin Pedrad and Jenny Slate. Both have spent time at the Upright Citizens Brigade Theatre, which has become SNL’s equivalent of a farm system.

As for the newcomers, Pedrad is familiar to Los Angeles audiences for her regular appearances with the Groundlings, the UCB Theater and Improv Olympic, as well as the stage show “After School Special.” She also staged a one-woman show, “Me, Myself and Iran,” and has had guest roles on primetime series such as “ER” and “Gilmore Girls.”

Slate is best known for her UCB New York show “Dead Millionaire,” in which she plays a woman who dies and leaves $300 million to her dog. She’s also half of the comedy duo Gabe and Jenny and has been a regular snarky commentator on VH1’s “Best Week Ever.”

No word yet on whether any members will be departing. The cast is the largest it’s been in recent memory and I’m sure Lorne Michaels will soon be trimming the fat.

Void at the box office

gerard_butler_gamer

There’s a definite feeling of apathy about this week’s new box office releases, but on we go.

Topping this Labor Day weekend’s movie newbies is the Gerard Butler sci-fi action flick from the team who brought us “Crank.” “Gamer” adds a video game twist to such past violent media commentaries as “Death Race 2000” and “The Running Man.” Lionsgate isn’t screening this one for critics, so there’s no reason to assume there’s anything terribly clever or satirical about it, though a capable supporting cast led by Michael C. Hall (Showtime’s “Dexter“) as a villainous game designer as well as Ludacris and Kyra Sedgwick seem to indicate someone, at one point, hoped to do something interesting with this one. As for commercial success, it appears to all be laid at the feet of Butler. Nothing against the very capable Scottish thespian, but I just don’t see this one beating last week’s leader, the gimmick-driven 3-D horror opus, “The Final Destination.”

And that, I’m sure goes double for next of the three new major releases of the week, the Sandra Bullock headlined screwball romantic comedy, “All About Steve.” A film which the nation’s critics might well wish Fox had withheld, it has achieved the still fairly rare honor of a 00% Rotten Tomatoes “Fresh” rating (as in 100% “rotten”). Costar Bradley Cooper’s newfound recognizability via “The Hangover” probably won’t help much here, and Thomas Haden Church doubtless deserves better. Apparently the creators of this one intended Bullock’s character to be a lovable eccentric, but instead wound up with the more usual sort of eccentric — the kind who’s just weird. There’s likely a reason this one’s being dumped at the end of a long movie summer.

It’s in significantly fewer theaters than its competitors at only about 1,500, but Mike Judge’s “Extract” simply has to be better than either of them. At a 55% RT rating, the nation’s critics pretty much reflect the divided reaction of my fellow PH-er Jason Zingale, who calls it “a wildly uneven film that is deftly funny at some points, and just plain dull in others.” Still, though Jason 100% detested Judge’s earlier, barely released, “Idiocracy” that film got better reviews and the portions I’ve seen on cable certainly made me laugh — not that anyone cares what us critics think.

Jason Bateman in
As the writer-director of “Office Space” and the creator of TV’s “King of the Hill” and “Beavis and Butthead,” Judge is a knotty figure when it comes to movies. His now legendary workplace comedy was pretty much dumped at the box office only to be discovered later on vide0, and “Idiocracy” got even less promotion than the original release of “Space.” (Jason would say for good reason.) “Extract” star Jason Bateman is a skilled comedian but despite important parts in numerous hits, including “Juno,” he’s a very long way from the film stardom of his onetime TV son, Michael Cera. Still, both Judge and Bateman have a lot of pent-up goodwill. Maybe there’ll be a surprise here, but don’t bet the farm, or even the garden, on it.

That leaves two 100-theater releases. The first is a horror flick being dumped after the demise of Paramount Vantage. “Carriers” seeks to milk horror from pandemic fears. Quarantined from critics, it stars the talented Lou Taylor Pucci and the new Captain Kirk, Chris Pine. Speaking of James Tiberius, the other release isn’t new at all but another chance to catch J.J. Abrams’ hugely entertaining (if oddly filmed) “Star Trek” in Imax, which has certainly lived long and prospered at the box office.

Star Trek

Entourage 6.8 – The Sorkin Notes

It was only a matter of time before Doug Ellin and Co. slipped up and delivered a bad episode, but considering it’s taken this far into the season for it to happen, it really isn’t worth getting upset about. Still, not a whole lot went down in tonight’s show, and even worse, the filler portions weren’t very entertaining. The only subplot that did accomplish anything was the one involving Andrew Klein’s midlife crisis, but although fans of Ari were no doubt happy to see Jeremy Piven back after his pseudo-absence on last week’s show, this story is really starting to get on my nerves. Gary Cole may have been a great addition to the back-end of Season Five, but this year, they’ve turned his character into a boring mess.

Now that Marlo has locked him out of the house and frozen his assets, Andrew has started crashing at the office, and Babs has taken notice. With his meeting with Aaron Sorkin set to take place later that day, Babs gives Ari an ultimatum: either Andrew signs Sorkin or he’s gone. Of course, when it’s time for Andrew to prove his worth to the agency by reeling in the big fish, he isn’t there because he’s busy trying to get his notes from his home. When Marlo refuses to let him, and then burns said notes for him to see, Andrew absolutely loses it and drives his car through the house. Not a smart move, as it forces Ari to take the meeting in his place. Sorkin, however, hates Ari’s guts, and refuses to even listen to anything he has to say. So when they discover that Andrew has been sent to county jail, they go to visit him, only for Andrew to miraculously sign Sorkin after telling his lame sob story. I can’t say I was happy about that, though, as it only means Andrew is bound to stick around. This was the perfect time to get rid of his character and allow for Ari to get back to business, but now he’s stuck babysitting Andrew for what looks like the immediate future. Le sigh.

Meanwhile, in Other Subplots That Just Won’t Die, Eric and Sloan get together for drinks to try the whole friendship thing again, only for Eric to suddenly bail on her when Ashley comes crawling back. This whole back and forth between Eric and Sloan was always going to play a big role this season, but what was the point of bringing them together for a few seconds only for them to end up exactly where they were before? If Eric was upset that Sloan can’t decide what she wants, then why did he decide to meet her in the first place? It’s a pretty maddening storyline that I hope gets settled soon, because while I’m sure Eric will end up with Sloan eventually, the writers just need to get them together and be done with it.

The other story of the night focused on Vince’s recent break-in after agreeing to meet with Ari’s security friend (played by Peter Stormare) for a demonstration of his services. There didn’t seem to be much to this plotline except for a chuckle-worthy scene where Drama stood in for Vince during a simulation, but the final scene of the episode did open a few doors for the rest of the season. At first, I was going to criticize the guys for even considering paying the outrageous cost for security (after all, the unwelcome visitor only snagged some underwear), but now that they’ve uncovered a possible identity with the driver’s license of a particularly creepy-looking guy named Curtis Tucker, it might be more serious than we were led to believe. That, or the security guy planted the evidence in order to scare Vince into paying their steep fee. I’ll admit that the former offers a more interesting premise, but don’t count my other theory out just yet.

What’s up with “The Norm MacDonald Reality Show”?

Some will remember a few months back when comedian Norm MacDonald announced that he was creating a new show for the FX Network entitled “The Norm MacDonald Reality Show.” Everything appeared to be a go and diehard fans have eagerly awaited for its premier in the fall. The show even has its own IMDB page and everything, despite being very skimpy. We assumed it would appear opposite FX’s single comedy series “It’s Always Sunny in Philadephia.” Now things aren’t looking so good. When FX announced their upcoming fall schedule, Norm’s show was curiously absent. Instead, word has surfaced that three new comedies have been confirmed. They are Louis CK’s new comedy “Louie,” the partly-improvised “The League,” and the animated series “Archer.” So, what the hell?

It seems like Norm’s been making a comeback over the past couple years. He released a solid comedy album, vexed everyone at the “Comedy Central Roast of Bob Saget,” made a hilarious appearance on “Saturday Night Live’s” Celebrity Jeopardy, and has certified himself as the funniest guest to have on a late night talk show. When you watch him with Letterman, Conan, and Jon Stewart, you can see how much they’re having just letting Norm do his thing.

So sit back and enjoy these clips. If FX has abandoned the project, I hope the show ends up on a network looking for some guaranteed hilarity. Maybe TBS or USA will bite.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑